For 62 reviews, this critic has graded:
  • 59% higher than the average critic
  • 9% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Aidan Kelley's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 90 Predator: Killer of Killers
Lowest review score: 30 Kraven the Hunter
Score distribution:
  1. Positive: 33 out of 62
  2. Negative: 4 out of 62
62 movie reviews
    • 59 Metascore
    • 70 Aidan Kelley
    It may not reinvent the wheel for tightly-knit actioners, but Fight or Flight still sticks the landing for a crowd-pleasing and chaotic thrill ride.
    • 78 Metascore
    • 90 Aidan Kelley
    The result is one of the best films of 2025 so far, successfully capturing the grim, brutal, and unpredictable nature of warfare that only a handful of feature films truly have.
    • 47 Metascore
    • 50 Aidan Kelley
    It's a real shame that The Alto Knights doesn't explore its real-life story as thoroughly as it should have, as there is a genuinely interesting story to tell here. The film details historical events that didn't just dramatically impact the shadowy world of organized crime, it changed the public perception of the Mafia forever. The Alto Knights perhaps would have been better served if it had been a documentary narrated by one Robert De Niro instead of a meandering feature film that stars two.
    • 61 Metascore
    • 80 Aidan Kelley
    It may not reinvent the proverbial wheel on the proverbial boat, but Plankton: The Movie is one of the better things to come from the SpongeBob SquarePants IP in recent years that fans should have an easy time falling heads over squeaky boots for.
    • 65 Metascore
    • 70 Aidan Kelley
    While the documentary of the same name might be able to capture the more human elements better than any adaptation could, the technical marvel of this feature film's underwater sequences is well worth diving into.
    • 42 Metascore
    • 40 Aidan Kelley
    Suffice it to say, Captain America: Brave New World is not the 2025 start that Marvel fans may be hoping for, with more pressure now being put on Thunderbolts* and The Fantastic Four: First Steps. If anything, the film has more in common with Sony's disastrous attempts to make its own Marvel movies than it does with the prior entries that turned the MCU into what it is today.
    • 61 Metascore
    • 70 Aidan Kelley
    The two leads are so charming, the jokes are genuinely funny, and the kills are delightfully gorey.
    • 53 Metascore
    • 60 Aidan Kelley
    Midas Man may not go on to become as influential as the individuals it has as its subjects, but it's still a decent enough crowd-pleaser that is safe, entertaining, and just the right amount of twisty and shouty.
    • 82 Metascore
    • 60 Aidan Kelley
    The film does show that Gomes is capable of making an authentic period piece and a stunning documentary, but the attempt of trying to do both at the same time has led to an unusual experiment that will leave one scratching their head.
    • 53 Metascore
    • 60 Aidan Kelley
    The predictable story would be forgivable if Bad Shabbos' execution of this darkly comedic crime caper had a truly excellent execution.
    • 71 Metascore
    • 90 Aidan Kelley
    This wonderfully personal story is filled to the brim with a seemingly endless reservoir of laughs and tears. It's an experience that won't just have you liking Bob Trevino Likes It, it will have you loving it.
    • 77 Metascore
    • 70 Aidan Kelley
    Twilight of the Warriors: Walled In is still a more than competent, entertaining, action-packed ride, even if it's not the most original in terms of its plot.
    • 62 Metascore
    • 80 Aidan Kelley
    The easy winner out of Armand is Renate Reinsve. . . The runner-up is Halfdan Ullmann Tøndel. While his methods for bringing this story to life are a bit overly perplexing and too head-scratching, there is a clear talent for filmmaking on display here that makes his career one to watch with great and serious interest.
    • 82 Metascore
    • 90 Aidan Kelley
    From Ground Zero is important because it puts the spotlight on an issue far more important than making movies.
    • 50 Metascore
    • 30 Aidan Kelley
    Instead of exploring a twisted version of a magical realm, this pseudo-trip to Neverland keeps things stuck in the real world that the kids of these stories are usually trying to escape.
    • 69 Metascore
    • 80 Aidan Kelley
    Its relatable story is what really makes Sacramento a film that's worth revisiting again and again for its charming fable about the price of friendship and fatherhood.
    • 74 Metascore
    • 90 Aidan Kelley
    Its genuinely difficult to think of a better feature debut in recent memory than How to Make Millions Before Grandma Dies.
    • 85 Metascore
    • 70 Aidan Kelley
    The main central path brings with it a rewarding story that boasts the risks and payoffs of falling in love. The other thinner side paths on this road, unfortunately, frequently lead to dead ends despite being ripe for genuine expansion.
    • 56 Metascore
    • 80 Aidan Kelley
    Jim Carrey is the real star of this trilogy. Carrey's signature brand of improvisational comedy serves him well once again here, as his gleefully cartoonish villain continues to be a highlight of his recent acting works.
    • 56 Metascore
    • 50 Aidan Kelley
    While better than its prior installment, Mufasa: The Lion King still feels like an unnecessary prequel to an unnecessary remake.
    • 35 Metascore
    • 30 Aidan Kelley
    Kraven the Hunter's bland storytelling, subpar acting, and staggering technical issues are proof that the Spider-Man IP needs to be protected before it becomes an endangered species.
    • 54 Metascore
    • 60 Aidan Kelley
    War of the Rohirrim's storytelling woes might mean this isn't the epic return to Middle-earth that many Lord of the Rings fans may have been hoping for, but that's not to say the film's not without merit.
    • tbd Metascore
    • 30 Aidan Kelley
    A solid performance from Jason Patric does give the film a little bit of extra mileage, but weak action and an utter waste of Sylvester Stallone's talents as both an actor and action star bog the film down in too many issues to count.
    • tbd Metascore
    • 80 Aidan Kelley
    An Almost Christmas Story is a clear homage to the bygone era of holiday storytelling. Its attempt to emulate that era does admittedly lead to some familiar beats, but An Almost Christmas Story has enough charm and personality to make up for that.
    • 51 Metascore
    • 30 Aidan Kelley
    While the film does make an admirable effort to focus on Neeson's action hero as a true character rather than a mere blunt instrument for fight scenes, but thanks to an overly cliché screenplay, the movie will likely be another forgettable action film in Neeson's filmography.
    • 74 Metascore
    • 80 Aidan Kelley
    In an era where film discourse on the internet is consistently restrained to binary concepts like "it's just good" or "it's just bad," Chasing Chasing Amy is an impressive reminder that discussions on the art of filmmaking can be much more nuanced.
    • 83 Metascore
    • 80 Aidan Kelley
    The timeless style, the gorgeous animation, and the impeccable music make Wallace & Gromit's second feature film a gleeful experience from start to finish. It doesn't reinvent the wheel or do something particularly bold and unique like The Curse of the Were-Rabbit, but it also isn't really trying to. This is a straightforward family-friendly adventure that is simply effective and effectively simple.
    • 41 Metascore
    • 50 Aidan Kelley
    Is Venom: The Last Dance the best film in the trilogy? I would say so, and I'd be lying if I said I didn't have quite a bit of fun while watching it.
    • tbd Metascore
    • 70 Aidan Kelley
    While it may not be essential viewing for fans of the anime series, there's still more than enough in My Hero Academia: You're Next to keep both longtime fans and eager newcomers intrigued.
    • 54 Metascore
    • 40 Aidan Kelley
    The lure of some solid '90s nostalgia should be good enough bait for a compelling story, but unfortunately, the only thing that Monster Summer reels in is a story that we've all heard a hundred times before.

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