Amy Nicholson

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For 775 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Amy Nicholson's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Frankenstein
Lowest review score: 0 Melania
Score distribution:
  1. Negative: 67 out of 775
775 movie reviews
    • 53 Metascore
    • 70 Amy Nicholson
    Deep Water is a wickedly funny potboiler about sex, gossip and hypocrisy that Mr. Lyne has transplanted from the suburban Northeast to New Orleans, a city that sweats menace despite the film’s chilly blue cinematography and coldly erotic score.
    • 68 Metascore
    • 70 Amy Nicholson
    Bikram: Yogi, Guru, Predator is more than an indictment of a man. Orner cross-examines the community that protected a bully for four decades, ever since Bikram pranced before TV cameras flexing his pecs for a cheering audience.
    • 68 Metascore
    • 50 Amy Nicholson
    The four leads are yanked not by their heart strings but by the machinations of a plot that steers them from one contrived scene to another, just so it can point to the skid marks and call them a sketch of the new American family.
    • 68 Metascore
    • 60 Amy Nicholson
    Land Ho! feints toward pathos and perversity, only to decide that it's better off giving us abridged, postcard emotions.
    • 68 Metascore
    • 70 Amy Nicholson
    The pleasures of “F1” are engineered to bypass the brain. It’s muscular and thrilling and zippy, even though at over two-and-a-half hours long, it has a toy dump truck’s worth of plot.
    • 68 Metascore
    • 50 Amy Nicholson
    Chef is so charmingly middlebrow that it's exactly the cinematic comfort food it mocks: Favreau has made not a game-changing meal to remember, but a perfect chocolate lava cake.
    • 51 Metascore
    • 60 Amy Nicholson
    Once I Think We’re Alone Now establishes that Grace and Del represent love versus stability, the film doesn’t have a convincing way to reconcile the two.
    • 68 Metascore
    • 88 Amy Nicholson
    A Quiet Place: Day One, the startlingly effective prequel to the 2018 blockbuster about noise-sensitive aliens that devour anyone who’s ever annoyed a librarian, hits Manhattan with a bang, a nasty body count and a fair amount of audience suspicion.
    • 56 Metascore
    • 75 Amy Nicholson
    With the whole super-racket on the ropes, the cast of “Deadpool & Wolverine” seizes the opportunity to prove the power of their own charisma.
    • 68 Metascore
    • 60 Amy Nicholson
    This isn’t quite the heart-soaring “Superman” I wanted. But these adventures wise him up enough that I’m curious to explore where the saga takes him next.
    • 68 Metascore
    • 80 Amy Nicholson
    What lingers in Nathan's documentary isn't the swaggering trails of diesel fumes. It's the sadness of watching Pug narrow his options.
    • 68 Metascore
    • 90 Amy Nicholson
    Nicholas Stoller's hilarious Neighbors splashes into summer with the satisfying swish-plop-hooray of a winning beer pong serve.
    • 67 Metascore
    • 50 Amy Nicholson
    The result is a faintly comic curio that hurtles along without much impact.
    • 63 Metascore
    • 60 Amy Nicholson
    Batkid Begins wants audiences to celebrate the everyday heroes who donated their time and energy to Miles's dream. Absolutely, we should. Still, take a minute to ask what the disproportionate investment and interest in Batkid's adventure says about our own maturity — and how the internet allows us to feel like champions for rallying for one afternoon, while overlooking the years of unglamorous doctor appointments before it.
    • 67 Metascore
    • 50 Amy Nicholson
    Cuties' job is to coil the contrasting messages and spin them until her lead falls down dizzy, which can make the film feel as subtle as a headache.

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