Alasdair Bayman

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For 24 reviews, this critic has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 13.5 points higher than other critics. (0-100 point scale)

Alasdair Bayman's Scores

  • Movies
  • TV
Average review score: 79
Highest review score: 100 Bait
Lowest review score: 40 The Lion King
Score distribution:
  1. Positive: 17 out of 24
  2. Negative: 0 out of 24
24 movie reviews
    • 50 Metascore
    • 60 Alasdair Bayman
    The visual aspects of the film cannot override the sometimes cumbersome dialogue that orientates political scenes of this subject matter.
    • 80 Metascore
    • 60 Alasdair Bayman
    Through Eklöf’s ruthless observations on sex, class and family, one comes to view this world with a cold-blooded voyeuristic gaze.
    • 55 Metascore
    • 40 Alasdair Bayman
    Like Pride Rock itself, this remake seems a spectacle to behold afar, but when you step closer all you can see are its monotonous shades of grey.
    • 64 Metascore
    • 60 Alasdair Bayman
    Serving as nothing more than a guileful show, Tcheng’s approach delivers a catwalk of clips and interviewees that becomes rather long, even in its 105-minute runtime.
    • 78 Metascore
    • 60 Alasdair Bayman
    The whole affair feels perfectly adequate – nothing more or nothing less. As always, Moore delivers a nuanced portrayal of a middle-aged woman that is as sumptuous to watch as her graceful ageing on screen over decades worth of work.
    • 80 Metascore
    • 60 Alasdair Bayman
    Wild Rose fits the bill for a British indie, yet apart from Buckley’s radiance it sadly does not offer anything more or less. Comparable to Lady Macbeth and Florence Pugh’s break out performance, this really does feel like the moment the world stands up and recognises Buckley’s talents.
    • 60 Metascore
    • 60 Alasdair Bayman
    Delivering clear big screen moments, of which will leave audiences itching to return and experience it all over again, you simply cannot deny that this eccentric mix of ABBA and cinema still holds magic.

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