Amon Warmann

Not quite a flawless victory, but a solid win all the same. Any future follow-ups would do well to give us an actual Mortal Kombat tournament to enjoy.

Snyder’s Justice League is an entertaining if overlong superhero flick in its own right. If this is the last DC film Snyder directs, it’s a satisfactory exit.

Zendaya and John David Washington deliver career-best performances in this mesmerising two-hander that ruminates on love, life and art.

Despite strong lead performances and some intriguing themes, this rarely rises above being a serviceable action thriller.

Combining beautiful aesthetics with winning performances from Thompson and Asomugha, Sylvie’s Love is the rare Black period drama that tells a sweet and satisfying love story without revolving around the racial adversity of the era.

While comparisons to Moonlight are not without merit, The Last Tree bucks the coming-of-age blueprint in new, specific ways.

By equal turns tense and witty but with plenty of perceptive social commentary to go around, this is a film that only gets more rewarding the more you look under its surface.

Witless and predictable, Plastic is about as disappointing as British cinema gets.

Arnie completists will enjoy seeing the Austrian Oak in good form, but as a whodunit thriller Sabotage is found severely wanting.

The human drama isn't always as compelling as it wants to be, but at its best Godzilla is a hugely entertaining blockbuster that starts strongly and finishes with a mighty roar. The king of the monsters has returned, and it appears he's here to stay.

The fraternity versus parents premise is a decidedly simple one, but the surprising amount of depth to the characters helps mine it for all its worth.