Andrew Pulver

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For 99 reviews, this critic has graded:
  • 41% higher than the average critic
  • 10% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Andrew Pulver's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Let's Get Lost
Lowest review score: 40 Paris-Manhattan
Score distribution:
  1. Positive: 37 out of 99
  2. Negative: 0 out of 99
99 movie reviews
    • 30 Metascore
    • 40 Andrew Pulver
    Despite the surface sheen, and some enterprising plot twists, it doesn’t entirely convince.
    • 42 Metascore
    • 40 Andrew Pulver
    It comes across as twee, comfy-cardigan film-making. And, Eddie Izzard’s best efforts notwithstanding, it simply isn’t very funny.
    • 47 Metascore
    • 40 Andrew Pulver
    Like the first one, it's played for laughs in-between bouts of mayhem; most of the gags are off-target, though Mirren's Nancy Mitfordesque assassin gets a pretty good kill ratio.
    • 58 Metascore
    • 40 Andrew Pulver
    As a performer, Biller is fearless in her pursuit of perfectly recreated cheesecake, but is a twitchy and not especially charismatic presence. Where her film lets itself down, though, is it's simply not funny.
    • tbd Metascore
    • 40 Andrew Pulver
    It's not terrible, by any means: just not nearly as funny or cruel as its killer premise suggests.
    • 40 Metascore
    • 40 Andrew Pulver
    The furrowed-brow seriousness of X-Men is its least attractive quality, but that is the mood that dominates in this film. It's hard to see how anyone other than hardcore fans will find much to entertain them.
    • 32 Metascore
    • 40 Andrew Pulver
    There's undoubtedly a good film to be made out of the scramble for oil in the Arabian desert in the 1920s – but this, for all its herculean efforts, is not it.
    • 37 Metascore
    • 40 Andrew Pulver
    A clotted, knotted, twisty noir that is, unfortunately, short on the required atmosphere.
    • 36 Metascore
    • 40 Andrew Pulver
    By itself, this would just be one of those workmanlike relationship films the French turn out by the yard; but all the Allen stuff throws its mediocrity into sharp relief.

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