Black Sails

While the series, which opens with a ship being boarded and taken, does have its moments of big, noisy action (see: Michael Bay, above), it spends a lot of time on land, as well, with the main characters taking care of business, making plans, laying traps and working on their surprisingly complicated personal relationships. There is also, tedious to relate, an abundance of female nudity.... Other than that, Black Sails' depiction of daily life among the pirates is plausibly authentic and workaday, and the Nassau through which they roam feels real and well-peopled.

Four episodes in, Black Sails is actually spinning a cleverly-crafted tale of intrigue, secrets and deceit surrounding a race for an enormous cache of gold in a Spanish galleon.

Filmed in South Africa, Sails is awash in lush scenery, bloody expensive sets and brutal action. You’ve probably never seen a sword fight like the one that caps tonight’s episode.

While it looked like a Starz show, with all the pretty, naked people and bursts of horrific violence, it also felt like a show for grownups.

Alliances are made and broken, power shifts go this way and that, blood is spilled, and wenches keep wenching. It’s oddly addictive, and the cast--made up mostly of British, Australian and Canadian actors--is as sharp as you’d expect from pay cable.

While its glimpses into the democratic world of piracy are interesting, Black Sails could cull a few plot barnacles and give viewers more action.

Bloody pirate battles? Check. Graphic sex scenes? Check. Shoreside conniving/intrigue? Intense.

Steinberg promises that Black Sails, with no parrots and no peg legs, will be pirate-cliché free. Unfortunately, the female characters don’t escape sexist stereotypes. And that keeps Black Sails from being as much fun as it might have been.

Better dense than dumb, however, and the move by Black Sails into something unexpected--better acted and better written than you might have guessed--is its own little treasure.

A winsome opportunist (Luke Arnold), a ruthless captain (Toby Stephens) and a tough-talking tavern owner (Hannah New) are just a few of the colorful characters involved in a brutal power grab in the 18th century Bahamas.