The second album for the English indie-rock duo.

Norman Cook (also known as Fatboy Slim) releases his debut album under the alias The BPA.

The latest release from the duo features 30 tracks of their samples.

Another hot, retro-sounding band based in New York? Is there some sort of factory churning these bands out? (Or in the case of The Bravery, a Factory?) The band's self-titled debut, preceded by the requisite buzz, utilizes a new wave-flavored sound which is also reminiscent of, oh, let's just say New Order and The Cure.

Brendan O'Brien produced this second album for the New York band.

The third album for the New York City-based rock band was produced by John Hill.

A comeback of sorts, 'Title TK' comes a full nine years after The Breeders' previous effort (1993's 'Last Splash') and sees the group with a new lineup (only Kim Deal and sister Kelley remain) and producer (Steve Albini).

The fourth album for the rock band formed by Kim Deal of the Pixies was produced by Steve Albini.

The 13th album from the group formed in San Francisco is its first in more than four years.

The 11th album for the Anton Newcombe-led rock band features the return of bassist/guitarist Matt Hollywood, who left the group in 1999.

This is the first album on Cooking Vinyl for the British indie rock band.

This is the first album for the Los Angeles-based power-pop band formerly known as The Brokedown.

The sophomore album for the indie rock band based in Los Angeles.

This is the third album for the Los Angeles punk rock band.

The New Zealand duo releases their fourth full-length album.

The band led by Kimya Dawson and Jeffrey Lewis releases its first album, which features songs they wrote for a compilation released in 2002.

Less lo-fi and more band-oriented than previous efforts, 'Let Them Drink' is the second full-length studio release for the Philadelphia band led by Shai Halperin.

This is the fifth album (and first in six years) for the Swedish outfit led by vocalist/lyricist Nina Persson and guitarist Peter Svensson.

The veteran Swedish band's sixth studio album was finally released in the U.S. in September 2006, nearly one year after it first surfaced in Europe.

The Seattle-based punk band returns with their third album.

The Seattle-based band featuring ex-Pretty Girls Make Graves' Derek Fudesco releases their first album.

The second album for the Seattle-based indie rock band was produced by Colin Stewart.

The "Madchester" scene is long over, but the Charlatans [U.K.] are still making music, following 1999's well-reviewed 'Us And Us Only' with this, their seventh album, which sees the band take a more playful, soulful approach.

The British band's eighth album sees Tim Burgess abandoning the falsetto he used on 2001's departure 'Wonderland' as the group returns to the more rock-oriented style of 'Tellin' Stories.'

The veteran British rockers take a detour into reggae on their latest release.

The British band released You Cross My Path as a free download by way of the radio station XFM's Web site.

'Experience' is certainly evident here as former dB's Chris Stamey and Gene Holder are joined by all three members of Yo La Tengo, Caitlin Cary and producer Mitch Easter for a trip through material by the likes of Television, Cream and the Yardbirds (as well as some originals).

Over two years in the making, 'After Everything' is the twelfth album from the Australian band, still best known for their 1988 hit "Under The Milky Way."

This is the veteran Australian band's 17th album.

The popular Australian rock band releases its latest album on its own Unorthodox label.

The properly-hatted New York City four-piece make their debut with this ambitious CD.

The landmark double album from Mick Jones, Joe Strummer & co. returns in a greatly expanded format, with a second disc ("The Vanilla Tapes") containing previously unreleased demos which are either primitive versions of songs from the album, or in a few cases, songs that don't show up on any Clash recording. Also included is a DVD with three videos and a Don Letts-directed documentary.

The official release of The Clash's second performance at Shea Stadium in 1982.

The legendary (and influential, at least among the indie rock set) New Zealand band The Clean returns with its first album in five years (and only the fourth of their 22-year career). Yo La Tengo's Georgia Hubley and Ira Kaplan guest on two tracks.

This is the latest release for the New Zealand rock band.

The London-based band follow their singles collection ('Suburban Light') with this, their first true studio LP, which continues their hazy, 60s-influenced sound developed in those earlier songs.

Brian O'Shaughnessy produced the atmospheric UK band's second studio album.

Recorded in Nashville, the UK band's third studio album is slightly peppier and happier than past efforts (for The Clientele, anyway).

The British indie rock band releases its fifth full-length studio album.

The second album for the Atlanta-based female rock band.

The now New York-based psych-rock five-piece worked with producer Bill Racine on this fourth album.

The Ontario, Canada band makes its Sub Pop (and U.S.) debut with this, their second LP, which mixes alternative rock with punk and soul.

The Canadian rockers follow 'Shine A Light' with this 10-track set.

The fourth album for the Canadian indie rock band is its first full-length album on the Arts & Crafts label.

This is the second album for the Reading, England rock band.

This debut effort from Liverpool's The Coral is an inventive mix of numerous musical styles.

This limited edtion 11-song low-fi mini-album was recorded with producer Ian Broudie over the course of a week.

One of the more attention-grabbing British bands to emerge in the last few years--their fun, genre-jumping debut album landed them a Mercury Music Prize nomination--The Coral returns with a more coherent, '60s-influenced sophomore LP.

Portishead's Geoff Barrow and Adrian Utley produced this fourth LP for the UK retro-rockers.

The latest album from the British band is produced by Craig Silvey (The Magic Numbers).

The debut album for the British quartet was produced by Stephen Street.

The follow-up to the band's gold album "St. Jude" was produced by Ed Buller.

Yes, apparently they ARE still around. This is the Irish group's sixth album since 1993, and their first with original producer Stephen Street in some time.

The English trio of brothers look to leave a mark in the US with their third album.

This is the first album for the British rock band to feature the Smiths' Johnny Marr as lead guitarist.

Ian Astbury & Co. return with their first album of new material since 1994.

The latest album from the British metal band and its first on Roadrunner Records.

Robert Smith declared 'Bloodflowers' to be the final release from The Cure. It wasn't, of course, but it does in theory complete a trilogy that began with 'Pornography' and 'Disintegration.'

This 70-track, 4-disc collection is just what the title says: every Cure B-side and compilation track, in chronological order, from 1978-2001, each newly remastered and accompanied by extensive liner notes by Robert Smith.

The follow-up to 2000's 'Bloodflowers' sees Robert Smith & co. working with metal producer Ross Robinson (Limp Bizkit, Korn) for the first time (and apparently, he ate up so much of the recording budget that they couldn't afford an album cover artist).

'Calamity' is the first full length for Chris Cohen's new full-time project since leaving experimental rockers Deerhoof.

The New Zealand retro-rockers scored a major-label deal in the U.S. on the strength of this 2002 debut album, which received an American re-release in March 2003.

The latest full-length release from British punk band The Damned feature 10 covers songs recorded over five days.

The third album from the Portland, Ore. indie-rock band failed to elevate their standing in their home country, although they continue to sell well (and receive favorable press) in Europe.

The fourth release for the Portland, Ore. four-piece is a trip through 70's glam- and 80s synth- rock, complete with contributions from Duran Duran's Simon Le Bon and Nick Rhodes (the latter produced much of the album), Chic's Nile Rogers, Bowie/T. Rex producer Tony Visconti, and, well, Evan Dando.

The Portland, Ore. band's follow-up to 'Welcome To The Monkey House' was co-produced by frontman Courtney Taylor(-Taylor) and Gregg Williams.

The sixth album for the Portland, Oregon, rockers includes guest appearances by Dire Strait's Mark Knopfler and the Heartbreakers' guitarist Mike Campbell.

Originally shelved by Capitol Records for a different mix (2003's "Welcome To The Monkey House"), this remixed by Russell Elavedo finally gets a formal release.

The Dandy Warhols covers 17 songs by such artists as The Beatles, The Byrds, The Cult, The Cure, and Violent Femmes.

'Permission To Land' is the debut LP for the rock four-piece from Norfolk, England (and we're talking the big, loud, stadium-rock end of the rock continuum, not the indie-rock end).

The British band's second album was produced by Roy Thomas Baker (Queen).

This is the debut full-length release for the New Zealand rockers, who have drawn comparisons to everyone from The Stooges and AC/DC to, of course, the White Stripes, and have been the subject of fawning articles in the UK music press (but then again, who hasn't) in recent months.

The New Zealand rockers return with a second album, produced by Led Zeppelin's John Paul Jones.

The New Zealand rock band returns with a third album.

Jack White plays drums and produced this album for the band headed by The Kills' Alison Mosshart, which also includes The Raconteurs' Jack Lawrence and Queens of the Stone Age's Dean Fertita.

The Jack White-led rock band releases its follow-up to its 2009 debut, "Horehound."

They might sound Britpop (and at the very least, a bit like The Smiths), but this collective led by Murray Lightburn hails from Montreal, Canada. This is their second album and first U.S. release.

The Montreal band led by Murray Lightburn is a little more rocking and a little less orchestral on this follow-up to 'No Cities Left.'

The fourth album for the indie rock band from Montreal.

The debut album for the duo from Australia was produced by band member Johnny Siera.

This is the second album for the Portland, Ore.-based indie five-piece led by Colin Meloy.

Chris Walla produced this third album for the literary Portland, Ore.-based five-piece led by Colin Meloy.

'Crane Wife' marks the literate, Colin Meloy-led band's major label debut.