For 54 reviews, this critic has graded:
  • 70% higher than the average critic
  • 1% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 7.1 points lower than other critics. (0-100 point scale)

Andy Seiler's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Touch of Evil
Lowest review score: 25 Virus
Score distribution:
  1. Positive: 30 out of 54
  2. Negative: 11 out of 54
54 movie reviews
    • 46 Metascore
    • 75 Andy Seiler
    Thinking isn't going to do anyone a bit of good during Blue Streak. Turn off your brain instead and you might enjoy it.
    • USA Today
    • 43 Metascore
    • 50 Andy Seiler
    It is a measure of the movie's lack of inspiration that William Shatner is the funniest thing in it.
    • 41 Metascore
    • 75 Andy Seiler
    All coy and fey -- and painless to digest.
    • 40 Metascore
    • 63 Andy Seiler
    A curious but intriguing movie that leaves you bemused and more than a little confused.
    • 38 Metascore
    • 38 Andy Seiler
    No disinfectant could clean up this misbegotten, Americanized remake of "Les Visiteurs."
    • 38 Metascore
    • 50 Andy Seiler
    Allen Daviau's cinematography is so striking that the movie would probably play better with the sound off.
    • USA Today
    • 36 Metascore
    • 63 Andy Seiler
    Best to wait until the movie makes it to TV - where its missteps will loom less large.
    • 34 Metascore
    • 38 Andy Seiler
    The actors take a back seat to computer-generated demonic images and apocalyptic special effects.
    • USA Today
    • 34 Metascore
    • 38 Andy Seiler
    Shot by a special-effects superstar making his first stab at directing, Mark Dippe, the result is dizzying in its unreality, and the visual tricks are impressive. [01Aug1997 Pg.02.D]
    • USA Today
    • 31 Metascore
    • 63 Andy Seiler
    The computer animation of the monsters here is a herky-jerky cartoon blur that is anything but scary.
    • USA Today
    • 31 Metascore
    • 50 Andy Seiler
    Lucky Numbers is anything but lucky for stars John Travolta and Lisa Kudrow.
    • 31 Metascore
    • 63 Andy Seiler
    Robbins' performance as Winston is the best thing in the movie.
    • 29 Metascore
    • 38 Andy Seiler
    Mowing the lawn might be more involving than watching this subpar sci-fi sequel, which manages to be complicated and witless at the same time. [15 Jan 1996, p.4D]
    • USA Today
    • 29 Metascore
    • 50 Andy Seiler
    As the couple stand on the bluffs overlooking San Francisco Bay, you may find yourself wishing Forlani would push Prinze in.
    • USA Today
    • 28 Metascore
    • 38 Andy Seiler
    The scariest thing about this appalling and seemingly endless movie is that you paid for your ticket and now have to sit through it.
    • 26 Metascore
    • 25 Andy Seiler
    Poor Sharon Stone! Poor Sidney Lumet! [22 January 1999, Life, p.11E]
    • USA Today
    • 25 Metascore
    • 50 Andy Seiler
    Wenders creates an imaginative, stylized cityscape, but what's missing is the compelling story that could bring the setting to life.
    • 25 Metascore
    • 38 Andy Seiler
    Friedberg, who previously made Nielsen's golfing video and rental car commercials, knows only the low road -- and gets lost anyway. [24 May 1996, Pg.04.D]
    • USA Today
    • 22 Metascore
    • 50 Andy Seiler
    It's still the same sick story. Even the small touches seem stale.
    • 21 Metascore
    • 25 Andy Seiler
    Would not even make a decent five-minute TV sketch. At any length, it smells.
    • USA Today
    • 19 Metascore
    • 25 Andy Seiler
    The movie was postponed from 1998 and shielded from critics. (They were ot allowed to see the movie before the opening, usually a bid sign.) [15 January 1999, Life, p.8E]
    • USA Today
    • 18 Metascore
    • 50 Andy Seiler
    Good spirits are worth something, and the movie has them, as well as scattershot chuckles.
    • USA Today
    • 10 Metascore
    • 38 Andy Seiler
    A cynical sex comedy that manages to be infantile and jaded at the same time.
    • USA Today
    • 9 Metascore
    • 38 Andy Seiler
    The script, based on a novel by Scientology founder L. Ron Hubbard, is deeply dumb, depressingly derivative (ripping off "Planet of the Apes" the most) and just plain nonsense.
    • USA Today

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