The New-York four piece makes its full-length debut with this 10-track effort that has drawn comparisons to the usual suspects (Joy Division, The Cure, The Pixies, et al) as well as to newer bands who also draw from the same sources (Interpol, Hot Hot Heat, et al).

The trio worked with producer Dave Eringa (Ash, Manic Street Preachers, Kylie Minogue) for this sophomore release.

Former Sunny Day Real Estate members Jeremy Enigk, William Goldsmith and Nate Mendel make their debut as The Fire Theft with this 13-track disc, co-produced by Brad Wood.

Unlike Jack and Meg White, this brother-sister garage-blues duo really are brother and sister. 'Gallowsbird's Bark' marks the full-length debut for New Yorkers Eleanor and Matthew Friedberger after several years touring with the likes of Spoon, The Kills and French Kicks.

This is the fourth album for the Neil Halstead-fronted band, who have taken on a more alt-country feel since their origins in Slowdive.

The first solo release for Dave Matthews (that's right, it's not the Dave Matthews Band this time out) finds him working with artists such as Tim Reynolds and Trey Anastasio (Phish).

The Canadian grunge act attempts to duplicate the multi-platinum success of 2001's 'Silver Side Up' with this latest release.

'North' is a song cycle of piano-based ballads dealing with the ups and downs romance--both the ending of one releationship and the subsequent beginning of a new love.

The critics were not kind to this follow-up to 'Chocolate Starfish...,' which sees the band with a new guitarist (who won the slot in a competition held at various Guitar Centers!) replacing the departed Wes Borland.

Don't be fooled by the title: While 'Identity Crisis' would have perfectly suited her poorly-received predecessor, 2001's Glen Ballard-produced 'Love, Shelby,' that's not the case here, as these 12 self-produced tracks are more likely to connect with fans of her breakthrough disc 'I Am Shelby Lynne.'

'Permission To Land' is the debut LP for the rock four-piece from Norfolk, England (and we're talking the big, loud, stadium-rock end of the rock continuum, not the indie-rock end).

The roster of this Los Angeles outfit (who make their debut with this self-titled release) includes members of Beck's touring band (Medal-Johnsen and Joey Waronker).

Less punk, more pop is the motto for the fourth album by the New Jersey emo band led by singer-songwriter Chris Conley.

'Reality' finds a now 56-year-old David Bowie working once again with longtime producer Tony Visconti. Included among the 11 tracks is a cover of Jonathan Richman's "Pablo Picasso."

Tool vocalist Maynard James Keenan's side project returns with a second LP on which he's backed by Jeordie "Twiggy Ramirez" White (Marilyn Manson), Billy Howerdel (Tool's guitar tech) and Josh Freese (Guns N' Roses).

This is the third album from the husband-wife duo of Kori Gardner (keyboards) and Jason Hammel (drums). Spoon's Jim Eno produced, along with John Croslin.

John Schmersal and Enon return with their third LP, which features an increased vocal presence by Toko Yasuda.

The girls in question on this debut disc are Blake Babies veterans Juliana Hatfield (guitars, vocals) and Freda Love (drums) plus bassist Heidi Gluck (The Pieces).

The Seattle hard rock band's sophomore album was produced by Phil Ek (Modest Mouse, Built To Spill).

The duo of Sam Coomes and Janet Weiss (Sleater-Kinney) return with their fifth LP.

The soundtrack to Sofia Coppola's second feature film includes the first new music in over ten years from My Bloody Valentine's Kevin Shields (who scored much of the film), new music from Air, and older tracks from Squarepusher, Jesus And Mary Chain, and Death In Vegas.

The seventh LP for the San Francisco-based band sees the fractured band reunited, as singer and co-founder David Freel is rejoined by drummer Sean Kirkpatrick.

This is the second album for the Portland, Ore.-based indie five-piece led by Colin Meloy.

The San Francisco group's fourth album is its darkest in mood so far, perhaps a result of several changes in band membership since 2001's 'The Coast Is Never Clear.'

The indie rockers took four years to record this third album.

He's nothing if not prolific. Black's fourth album in two and a half years features 13 new tracks and appearances from some of his usual cohorts (Stan Ridgway, Joey Santiago).

Never one for original album titles, Seal returns with just his fourth LP in his 12+ year recording career. Trevor Horn produces.

Oft-compared to Joy Division, this unique British four-piece sports single-word names (Hamilton, Noble, Yan, and Wood), dons military apparel for their live shows, and tackles dark, weighty themes in their lyrics (Czech history, anyone)? 'The Decline' marks their full-length debut, drawing critical praise on both sides of the Atlantic.

Byrne's latest release originated as the soundtrack to the film 'Young Adam' (itself based on the novel by Scottish beat writer Alexander Trocci). Since the film is set in Scotland, and since the former Talking Head himself was born there, he decided to enlist members of Glasgow-based groups such as Mogwai, Belle & Sebastian and The Reindeer Section to assist with this music (only a small portion of which actually is heard in the film).

The Welsh band self-produced this fourth studio album.

America's favorite party animal attempts to move past the frat party/beer commercial sound of his hit debut album with this slightly more mature follow-up. Slightly.

A quick follow-up by Spiritualized standards, 'Amazing Grace' finds Jason Pierce with a new record label (his own Spaceman Records imprint) and a more immediate, less orchestral sound than on 2001's 'Let It Come Down.'

The Southern rockers make their major-label debut with this 12-track effort.

The fifth release from the Chicago-based outfit continue their foray into "modern classical" composition using acoustic instruments.

'Amateur Night' marks the first solo release for the former frontman of the Happy Mondays and Black Grape. Cabaret Voltaire's Stephen Mallinder co-produced.

This compilation consists chiefly of alternate versions of tracks from her recent LP 'Daybreaker,' including live recordings and remixes by Two Lone Swordsmen and Four Tet.

This is the third LP for the English trio of vocalist Sarah Nixey, former Auteurs frontman Luke Haines and former Jesus & Mary Chain member John Moore. Together, they sound a bit like Saint Etienne, but with a much more political and satirical approach to their lyrics.

Denmark's Raveonettes--now including two new members in addition to founders Sune Rose Wagner, Sharin Foo and their drum machine--make their major-label debut with this 13-track effort produced by Richard Gottehrer (Blondie). As on their debut EP, all songs are restricted to a single key (here, b-flat major) and must be shorter than 3 minutes.

The London-by-way-of-Los-Angeles-by-way-of-San Francisco rockers known as JAMC--er, make that BRMC--return with their second LP, which actually finds the group distancing themselves (at least a little) from the Jesus and Mary Chain-influenced sound of their debut.

This is the second album for the Brooklyn- (formerly Ohio-) based indie rockers fronted by singer Matt Berninger.

This is the third studio album for the Denver-based indie pop band led by Tammy Ealom.

The fifth album from the Nebraska-born singer-songwriter is indeed influenced by the music of 1972 (the year Rouse was born).

Diagnosed with terminal lung cancer in 2002, veteran singer-songwriter Warren Zevon decided to record one final album. This 11-track effort includes contributions from numerous Zevon friends, including Ry Cooder, Bruce Springsteen, Jackson Browne, Don Henley, Tom Petty, and Dwight Yoakam.

This is the second LP for the Montreal-based indie-pop quartet featuring actor Torquil Campbell, Evan Cranley (also a member of Broken Social Scene), Amy Millan and Chris Seligman.

This is the third album for the Winnipeg, Canada-based group led by former Propagandhi member John K. Samson.

This sophomore disc for the Southern California alt-metal outfit was produced by Robert and Dean DeLeo of the Stone Temple Pilots.

The Ontario, Canada band makes its Sub Pop (and U.S.) debut with this, their second LP, which mixes alternative rock with punk and soul.

The Bay Area punk band returns with its first album in three years.

The ever-prolific Robert Pollard returns with a brand-new GbV studio disc (the 15th or so since 1987), retaining the core group of musicians that has been with him for the last few albums.

Credited to Neil Young & Crazy Horse (expect electric rather than acoustic), this latest offering by the 57-year-old rocker is a 10-song concept album about the lives of the fictitious Green family.

Signed to a major-label deal after just one single, New York punk foursome The Star Spangles make their full-length debut with Bazooka!!!

This is the debut full-length for the Nashville-based rock band consisting of three brothers (the sons of a preacher) and their cousin.

The fourth release for the Portland, Ore. four-piece is a trip through 70's glam- and 80s synth- rock, complete with contributions from Duran Duran's Simon Le Bon and Nick Rhodes (the latter produced much of the album), Chic's Nile Rogers, Bowie/T. Rex producer Tony Visconti, and, well, Evan Dando.

This is the fourth album for the Florida-based emo band led by Christopher Carraba.

This is just the second full-length recording for the Birmingham, England experimental pop outfit founded in 1995. Included here is the track "Pendulum" from the recent EP of the same name.

If you think the concept of a guitar-drums blues duo from Detroit sounds a bit, well, familiar, consider this: Soledad Brothers guitarist Johnny Walker allegedly is responsible for teaching the White Stripes' Jack White how to play guitar. This is the Brothers' third studio LP.

The eighth studio album for Gene and Dean Ween is their strangest (and definitely most eclectic) in quite some time. (And many Ween fans will probably see that as a good thing.)

The fourth album for the Bay Area band finds them once again in light, summertime pop mode.

This party album from the Danish band Junior Senior has garnered attention throughout Europe with its mix of garage rock, pop and disco.

The first album in seven years for the UK punk outfit founded in 1978 features newly reunited members Jaz Coleman, Youth and Paul Raven, with Dave Grohl filling in on drums.

A former member of Billy Childish's band Thee Headcoatees, Holly Golightly has gained a wider following in recent months due to her guest appearance on The White Stripes' 'Elephant.' New devotees will have a lot to discover: this is her ninth solo album since 1995.

The Australian rockers, who have attracted attention in their homeland and in Europe with their early EPs, make their full-length debut with this LP.

Producer Brad Wood (Liz Phair) helms this latest release for the emo-rockers, which includes a cover of The Cure's "A Letter to Elise."

The quirky Welsh quintet's sixth album was produced by Mario Caldato Jr. (Beastie Boys).

This is the third album for the Los Angeles alt-rock trio led by singer Max Collins (who lately is best known for an indecent exposure incident in a Pittsburgh hotel lobby).

A reunited Jane's Addiction (sans bassist Eric Avery) is back with their first studio recording in 13 years.

The fourth LP for the singer-songwriter (who is also a member of The Thorns) is his first without longtime producer Brendan O'Brien, as Droge handles production chores himself.

Best known as the female vocalist on Tricky's first three albums, Martina Topley-Bird finally arrives with her first solo release, which earned her a Mercury Music Prize nomination. Guest collaborators include the Tricky kid himself, as well as David Holmes and Josh Homme (Queens Of The Stone Age).

The London-based band follow their singles collection ('Suburban Light') with this, their first true studio LP, which continues their hazy, 60s-influenced sound developed in those earlier songs.

This is the second Mondo Generator recording for Nick Oliveri and Josh Homme (Kyuss, Queens Of The Stone Age), who are joined here by Brant Bjork (Kyuss) and Mark Lanegan (Screaming Trees).

The Los Angeles- (no, not Bay Area-) based alt-rock band led by singer-songwriter James Grundler returns with a Rick Rubin-produced sophomore LP.

This 16-track compilation offers an impressive sampling of the New York underground scene from the late 1970s and early 80s, including cuts from "no-wave," post-punk, experimental and hip-hop artists such as ESG, Material, DNA, Defunkt, and Liquid Liquid.

The New York-based but Chicago-sounding post-rock outfit (think Isotope 217 or Tortoise) founded by Sasha Frere-Jones offers 13 new tracks on their first LP since 1998, and their first with new bassist (one of two) Erik Sanko of Skeleton Key.

This is the second solo LP from the co-founder of such legendary alt-country bands as Uncle Tupelo and Son Volt.

The Boston-based trio has developed a devoted following over the course of three albums and ten years of touring. This fourth album, produced by Roger Moutenot (Yo La Tengo), adds additional elements such as bass and drums to their ususal mix of two acoustic guitars and bongos.

'De-Loused' is the heavily anticipated debut LP from the group formed by former At The Drive-In members Cedric Bixler and Omar Rodriguez.

Sylvian's first studio recording since 1999's 'Dead Bees on a Cake' is much darker and more spare than that recording. The former Japan leader is joined by guitarists Derek Bailey and Christian Fennesz on several tracks.

The quirky, Portland, Ore.-based indie rock trio recorded this highly-regarded genre-twisting debut album with the aid of a homemade software program.

The third album from the London-based duo of Richard Fearless and Tim Holmes, much like its predecessor (1999's 'Contino Sessions'), mixes electronica and rock with a variety of celebrity guests handling vocals. This time out, the voices come from Hope Sandoval, Paul Weller, Dot Allison and Liam Gallagher.

The duo of 764-HERO guitarist/vocalist John Atkins and Black Heart Procession drummer Joe Plummer return with a second LP.

Don't let the title fool you; the Glaswegian instrumental post-rockers are just as dour as ever on this fourth studio LP.

This sophomore LP for the Reading, England band continues the retro-futuristic pop sound (frequently compared to Stereolab) from their debut, with vocals sung in English, Spanish and French.

The Austin, Texas-based drone-pop qunitet--known to friends and reviewers as AmAnSet--returns with their fifth LP.

The Southern rock band led by Patterson Hood follow up their 2-disc concept album about Lynyrd Skynyrd ('The Southern Rock Opera') with this less conceptual but equally rocking LP.

'Twice,' which, yes, follows 2001's 'Once,' is the second album for the Los Angeles-based band that features three members of Beachwood Sparks. While the Sparks employ a 60's California pop sound, the Tyde tend to echo somewhat more recent British groups such as Felt.