Allen Salkin
Select another critic »For 31 reviews, this critic has graded:
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67% higher than the average critic
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3% same as the average critic
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30% lower than the average critic
On average, this critic grades 1.1 points lower than other critics.
(0-100 point scale)
Allen Salkin's Scores
- Movies
- TV
| Average review score: | 65 | |
|---|---|---|
| Highest review score: | American Honey | |
| Lowest review score: | Victor Frankenstein | |
Score distribution:
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Positive: 13 out of 31
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Mixed: 16 out of 31
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Negative: 2 out of 31
31
movie
reviews
- By Date
- By Critic Score
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- Allen Salkin
The film slowly, slowly blossoms into an emotional wildflower by the end, leaving us with a scene that is kind of spontaneous road baptism, an unsure note of spiritual birth.- New York Daily News
- Posted Oct 6, 2020
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- Allen Salkin
An international action thriller that starts slow but picks up speed and just outruns its own clichés to make for a gripping two-hour ride.- New York Daily News
- Posted Sep 13, 2017
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- Allen Salkin
The stylish and engrossing reinterpretation of the mythological king's early years lacks character development, but makes up for it with swashbuckling, sword-fighting, beast-slaying fun.- New York Daily News
- Posted May 10, 2017
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- Allen Salkin
In the movie version of Wilson, starring Woody Harrelson, no one flies or turns into a centaur. But quiet magic happens nonetheless.- New York Daily News
- Posted Mar 23, 2017
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- Allen Salkin
Like Cohen's output, Rules Don't Apply as a whole is strangely hypnotizing. It has not been edited as so many other recent movies have, down to the nub, removing everything but the highlights you can produce movie trailers from. This thing breathes and creaks. It works. Maybe the cracks are what let the light in.- New York Daily News
- Posted Nov 21, 2016
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- Allen Salkin
Arrival is a science fiction confection that wants to be smart. But the truly fascinating material that would have made this a very good movie rather than a pretty decent one likely ended up on what they used to call the cutting-room floor.- New York Daily News
- Posted Nov 9, 2016
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- Allen Salkin
You might not agree with Stone that the man is a hero, but you probably do want to see the film so you can compute what the whole uproar was about.- New York Daily News
- Posted Sep 10, 2016
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- Allen Salkin
Credit to Sachs and his co-screenwriter, Mauricio Zacharias, for creating a complex gentrification fight, along with cinematography by Óscar Durán and music by Dickon Hinchliffe that is both gritty and dreamy.- New York Daily News
- Posted Aug 3, 2016
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- Allen Salkin
Nerve, a thriller set in a world of smartphone-obsessed teens, is clever, exciting, sweet and full of quick twists that never devolve from serving a well-built story.- New York Daily News
- Posted Jul 27, 2016
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- Allen Salkin
Walken is great in the tragicomic role of a long-tooth singer. Better still, he deserves a Billboard hit for his on-key — and on-fleeck — version of Joe McGinty’s “When I Live My Life Over Again.”- New York Daily News
- Posted Apr 6, 2016
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- Allen Salkin
The film’s thoughtful script and astounding craft portray a tragic inner psychological battle.- New York Daily News
- Posted Dec 28, 2015
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- Allen Salkin
Yes, this important film will deepen a debate about the game's safety. And, yes, it makes the National Football League look like a tobacco company run by the Nixon administration. But immigration is the ultimate political football right now — and when I left the theater, it was with a renewed sense of what one dignified man can achieve when given a chance in a great nation.- New York Daily News
- Posted Dec 23, 2015
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- Allen Salkin
The best part is that unlike “Lost,” “Battlestar Galactica” and “The Sopranos,” you won't be left scratching your head about the thrilling, completely satisfying ending.- New York Daily News
- Posted Nov 11, 2015
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