The latest full-length release for the harpist was recorded over nine days with producer, Slowdive's Neil Halstead.

The ninth full-length studio release for the Scottish indie rock band led by Fran Healey features a guest appearance from the Bangles' Susanna Hoffs.

The latest full-length studio release for the Los Angeles post-hardcore quintet was produced by Ross Robinson.

The debut full-length studio release for the British rapper features guest appearances from Aitch, Bugsey, Haile, M Huncho, Ivorian Doll, Mahalia, Kaash Paige, Skepta, Stormzy, AJ Tracey, Young Adz, and Young T.

The fifth full-length release for the Canadian singer-songwriter Afie Jurvanen as Bahamas was produced by Robbie Lackritz.

Th sixth full-length release for the Staten Island instrumental funk ensemble was recorded in just five days.

The debut full-length release for the Chicago-based indie rock quartet from Wisconsin was produced and mixed by the band's co-founder, Henry Stoehr.

The three-track release for the Surti master was recorded live at his Pakistan home by Ian Brennan.

The fourth full-length release for the singer-songwriter was written in less than a month in 2018 after visiting her parents in Hong Kong.

The remaster of the Minneapolis rock band's 1987 album includes previously unreleased demos (some of which are the last with Bob Stinson), rough mixes, and outtakes.

The fourth full-length release for the British R&B collective is its second release in 2020.

The second full-length release for the Max Clarke project was recorded in Memphis with producer Matt Ross-Spang

The latest full-length release for the New Jersey-based jam band was recorded in Philadelphia with Jeff Zeigler.

The first full-length studio release for the rock band since 2001's Curse Of The Hidden Mirror is also the first with Jules Radino and Richie Castellano.

The fifth full-length solo studio release for the Irish electro-pop artist was recorded with Richard Barratt (also known as DJ Parrot or Crooked Man).

The second full-length solo studio release for the Sigur Rós frontman was co-produced by A. G. Cook and recorded in Berlin, Helsinki, London, and Reykjavik.

The second full-length release for the North Carolina rock sextet was produced by Oakley Munson of the Black Lips.

The debut full-length release for the British band led by Sydney Minsky-Sargeant was produced by Ross Orton.

The debut full-length studio release for the South Korean pop group features guest appearances from Cardi B and Selena Gomez.

This is the latest full-length release for the Philadelphia-based alternative singer-songwriter.

The seventh full-length studio release for the Los Angeles folk rock band was produced by Dave Cobb.

The latest full-length release for the Los Angeles-based garage/psych rock band features a children's choir.

The eighth full-length solo release for the Spice Girl features a guest appearance from Nadia Rose.

The latest compilation from the R&B/pop singer-songwriter features previously unreleased songs, b-sides, demos, and live tracks, including the full length audio from her first concert performance in Japan at the Tokyo Dome for the 1996 Daydream World Tour.

The debut full-length releases for the supergroup that includes Muse's Matt Bellamy, The Last Shadow Puppets' Miles Kane, Blur's Graham Coxon, Jet's Nic Cester, The Zutons' Sean Payne, and Jamie Davis features covers of some classic rock and soul songs.

The debut full-length release for the Washington D.C.-based artist was recorded at an upstate New York studio in a barn and mastered by Will Yip.

The second full-length studio release in 2020 for the New York rapper features guest appearances from AA Rashid, Benny The Butcher, Black Thought, Boldy James, Busta Rhymes, Armani Caesar, Conway The Machine, Elcamino, Flee Lord, Jadakiss, Estee Nack, Keisha Plum, Slick Rick, Smoke DZA, and Stove God Cooks.

The second full-length release for the collaboration between 21 Savage and Metro Boomin features guest appearances from Drake, Morgan Freeman, Young Nudy, and Young Thug.

The fourth full-length studio release for the metal trio features songs recorded over three years with producer Matt Bayles and was mixed by Kurt Ballou.

The debut full-length solo release for the Slipknot and Stone Sour frontman features guest appearances from Tech N9ne and Kid Bookie

The fourth full-length studio release for the New York-based experimental artist was self-produced and recorded in Spain and New York.

The surprise digital release from the alternative country band includes songs from recording sessions from the recently released, The Unraveling plus a few songs written while under the pandemic quarantine.

The third full-length release for the Los Angeles-based trio was recorded over two weeks in Nashville.

The latest full-length release for the Santa Barbara death metal band led by Dez Fafara features a guest appearance of his son, Simon Blade Fafara.

The surprise solo release from the Against Me! singer was recorded over four days with Steve Albini.

The ninth full-length studio release for the Sacramento alternative metal band was produced by Terry Date.

The second full-length solo studio release for the Arcade Fire member was self-recorded and produced at his Brooklyn home during the COVID-19 pandemic lockdown.

The first new studio release in 12 years for the British post-punk band features contributions from Gabe Gurnsey, Mike Joyce, Eric Random, and Sink Ya Teeth (Maria Uzor and Gemma Cullingford).

The 15th full-length studio release for the rap group features guest appearances from Ad-Rock, Black Thought, George Clinton, Daddy-O, DJ Premier, Ice-T, Jahi, James Bomb, Mark Jenkings, Mike D, Ms. Ariel, Nas, PMD, Pop Diesel, Questlove, Rapsody, Run-DMC, The Impossebulls, and YG.

This is the first full-length release on the Drag City label for the North Carolina-based guitarist.

The second full-length release for the solo project of Sadie Dupuis was mixed by Sarah Tudzin.

The latest full-length studio release for the Florida indie rock band sees the quartet returning to the Kanine Records label (which released its debut).

This is the first full-length release on the Phantom Limb label for the British experimental artist.

The Canadian dance artist returns with L'Oeil Nu (Pierre Guerineau and Asaël R. Robitaille) with a pop and rock-inspired album.

The re-release of the pop legend's 1987 double album features a remaster by Bernie Grundman and a disc of single mixes/edits. A super deluxe box set adds three discs of previously unreleased music from the vault, a recording from a 1987 concert in Utrecht's Stadium Galgenwaard, a DVD of 1987 New Year's Eve concert at Paisley Park, and a 120-page hardcover book with previously unseen handwritten lyrics.

The rapper turns toward pop-punk on his fifth full-length release executive produced by Travis Barker and featuring guest appearances from Blackbear, Iann Dior, Halsey, and Trippie Redd.

The third full-length studio release for the electro-pop duo of Amelia Meath and Nick Sanborn was produced by John Hill in Los Angeles and completed in North Carolina.

The remastered reissue of the rock artist's 1989 solo album includes 26 previously unreleased live and early versions of album tracks, a DVD of his performance at Montreal's Theatre St. Denis originally released on VHS/Laserdisc and an audio-only interview.

The latest full-length release for the Canadian indie pop artist who previously released music under the name Un Blonde was self-recorded and mixed.

The fifth full-length release for the Swedish composer includes seven instrumental tracks featuring a pipe organ from a church in Gothenburg.

The second full-length release for the British quartet was recorded over three days with producer Sam Grant.

The latest full-length release from the Chicago drummer features 14 tracks from six recording session for 2018's Universal Beings.

The latest full-length release for the Canadian jazz artist features songs from her recording sessions from 2017's Turn Up The Quiet.

The 10th full-length studio release for the Oregon folk rock band was inspired in part by George Saunders' Lincoln in the Bardo and the Tibetan Book of the Dead.

This is the latest full-length release for the mysterious Japanese electronic producer.

The latest full-length release for the Ohio singer-songwriter was recorded in Chicago with producer Tom Schick.

The latest release for the comedian features contributions from The Lemon Twigs' Brian and Michael D’Addario, Drew Erickson, Weyes Blood's Natalie Mering, and Foxygen's Jonathan Rado.

The fifth full-length studio release for the New York rapper features guest appearances from Hologram, Meyhem Lauren and Yung Mehico.

The third full-length release for the British punk rock band features contributions from Kenny Beats.

The eighth full-length solo studio release is the indie artist's first in five years.

The 14th full-length solo studio release for the former Hüsker Dü frontman was recorded at Chicago's Electrical Audio.

The second full-length release for the British singer-songwriter was recorded in Los Angeles and features guest appearances from Mac Demarco, Shirley Jones, Bishop Nehru, and Nick Walters.

The latest full-length solo release for the Sonic Youth guitarist features contributions from Deb Googe, Jem Doulton, James Sedwards, Sonic Youth’s Steve Shelley and Negativland's Jon Leidecker.

The surprise release of the fourth full-length album for the indie folk band led by Robin Pecknold was recorded in California, New York and Paris, France.

The 16th full-length studio release for the British grindcore band was produced by Russ Russell.

The EP features acoustic songs recorded at his home during the COVID-19 pandemic for singer-songwriter's online concert series The Fireside Sessions.

The latest full-length solo release for the comedic actor/singer-songwriter was inspired in part by Bob Dylan's 1967 album, John Wesley Harding.

The debut full-length collaboration between Joseph Shabason, Nicholas Krgovich, Chris Harris was recorded in three days in Toronto.

The third and final release of the Norwegian rock band's Gullvåg Trilogy of albums was recorded in France and Norway.

This is the debut full-length release for the collaboration between Iggy & The Stooges' James Williamson and Radio Birdman's Deniz Tek.

The second full-length release for the New Orleans-based artist was self-produced.

In 1968, Danny Scher, a 16-year-old student at Palo Alto High School, invited the jazz legend to perform and the 47-minute set was recorded by the janitor.

The sixth full-length release for the Brooklyn-based Japanese jazz trumpeter features a guest appearances from Corey King.

John Dwyer and company return with yet another name change for its 23rd album.

The latest full-length release for the Canadian composer features recordings of a variety of church organs in Amsterdam, Chicago, Vancouver, Copenhagen and Los Angeles.

The second full-length solo release for the former Dirty Projectors member was recorded at Stinson Beach, California with Samer Ghadry and Dave Harrington.

The debut full-length release for the Boston-based singer-songwriter was produced by Justine Bowe of Photocomfort and Gabe Goodman.

The second full-length release for the New York indie singer-songwriter was mixed by Spike Spent.

The latest release for the singer-songwriter credited under the names Yusuf/Cat Stevens features re-recordings of the songs from his 1970 album Tea For The Tillerman with new interpretations and arrangements.

The fifth full-length release for the New York duo was produced by Shane Stoneback.

The second full-length release for the British singer-songwriter was recorded in Chicago with producer Brian Deck and Steve Albini.

The seventh full-length studio release for the R&B artist features guest appearances from Snoh Aalegra, Diamond Platnumz, Khalid, Miguel, Sampha, Jill Scott, and Tierra Whack.

The latest full-length release for the Canadian rock artist with The Outfit was mixed by Kenneth Roy Meehan.

The fourth full-length studio release for the indie rock project of Evan Thomas Weiss was recorded at a number of studios in Chicago and was mixed by Jason Cupp.

The debut full-length release for the Tasmanian punk band was produced by Dean Tuza and mixed by Jonathan Schenke.