Adam Markovitz

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For 47 reviews, this critic has graded:
  • 55% higher than the average critic
  • 0% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 16.2 points lower than other critics. (0-100 point scale)

Adam Markovitz's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 83 Bears
Lowest review score: 16 Beastly
Score distribution:
  1. Positive: 14 out of 47
  2. Negative: 13 out of 47
47 movie reviews
    • 42 Metascore
    • 75 Adam Markovitz
    As we go deeper into the cave, walls squeezing, water rising, the movie has a narrative pull as sure as gravity.
    • 26 Metascore
    • 25 Adam Markovitz
    An indistinct romantic-dramedy-ish something or other about the rekindled romance of an actress (Rachel Bilson) and her childhood best friend (Tom Sturridge).
    • 74 Metascore
    • 58 Adam Markovitz
    At best, his poker-faced vignettes nail the icy comedy of war: A man chats on his cell phone, unworried about a tank targeting him a few feet away. At worst, they're totally opaque and unmoving.
    • 35 Metascore
    • 67 Adam Markovitz
    There's nothing particularly inventive in the plot or grade-school humor, but the movie skates by on the timeless, undemanding charm of watching a tie-wearing bear try to steal people's lunches.
    • 44 Metascore
    • 25 Adam Markovitz
    Faster grafts that genre's style onto a deadbeat script and leaves it to Johnson - as deadly focused as a gunsight - to make it all believable.
    • 45 Metascore
    • 33 Adam Markovitz
    There isn't a shred of subtlety in their clowning - or in any part of the movie, which clumsily shoots for operatic highs and lows. But with so many borrowed bits and pieces, the only feeling it successfully evokes is déjà vu.
    • 57 Metascore
    • 67 Adam Markovitz
    The cooking scenes are fun, but Samir's reawakening and romance with a co-worker (Jess Weixler) hold about as many surprises as a prix fixe meal.
    • 26 Metascore
    • 58 Adam Markovitz
    Basically a nifty VFX reel in search of a plot.
    • 18 Metascore
    • 42 Adam Markovitz
    The exception is newcomer Jenn Proske, who spoofs Twilight star Kristen Stewart's flustered, hair-tugging angst with hilarious precision.
    • 30 Metascore
    • 25 Adam Markovitz
    No movie -- whether aimed at adults or kids or canines themselves -- has the right to be as tiresome and unoriginal as this action-comedy mutt.
    • 35 Metascore
    • 58 Adam Markovitz
    What Halloween II does have, though, is Zombie’s claustrophobic visual style; he half-drowns his actors in shadow, then tracks them through windows and around corners like a focused predator. If only we cared about the prey.
    • 39 Metascore
    • 42 Adam Markovitz
    A well-meaning dud.
    • 45 Metascore
    • 42 Adam Markovitz
    Worse, he (Reiner) vacuum-seals it all in a patronizingly wholesome package, like an extended episode of "The Wonder Years" with all the wonder sucked out.
    • 25 Metascore
    • 16 Adam Markovitz
    Wes Craven's first new movie in five years is a brainless, joyless, and yes, you might even say, soulless teen slasher.
    • 44 Metascore
    • 58 Adam Markovitz
    A pocket-size supernatural thriller that plays a bit like Agatha Christie's "Ten Little Indians" retold by an unstable Sunday School teacher.
    • 45 Metascore
    • 42 Adam Markovitz
    At least they do look sharp in those suits.
    • 36 Metascore
    • 50 Adam Markovitz
    Underwhelming in the style of most off-brand CG, Alpha and Omega is livened by pretty Rocky Mountain backdrops and leadened by stock characters and the wolves' weirdly prissy behavior.

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