Andrew Pulver

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For 99 reviews, this critic has graded:
  • 41% higher than the average critic
  • 10% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Andrew Pulver's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Let's Get Lost
Lowest review score: 40 Paris-Manhattan
Score distribution:
  1. Positive: 37 out of 99
  2. Negative: 0 out of 99
99 movie reviews
    • 28 Metascore
    • 40 Andrew Pulver
    This is basically a studied and serious film, but there's a feyness to its tone, and a lethargy to its pacing that make it difficult to warm to, even if the principal actors give it their all.
    • tbd Metascore
    • 40 Andrew Pulver
    It's not terrible, by any means: just not nearly as funny or cruel as its killer premise suggests.
    • tbd Metascore
    • 60 Andrew Pulver
    An illuminating, affecting piece of work.
    • tbd Metascore
    • 60 Andrew Pulver
    This is a documentary about Australian motor sports legend Jack Brabham that aims to finesse the usual greatest-hits highlights by including some darker material: family strife, on-track bad behaviour, behind-the-scenes fallouts.
    • tbd Metascore
    • 60 Andrew Pulver
    Director-producer team David Bickerstaff and Phil Grabsky are past masters at putting this kind of film together, and Sunflowers has the usual mix of smoothly impressive visuals and authoritatively informed comment.
    • tbd Metascore
    • 60 Andrew Pulver
    This film (and Liggett) is likable and charming enough.
    • tbd Metascore
    • 60 Andrew Pulver
    This film is a capable, wholesome tribute to a project that is about as warm and fuzzy as space travel gets.
    • tbd Metascore
    • 80 Andrew Pulver
    As with most great football stories, there is a tale of redemption underlying all this; you can’t say it isn’t fully deserved.
    • tbd Metascore
    • 60 Andrew Pulver
    Here’s a fascinating time-capsule of a documentary about an admittedly niche-interest band who achieved their most valuable cultural currency during the politically-charged 1980s, and who achieved a subsequent second act that achieves considerable emotional heft.

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