Alonso Duralde

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For 799 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 2.6 points lower than other critics. (0-100 point scale)

Alonso Duralde's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Challengers
Lowest review score: 0 Memory
Score distribution:
799 movie reviews
    • 52 Metascore
    • 55 Alonso Duralde
    Griffin juggles her many characters well, and she’s very smart about weaponizing the coziness of Christmas movies to make uncomfortable points. Silent Night may wind up being a successful calling card for her (as a director if not as a screenwriter), but for all the beautiful wrapping, it’s mostly an empty box.
    • 54 Metascore
    • 55 Alonso Duralde
    As cinema, it’s an avalanche of feel-good clichés, but as an audience-pleasing machine, it relentlessly pursues its goal and will probably win over viewers who surrender to it.
    • 54 Metascore
    • 55 Alonso Duralde
    The film’s intentions are unquestionably noble, but the execution falls wildly short, even with so many talented artists involved.
    • 55 Metascore
    • 55 Alonso Duralde
    Veers off in so many exhausting directions that it ultimately amounts to little more than sound and fury. She’s alive, alive, but she can’t maintain this pace.
    • 50 Metascore
    • 55 Alonso Duralde
    There’s so much to like in this movie, but its best qualities are ultimately subsumed in formula. And not the nutritious kind.
    • 70 Metascore
    • 55 Alonso Duralde
    Even with such an underwritten character, Noblezada finds grace notes and moments of specificity to Rose; it’s got to be a challenge for a stage star to portray a performer with nervousness about crowds, but she conveys the character’s stage fright (and the degrees to which she eventually overcomes it) in a way that feels honest.
    • 63 Metascore
    • 55 Alonso Duralde
    The first movie, for all its fluff, gave Miranda that eminently quotable “cerulean sweater” monologue, but this follow-up has nothing as interesting to say about fashion, or journalism, or life as anyone leads it. It’s sending nostalgia down the runway and expecting us to wear it, when the perfectly comfortable original already fits just right.

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