Andrea Gronvall

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For 376 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 8.3 points lower than other critics. (0-100 point scale)

Andrea Gronvall's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Paprika
Lowest review score: 0 Old Dogs
Score distribution:
  1. Negative: 60 out of 376
376 movie reviews
    • 28 Metascore
    • 40 Andrea Gronvall
    Bitchy cheerleaders and swimming pool catfights are just two of the tedious cliches propping up this brittle comedy.
    • 28 Metascore
    • 30 Andrea Gronvall
    As usual, Cage alternates between leaden line readings and thunderous outbursts, making his accomplished costars Ulrich Thomsen and Stephen Campbell Moore look even better.
    • 27 Metascore
    • 30 Andrea Gronvall
    In middle age Jackie Chan can't keep coasting on boyish charm, as evidenced by this dreadful family comedy that does him no favors with its opening title sequence.
    • 27 Metascore
    • 30 Andrea Gronvall
    Ryan, barely refining her "When Harry Met Sally" persona, is a dud; Annette Bening, playing the best friend who sells her out to a tabloid, is better in the scenes she doesn't share with her.
    • 27 Metascore
    • 50 Andrea Gronvall
    The production values are above par, but as in Carpenter's original, seeing ghosts is less scary than imagining them.
    • 26 Metascore
    • 40 Andrea Gronvall
    The slapstick is funnier for the nifty CGI, and the script gets in some sly digs at racist cops and multitasking soccer moms.
    • 26 Metascore
    • 30 Andrea Gronvall
    Throughout most of her career Diane Keaton has shown sound instincts, so it's a mystery why she failed to sniff this false, brittle comedy out as a waste of her gifts.
    • 26 Metascore
    • 30 Andrea Gronvall
    A romance between Fox and the attorney trying to force her out (Darrin Henson) taxes belief and leads to a sappy ending that doesn't come soon enough.
    • 25 Metascore
    • 20 Andrea Gronvall
    The narrative is murky and ludicrous, the action violent and nihilistic, the contemporary western ethos painfully pretentious.
    • 25 Metascore
    • 30 Andrea Gronvall
    Josh Duhamel plays the smitten sports reporter who helps her mount her big art show, "Pain"--a fitting title, given the agony induced by this godawful comedy.
    • 24 Metascore
    • 30 Andrea Gronvall
    With artifice as layered as the tiers of a marzipan cake, this resembles nothing so much as a stale Rock Hudson-Doris Day comedy.
    • 24 Metascore
    • 30 Andrea Gronvall
    It's not scary because not one second is believable.
    • 24 Metascore
    • 30 Andrea Gronvall
    This Mike Myers vehicle exemplifies American comedy's continuing slide into infantilism.
    • 23 Metascore
    • 20 Andrea Gronvall
    The results are flat-out tedious.
    • 23 Metascore
    • 30 Andrea Gronvall
    A more helpful title for this date movie would have been Couples, Retreat!
    • 23 Metascore
    • 30 Andrea Gronvall
    As an actor Austin is still a lightweight, but Rick Hoffman (Hostel) fleshes out a recognizable character.
    • 22 Metascore
    • 30 Andrea Gronvall
    Inexplicably, Butler continues to get work in romantic comedies despite his limited range and boorish persona.
    • 21 Metascore
    • 30 Andrea Gronvall
    Bob DeRosa and Ted Griffin wrote the script, whose plummeting one-liners leave no actor unscathed.
    • 20 Metascore
    • 30 Andrea Gronvall
    Too low-key and amiable to match the lubriciousness Jim Carrey brought to the original.
    • 19 Metascore
    • 0 Andrea Gronvall
    A total train wreck.
    • 18 Metascore
    • 30 Andrea Gronvall
    Just when you thought camp was dead, along comes this bizarre cross between a Tarantino knockoff and a Hammer horror film.
    • 17 Metascore
    • 30 Andrea Gronvall
    Al Pacino chews up so much scenery it's surprising there's any left by the end of this fetid thriller.
    • 14 Metascore
    • 20 Andrea Gronvall
    Romantic comedies should never be this exhausting. Despite a few good zingers, Mars Callahan's vitriolic take on the sexes sinks under the weight of its secondhand psychobabble and smug apercus.
    • 13 Metascore
    • 10 Andrea Gronvall
    Like its methane-filled outhouse that explodes right on cue, this sequel to "Daddy Day Care" (2003) smells.

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