The second full-length release for the Australian pop singer-songwriter was produced by her husband, Oscar Dawson of the band Holy Holy.

The latest full-length solo release for the New York rapper was produced by Mono en Stereo (previously known as RTNC).

The fourth of a reported 12-part project from the saxophonist features a new band that includes Hannah Marcus, Sam Shalabi, Nick Caloia, and Ryan Sawyer.

The second full-length release for the Canadian indie rock band was recorded over two days in Nova Scotia.

The Black Keys' Dan Auerbach recorded the Mississippi bluesman with contributions from Sam Bacco, Eric Deaton and Marcus King.

The third full-length release for the Montreal indie rock band was produced by Emmanuel Ethier.

The 11th full-length studio release was recorded over 11 days in Los Angeles with contributions from Martin Jenkins, Rob Marshall, and Sietse van Gorkom.

This is the debut full-length release for the collaboration between Marielle V Jakobsons and Chuck Johnson.

The seven-track mini-album release from the California folk duo of Kenneth Pattengale and Joey Ryan was recorded in Encino, California.

The second part to the British indie rock band's earlier this year released Everything Not Saved Will Be Lost Pt. 1 was produced by frontman Yannis Philippakis with assistance from engineer Brett Shaw.

The first full-length in four years for Sam Shepherd as Floating Points features strings and woodwinds in additional to classic electronica synths.

The fourth full-length release for the New York duo was produced and mixed by Chris Tabron with guest appearances from Jon Anderson, Sal Principato, Xenia Rubinos, Shabazz Palaces, Prairie WWWW, and Tune-Yards.

The second full-length release for the New York-based artist was self-produced.

The 10th full-length studio release for the Arizona alt-rock/emo band was produced with Justin Meldal-Johnson.

The second full-length studio release for the rock band featuring former Black Crowes members Rich Robinson, Marc Ford and Sven Pipien was recorded during the same studio sessions as 2018's High Water I.

The sixth full-length release for the alternative rock band features contributions from Billy Corgan (as "musical consigliere"), Alexis Krauss of Sleigh Bells, Ryan Olson of Marijuana Deathsquad, and Poliça.

The third full-length studio release for the Los Angeles experimental rap trio features guest appearances from Ed Balloon, Benny The Butcher, Sarah Bernat, Counterfeit Madison, Elcamino, Robyn Hood, La Chat, and Pedestrian Deposit.

The third full-length release for the Austin duo of Charlie Martin and Will Taylor was produced with Ben Littlejohn.

The third full-length release from the New Jersey jam band includes a 32-minute track.

The debut full-length release for the former Chairlift singer under her own name features production from A.G. Cook, Danny L Harle, and Valley Girl.

The fifth full-length studio release for the Swedish hardcore punk band was produced by Martin Ehrencrona.

This is the first new release in five years from the Los Angeles punk rock band led by Kim Shattuck (who passed away on 2 Oct 2019).

The second full-length release for the Canadian electronic producer features contributions from Julianna Barwick, Cadence Weapon, Clams Casino, Oliver Coates, Ebhoni, Rochelle Jordan, Sandrine Somé, and Travis Stewart (Machinedrum).

The sixth full-length studio release for the Canadian singer-songwriter was mixed with Rob Heaney.

The third full-length release for the Kentucky rock band l;ed by Tony Esposito was produced by Jay Joyce.

The three Encore EPs released in 2018 and earlier in 2019 from the German ambient artist are collected together into one album.

The live recording of the nine-piece suite from My Morning Jacket's Jim James and Teddy Abrams, the conductor/director of the Louisville Orchestra.

The 15th full-length studio release for the Atlanta trap rapper features guest appearances from DaBaby, Kevin Gates, Kodak Black, Lil Baby, Peewee Longway, Megan Thee Stallion, OJ Da Juiceman, Quavo, Takeoff, YoungBoy Never Broke Again, and Yung Mal.

The latest release for the duo of Matt Valentine and Pat Gubler is the first on the Three Lobed Recordings label.

The debut full-length solo release for the Sonic Youth co-founder was produced by Justin Raisen with contributions from Shawn Everett and Jake Meginsky.

The second release in 2019 for the Brooklyn folk-influenced rock band led by Adrianne Lenker was recorded live.

The fourth full-length release for the Los Angeles rock band was produced with Jarvis Taveniere.

The third full-length release from Japanese kawaii metal band is its first without Yuimetal, who left the band in October 2018 to pursue a solo career.

The second full-length solo release for The War on Drugs guitarist Anthony LaMarca was self-produced and recorded partly while he was receiving treatment for cancer.

The second full-length release for the Los Angeles rock band was produced by Nick Launay.

The eighth full-length studio release for the British rock band features contributions from Chilli Chilton, Jesca Hoop and The Plumedores.

The seventh full-length release for the Rhode Island noise rock duo of Brian Chippendale and Brian Gibson was recorded with Seth Manchester.

The sixth full-length release for the British singer-songwriter was recorded by Pigs Pigs Pigs Pigs Pigs Pigs Pigs' Sam Grant.

The latest release for the London-based electronic duo of James Ginzburg and Paul Purgas used a machine learning AI system which processed their previous works as well as 10 hours of improvised music to create the album.

The the sixth full-length solo release for the guitarist features some original songs and was mixed by Chuck Johnson.

The second full-length release for the Montreal-based singer-songwriter Brigitte Naggar was co-produced with Devon Bate and mixed by Hamish Mitchell.

The seven-track release for the Brooklyn art-punk band was produced by its guitarist Madison Velding.

The first new release in 17 years for the British electronic duo was inspired by Manchester, England, and the music scene there.

The debut full-length release for the 19-years-old from Baltimore was self-recorded during his senior year in high school.

The debut full-length release for the collaboration between Bill MacKay and Katinka Kleijn was inspired partly by the Herman Hesse novel Steppenwolf.

The fourth full-length studio release from the North Carolina-based indie folk singer-songwriter features arrangements and production by Ben Babbitt, Jherek Bischoff, and John Congelton.

The 11th full-length studio release for the Chicago alternative rock band was produced by Jeff Tweedy.

The fourth full-length release for the Canadian folk duo of Kacy Anderson and Clayton Linthicum was produced by Jeff Tweedy.

The fifth full-length studio release from the Detroit rapper features guest appearances from Blood Orange, JPEGMAFIA, Obongjayar, and Run The Jewels.

This is the second full-length solo release for the London-based Australian experimental artist.

The third full-length release for the Brooklyn-based indie rock band was inspired by lead singer Zachary Cole Smith's recovery from drug addiction.

The fourth full-length release for the Canadian duo of Amber Webber and Joshua Wells features guest appearances from Dan Bejar and Stephen Malkmus.

The debut full-length release for the Philadelphia noise-pop band was recorded and mixed by Shaun Sutkus.

The sixth full-length studio release for the British hard rock band was produced by Dan Hawkins.

The debut full-length release for the British rock band was produced by Cam Blackwood and mixed by Alan Moulder.

The 17th full-length studio release for Australian rock band is influenced in part by the accidental death of Nick Cave's 15-year old son in 2015 and is considered the third and final part of trilogy of albums that includes 2013's Push the Sky Away and 2016's Skeleton Tree.

The latest full-length release from the Japanese noise-rock group is its first on the Third Man label.

The fourth full-length release for Arthur Jeffes expands on the four songs he was commissioned to create by Greenpeace for a project about the Antarctic and its endangered penguin species.

The third full-length release for the British indie rock band is its first with Thomas Fiquet and Robbie Wood, who replaced the departing founding members Higgy and Zack Robinson.

Photographs taken 20 years ago by Texan photographer Wyatt McSpadden are the inspiration behind the latest release from the band led by brothers Luther and Cody Dickinson. It features contributions from such artists as Duane Betts, Cedric Burnside, Jason Isbell, Mavis Staples, and Sharde Thomas.

The first major label release for the Nashville-based country singer-songwriter from Kentucky was co-produced with Dan Knobler.

The sixth full-length studio release for the Philadelphia-based punk band was produced by Will Yip.

The sixth full-length studio release for the solo project from Alexisonfire's Dallas Green was produced by Jacquire King.

the 10th full-length studio release for the folk-rock band was produced by Rick Rubin.

The first new studio release in 22 years from the alternative rock band that now includes Rachel Haden, Tony Maxwell and Anna Waronker.

The debut full-length studio release for the R&B artist features guest appearances from 6LACK, Jhené Aiko, A Boogie wit da Hoodie, Drake, PARTYNEXTDOOR, Bryson Tiller, and Usher.

The third full-length studio release for the Southern California rock band led by Brent Rademaker is its last with guitarist Neal Casal, who died in August.

This is the fifth full-length studio release for the British jazz band.

The first release on the Blue Note label for the guitarist features contributions from Luke Bergman, Hank Roberts, and Petra Haden.

The first releases in seven years from the Los Angles electropop trio is not the previously announced (and still unreleased) Dear Tommy, but a surprise release of 12 new songs.

The 50th Anniversary release of the Beatles 1969 album features stereo mixes by Giles Martin and Sam Okell and a disc of demos and session outtakes. A super deluxe includes an additional disc of demos and session outtakes, a coffee table book, and a Blu-ray disc of the Dolby Atmos, 5.1 surround and his-res stereo mixes of the album.

The collaboration between Laurie Anderson, Tenzin Choegyal, and Jesse Paris Smith is said to be a guide through the Tibetan Book of the Dead.

The previously unreleased 1964 recording by John Coltrane and his Classic Quartet was originally for Gilles Groulx's film Le chat dans le sac, which only 10 minutes ultimately were included in the movie.

The second full-length studio release for the North Carolina rapper features guest appearances from Chance the Rapper, Kevin Gates, Gucci Mane, Lil Baby, Migos, Nicki Minaj, Moneybagg Yo, Stunna 4 Vegas, and YK Osiris.

The debut full-length release for the collaboration between London-based collective Kefaya and Afghan singer Elaha Soroor features traditional Afghan folk songs.

The first full-length release from electronic artist Josh Eustis since the death of his bandmate Charles Cooper in 2009.

The sixth full-length release for the heavy metal band is its last with founding member and drummer Vinnie Paul, who passed away on June 22, 2018.

This is the debut full-length release for the Glasgow post-punk group that includes Chrissy Barnacle, Tobias Carmichael, Cal Donnelly, Emma Smith, Rikki Will, and Simone Wilson.

The latest full-length release for the Nashville-based singer-songwriter was produced by Sam Outlaw and Kelly Winrich.

The 15th full-length studio release for the British post-punk band was based on manuscripts written by Joan of Arc follower Armande de Pange in the 15th Century.

The latest full-length solo release for the Italian producer is his first for the Mute label.

The second full-length release for the Irish noise rock band was recorded at Ballintubbert House.

The eighth full-length studio release for the Canadian indie rock group was produced by its frontman, A.C. Newman.

The 4CD/1LP box set from the Minneapolis alternative rock band features a new mix by original producer Matt Wallace of its 1989 album Don’t Tell a Soul, demos, outtakes, alternative mixes, tracks recorded at Bearsville Studios, and the complete live performance recorded at the University of Wisconsin-Milwaukee on June 2, 1989.

The ninth full-length studio release for the Canadian indie sister duo was produced by Alex Hope.