Andrew Pulver
Select another critic »For 99 reviews, this critic has graded:
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41% higher than the average critic
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10% same as the average critic
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49% lower than the average critic
On average, this critic grades 0.4 points lower than other critics.
(0-100 point scale)
Andrew Pulver's Scores
- Movies
- TV
| Average review score: | 65 | |
|---|---|---|
| Highest review score: | Let's Get Lost | |
| Lowest review score: | Paris-Manhattan | |
Score distribution:
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Positive: 37 out of 99
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Mixed: 62 out of 99
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Negative: 0 out of 99
99
movie
reviews
- By Date
- By Critic Score
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- Andrew Pulver
First-time director Pablo Trapero has crafted an impressive debut - one that emphasises the dignity of his subject without lapsing into agit-prop.- The Guardian
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- Andrew Pulver
An early masterclass in the art of the caper movie, John Huston's 1950 thriller stands up wonderfully well, even if we've got used to far more convoluted scheming by movie robbers in the intervening period- The Guardian
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- Andrew Pulver
As a performer, Biller is fearless in her pursuit of perfectly recreated cheesecake, but is a twitchy and not especially charismatic presence. Where her film lets itself down, though, is it's simply not funny.- The Guardian
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- The Guardian
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- Andrew Pulver
You have to admire the ambition, even if Elliot doesn't always seem certain if he's laughing with or at his creations.- The Guardian
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- Andrew Pulver
This story is not about consummation, but about reconciliation; it's a recognition that we want wrongs to be righted, that good will prevail, and that the faithless will be punished or reformed.- The Guardian
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- Andrew Pulver
Filmed with a luminous brilliance by cinematographer Freddie Francis, The Innocents is the apotheosis of old-school Brit spookiness.- The Guardian
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- Andrew Pulver
The furrowed-brow seriousness of X-Men is its least attractive quality, but that is the mood that dominates in this film. It's hard to see how anyone other than hardcore fans will find much to entertain them.- The Guardian
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- Andrew Pulver
There is a tenous narrative logic - in which Jodorowsky himself, dressed in cowboy black, must gun down four desert-dwelling killers - which gives the film a measure of watchability. But it's hardly deep.- The Guardian
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