This is the third album for the Brooklyn, New York duo.

This is the fourth long-player for Gavin Rossdale and Bush, and was produced by Dave Sardie (Slayer, Marilyn Manson).

The seventh album for the artist was produced by Dennis Herring.

The first of the double EP set, March of the Zapotec, features Mexican music influences, whereas the second, Holland, includes songs made by Zach Condon under the name Realpeople.

The El Paso, Texas four-piece (featuring those members of At The Drive-In who didn't join the Mars Volta) return with a second full-length, produced by Mike Major.

Although the Dallas-based robe-wearing collective (who number close to 30) recorded their buzz-generating debut in just two days, this sophomore effort is the result of a full year in the studio. (Presumably, it's a very large studio.) Eric Feldman (Sparklehorse) and The Speekers produced.

Thrill Jockey releases the New York duo's sixth album.

The Detroit party-rockers return with a third album.

The seventh album for the California-based band.

The fourth release for the Portland, Ore. four-piece is a trip through 70's glam- and 80s synth- rock, complete with contributions from Duran Duran's Simon Le Bon and Nick Rhodes (the latter produced much of the album), Chic's Nile Rogers, Bowie/T. Rex producer Tony Visconti, and, well, Evan Dando.

The live album of Rufus Wainwright's recreation of Judy Garland's 1961 concert at Carnegie Hall.

The lyrics for each of the songs on this rock-oriented disc are based on the teachings of Jesus (Christ).

Mike Mogis produced the singer-songwriter's first album in three years.

The latest solo recording from former Hüsker Dü and Sugar leader Mould echoes back to those bands as well as the various stages of his solo career. His backing band includes Sugar's David Barbe and Fugazi's Brendan Canty.

The fourth album for the Philadelphia band was recorded on a 24-track tape.

This is the fifth solo album from the prolific English singer-songwriter.

The latest release for this folk singer was produced with Mike Napolitano and was recorded in Louisiana.

The UK rockers (making their full-length debut with this Flood- and Simon Raymonde-produced disc) are fronted by Liela Moss, who has drawn comparisons to Patti Smith and PJ Harvey.

The former Led Zeppelin singer's first solo album in nearly 10 years is a mix of originals and covers, including Bob Dylan's "One More Cup of Coffee" (also recently covered by the White Stripes) and Tim Buckley's "Win My Train Fare Home."

Los Angeles-based singer Inara George teams with multi-instrumentalist Greg Kurstin for their first LP as The Bird And The Bee, which blends '60s pop, tropicalia, and electronic elements.

The debut album for the Reading, England, quintet was produced by Gareth Parton.

The singer-songwriter releases his first album on the Dead Oceans label after leaving Barsuk.

The English singer-songwriter returns with his fourth album in four years.

The Ted Leo-led rock band moves to Matador Records for its sixth album.

The metal band returns after a seven-year recording hiatus with this new disc, produced by band leader Page Hamilton (the only original member here) with Jay Baumgardner and Charlie Clouser.

Already being heralded as 2003's version of The Streets, the suburban London duo who compose the Audio Bullys combine everything from punk, ska, new wave, and house on this debut.

The former Style Council and Jam frontman returns with a solo album, and finds Weller producing and playing most of the instruments himself, with the help of a few celebrity guests such as Noel Gallagher, Kelly Jones and Aziz Ibrahim.

Continuing with the same lineup as 2008's "Imperial Wax Solvent," the British rock band led by Mark E. Smith releases its 28th studio album on new label Domino records.

This is the first album for the trio since Ryan Vanderhoof left the band in the fall of 2007.

'Brother Is To Son' is nominally a solo effort for Daniel Smith (aka "Brother Danielson," aka leader of the Christian indie-rock outfit the Danielson Familie), although fellow Familie (and, in real life, family) members appear throughout this acoustic-only disc, as does frequent collaborator Sufjan Stevens.

The third album for the rock trio was produced by Brandon Curtis.

The third album for the New York indie-rock band was produced by Chris Zane.

Former Sunny Day Real Estate members Jeremy Enigk, William Goldsmith and Nate Mendel make their debut as The Fire Theft with this 13-track disc, co-produced by Brad Wood.

A musician since his early childhood, 20-year-old Texan Ben Kweller experienced some minor success with the band Radish in the late 1990s before embarking on a solo career highlighted by 'Sha Sha,' his debut full-length for Dave Matthews' label Ato.

The third album for the British indie-rock band was recorded in Berlin.

The six-piece band from South Carolina releases its debut album on the Dead Oceans label.

The ex-Husker Du singer moves away from the electronic sounds of his more recent releases and returns to the guitar stylings he played 20 years ago.

The Irish band's third album and is again produced by Tony Hoffer.

The New Jersey emo-punk band's first album in three years marks a return to indie label Vagrant after a brief stint on a major label.

Best known as the female vocalist on Tricky's first three albums, Martina Topley-Bird finally arrives with her first solo release, which earned her a Mercury Music Prize nomination. Guest collaborators include the Tricky kid himself, as well as David Holmes and Josh Homme (Queens Of The Stone Age).

The moody alt-country band led by David Eugene Edwards returns with its darkest set of songs yet.

This six-track disc is a collaboration between Wilco frontman Jeff Tweedy, drummer Glenn Kotche, and Jim O'Rourke (known for both his acclaimed recent solo albums and work with Wilco and Sonic Youth).

The debut album for the trio from Bristol was written in 12 days.

The New York quartet, which includes ex-Vivian Girls drummer Frankie Rose, releases its debut album.

The Manchester, England, native wrote, produced, recorded, and mixed his sophomore album.

Many of the songs on the former Guided By Voices leader's second solo set of the year originated in tracks recorded for the soundtrack to the Steven Soderbergh film "Bubble."

Back together for the first time since their 1996 breakup, the college radio faves offer up 12 new tracks on this self-titled release. The lineup here includes original co-founder Kristen Hersh, drummer David Narcizo and bassist Bernard Georges, with fellow co-founder (and Hersh's half sister) Tanya Donelly on hand as well to contribute backing vocals.

Steve Albini produced album #2 for the Chicago post-punk outfit.

The Norwegian band recorded some of this second full-length album in a cave.

The third album from the electronica-influenced UK band.

The second album since the band returned in 2006 was produced by their first producer, Todd Rundgren.

The Chicago-based post-rockers return with their sixth album, their once frenetic pace of releasing albums slowed over recent years due to numerous side projects (solo albums for vocalist Sam Prekop and guitarist Archer Prewitt, and work in Tortoise, among other things, for drummer John McEntire). Included here is the band's cover of David Bowie's "Sound and Vision."

The Raconteurs band member releases his fourth solo album produced by Gil Norton.

The Everything But The Girl singer's third solo album was produced by Ewan Pearson.

Crooked Fingers' Eric Bachmann returns as producer for the third album from the duo of Orenda Fink and Maria Taylor.

This is the first studio album for the band since adding new drummer Emil Amos.

The Seattle band (who apparently suffer from either an unusual genetic problem or severe hallucinations) make their full-length debut with this disc.

The latest album for the Grammy-winning singer-songwriter features Vince Gill and Alison Krauss as guest singers.

Melding post-rock and electronica, German trio To Rococo Rot have garnered attention by releasing a series of well-received albums on indie labels (most notably 1999's 'The Amateur View') and producing Saint Etienne's 'Sound of Water' LP. Here, they combine with New York turntablist I-Sound for their first release on Mute Records.

Recorded during a live performance by the Jason Molina-led four-piece in Brussels in 2003, 'Trials' includes seven songs from the Songs:Ohia catalog as well as three new Magnolia Electric Co. tracks.

Kurt Heasley's eighth Lilys album finds him working with hip-hop producer Michael Musmanno.

The third album for the indie-pop outfit is, for one thing, a lot shorter (at 30 minutes) than their previous double-album effort On Vacation.

This double-live album was recorded during a three-night stand at the Fillmore in San Francisco in early 2005.

Jason Molina releases four albums from four recordings sessions in a box set that includes a DVD, postcards, and a medallion.

The singer follows the lead of her Azure Ray bandmate Maria Taylor (whose '11:11' came out in May) with this solo debut, co-produced by Andy LeMaster (Now It's Overhead).

The fifth album for the Seattle, Washington-based band was produced by Mark Nevers, Alex McManus, and Eric Bachmann.

Nominated for Britain's Mercury Music Prize for his 2001 debut 'Here Be Monsters,' DIYer Ed Harcourt returns with his second studio recording.

The Austin, Texas-based drone-pop qunitet--known to friends and reviewers as AmAnSet--returns with their fifth LP.

Howe Gelb is joined by producer John Parish and singers Vic Chesnutt and Patsy Jean on his latest Giant Sand offering.

The singer-songwriter reunites with producer J.D. Foster for his eighth album, which also finds him backed by former members of Guided By Voices.

This 82-song, 4-disc box set compiles various indie and alternative tracks from the 1980s across multiple genres, and includes music from both the decade's "biggest" names (The Smiths, R.E.M., Depeche Mode, Violent Femmes, etc.) as well as lesser-known artists such as The Raincoats, Green On Red, and The Lyres.

The quartet from Manchester, England, releases its debut album.

The second full-length studio album for the quartet from San Francisco.

Thom Monahan produced the latest album from the San Francisco-based quartet.

This is the solo debut for the former leader of the Lightning Seeds and producer of such bands as Echo & The Bunnymen. Members of The Coral and The Zutons guest.

Available for several years on his own website, Los Angeles-based singer-songwriter Gary Jules' second album finally got a major-label release in 2004 thanks to the unexpected success of one of its tracks--a cover of Tears For Fears' "Mad World"--that appeared on the Donnie Darko soundtrack.

On Casey Deniel and Shawn Creeden's second full-length album, the duo moves away from the jazzy pop of 2008's "Phylactery Factory" with more shades of down-tempo electronica.

The third album for the Los Angeles-area punk-rock band.

The debut album for the New York group started by Daniel Collas and Sean Marquand.