Almar Haflidason

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BBC
For 7 reviews, this critic has graded:
  • 85% higher than the average critic
  • 0% same as the average critic
  • 15% lower than the average critic
On average, this critic grades 23 points higher than other critics. (0-100 point scale)

Almar Haflidason's Scores

  • Movies
  • TV
Average review score: 89
Highest review score: 100 The Gold Rush (1925)
Lowest review score: 60 A Cry in the Dark
Score distribution:
  1. Positive: 6 out of 7
  2. Mixed: 1 out of 7
  3. Negative: 0 out of 7
7 movie reviews
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    • 90 Metascore
    • 100 Almar Haflidason
    The Gold Rush (1925)
    This comedy gem features some of [Chaplin's] funniest scenes, including him eating his boot.
    • 97 Metascore
    • 100 Almar Haflidason
    Gone with the Wind
    Clear an evening and indulge yourself in one of the few films that can justifiably be called an epic.
    • 88 Metascore
    • 100 Almar Haflidason
    The Bridge on the River Kwai
    Director David Lean achieves a fine balance of creating complex characters from a fine cast, while keeping the pace up throughout this long movie.
    • 95 Metascore
    • 100 Almar Haflidason
    Pulp Fiction
    It's hard to over sell a movie that is so supremely confident in writing and direction. Despite an almost audience-annihilating run time of nearly two and a half-hours, it is consistently absorbing.
    • 73 Metascore
    • 80 Almar Haflidason
    They Drive by Night
    The shady world of wildcat truck driving is the background for this B-movie, which finally gave Bogart a part to relish rather than playing a stooge due for a bullet.
    • 62 Metascore
    • 80 Almar Haflidason
    Let Sleeping Corpses Lie
    There are some cheesy moments (and gaping plot inconsistencies) as one might expect. But any laughter soon turns to screaming as the screen fills with calculated gory mayhem and some fine shock moments.
    • 75 Metascore
    • 60 Almar Haflidason
    A Cry in the Dark
    At the heart of "A Cry in the Dark" lies a true story so incredible that to have it made into a film could have tempted a sensational outcome of the most ridiculous proportions.

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