Amy Biancolli

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For 217 reviews, this critic has graded:
  • 50% higher than the average critic
  • 1% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 6.1 points lower than other critics. (0-100 point scale)

Amy Biancolli's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Perks of Being a Wallflower
Lowest review score: 0 Vanishing on 7th Street
Score distribution:
  1. Positive: 99 out of 217
  2. Negative: 40 out of 217
217 movie reviews
    • 45 Metascore
    • 25 Amy Biancolli
    Rod Lurie's heated but empty-headed remake re-creates the original's trudge toward savagery but can't re-create its social context - and doesn't bring anything new to the table.
    • 31 Metascore
    • 25 Amy Biancolli
    The screenplay is so cognitively impaired that the filmmakers might have been better off hacking up "Fast Times at Ridgemont High," "Dazed and Confused" and "Dude, Where's My Car?" and then sticking together random bits with masking tape. At least that would have made some sense.
    • 39 Metascore
    • 25 Amy Biancolli
    Supposedly he's suffered, supposedly there are demons lurking within, but guess what: This is a movie. If we can't see it, it's not there.
    • 44 Metascore
    • 25 Amy Biancolli
    Director-co-writer Gary McKendry seems to know a thing or two about hard-fisted fight scenes, but he muddies up the visuals with obligatory spasms of shaky-cam.
    • 53 Metascore
    • 25 Amy Biancolli
    As weird as it sounds.
    • 53 Metascore
    • 25 Amy Biancolli
    It looks spiffy. It has an attractive cast. Marcel Zyskind's cinematography seethes and shines. And it's a crock.
    • 37 Metascore
    • 25 Amy Biancolli
    Until its final seconds, Seven Days in Utopia is just a piece of gee-whiz, G-rated, nicely shot evangelism outfitted as a golf movie. Then it cuts away at the pivotal moment that's normally the life's blood of inspirational sports dramas - and becomes something vastly more obnoxious.
    • 61 Metascore
    • 25 Amy Biancolli
    Let us recall that the first film was, in its blithely vulgar way, hilarious. And let us demand a moratorium on coked-out-baby jokes, which seriously kill the buzz.
    • 45 Metascore
    • 25 Amy Biancolli
    Rendered nearly unwatchable by overblown close-ups and an unrelenting shaky-cam.
    • 62 Metascore
    • 25 Amy Biancolli
    There are six standard types of violence in film these days: Tarantino, comic book, Scorsese, martial arts, horror and stupid. For stupid, look no further than Centurion.
    • 60 Metascore
    • 25 Amy Biancolli
    The whole thing is monumentally gruesome and just as monumentally cynical, a riot of grisly cliches designed to titillate and amuse.
    • 46 Metascore
    • 25 Amy Biancolli
    The film is confusing and awkwardly timed, and it drags.
    • 30 Metascore
    • 25 Amy Biancolli
    The film has some chuckles, if no belly laughs; it has some warmth, if no great heat.
    • 50 Metascore
    • 0 Amy Biancolli
    This is a terrible movie. It has no business being as terrible as it is, because it boasts a perfectly acceptable horror premise and a perfectly acceptable cast.
    • 59 Metascore
    • 0 Amy Biancolli
    So. What part of this is boring? All of it.
    • 39 Metascore
    • 0 Amy Biancolli
    The Sitter is not (Funny). At all. By any definition, although an argument might be made for the alternate meanings "perplexing," "deceptive" and "slightly unwell."
    • 55 Metascore
    • 0 Amy Biancolli
    Is it good bad? Nah. It's just bad. It's so bad it makes "Machete," the other movie based on a mock trailer from "Grindhouse," look like high-gloss Kubrickian satire.

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