Alyse Wax

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For 18 reviews, this critic has graded:
  • 66% higher than the average critic
  • 11% same as the average critic
  • 23% lower than the average critic
On average, this critic grades 0.3 points lower than other critics. (0-100 point scale)

Alyse Wax's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 My Best Friend's Exorcism
Lowest review score: 25 Where the Crawdads Sing
Score distribution:
  1. Positive: 11 out of 18
  2. Mixed: 6 out of 18
  3. Negative: 1 out of 18
18 movie reviews
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    • 62 Metascore
    • 58 Alyse Wax
    Sick
    Sick is a decent slasher that hits all the right buttons, has some good scares and bloody kills, and has a unique take on the slasher tale—as long as you have the patience to get there. But considering this is from the writer of Scream, it’s hard to not hope for a little bit more than this.
    • 29 Metascore
    • 42 Alyse Wax
    The Mean One
    Aside from The Mean One himself, there was too much not to like in this film.
    • 55 Metascore
    • 58 Alyse Wax
    Hellraiser
    Ultimately, the new Hellraiser isn’t entirely bad. It’s just bland. Forgettable. And in the world of horror films, isn’t that worse than being bad?
    • 57 Metascore
    • 42 Alyse Wax
    The Munsters
    Ultimately, The Munsters is not a good movie. But it is great fodder to put on in the background of a Halloween party. It is best when used as a visual asset; something you may only want to catch a couple of minutes of dialogue from, but otherwise, it’s best left as background imagery.
    • 45 Metascore
    • 50 Alyse Wax
    Goodnight Mommy
    It is still a well-made film, with fantastic acting and a beautiful, modern house set out in the middle of nowhere, but it is not the shocker that it was when it was new. Knowing the twist, and the minor changes that were made for an American audience really soften the movie. If you enjoyed the original, the American remake would be perfect fodder for your parents.
    • 65 Metascore
    • 50 Alyse Wax
    The Black Phone
    There are very few classic hallmarks of horror films in The Black Phone. They arrive in the third act, but before that, it is a lot of… nothing. Talking. No cat-and-mouse chasing. No killing. Not even any suspense.

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