Alan Ng

While Florence Pugh and David Harbour try to inject some soul into the chaos, the film proves that no amount of punchlines can save a story that forgot its superpower. Sometimes you don’t need a group hug—you need a good old-fashioned throwdown.

Every modification fails to improve the tale, and the whimsy and wonder of fairy tales are missing. It does not honor the original but shuns it instead.

The problem with Brave New World falls squarely on the writing and the story.

Love Hurts is a prime example of what happens when a film spreads itself too thin trying to juggle multiple genres—it drops all the balls. Ultimately, it’s a forgettable attempt at blending action and romance, proving once again that genre mashups rarely deliver a knockout.

The acting is sub-par, with Selena Gomez delivering the weakest performance. I don’t know Spanish, but even I can tell she struggles to sound like it’s her first language. As Emilia, Karla Sofía Gascón is stiff as a board and can’t sing. Zoe Saldaña is the only one putting an effort in, but even she can’t make horrible lyrics sound authentic.

Dear Lord, this movie didn’t need to be made. It is profoundly awful. The foreshadowing is relentless. Sorry, Barry Jenkins just can’t direct animation.

It drags through a slow love story, lacks the original’s dark, gritty atmosphere, and misses the intensity that made the 1994 film a cult classic. Even the crow legend feels like an afterthought, leaving this remake bland and forgettable.

Unfrosted is dumb. Not only is it dumb, it’s stupid. It commits the sin of being a comedy that thinks its funny. The film goes wrong in so many ways.

For a film meant to be a milestone for 100 years of the Walt Disney Company, Wish is a monumental failure.

Ultimately, Eurovision Song Contest: The Story of Fire Saga fails to transport us into this hyper-realistic world of Iceland as Ferrell is equally unable to endear us to his character of Lars in a film that didn’t need to be two-hours long.

It’s insulting to think that children will see a movie solely because you have animals that talk and act silly.

The bright spot of Paul W.S. Anderson’s film is the villains.