Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The best thing about the movie is its personable, amusing cast, all members of the five-man comedy troupe Broken Lizard. There's a chemistry among them, which obviously comes from having been together as comedians at Colgate University.
  2. The Village yields a trick ending quite lame, quite tame and quite old; Rod Serling thought of it 40 years ago and he did it better.
  3. Gets bogged down in sentimentality, while its wheels spin futilely in life-solving overdrive.
  4. An implausible action adventure with the most geriatric payload since a community of retirees lifted off in "Cocoon."
  5. Though he is a master thief with a heart of gold, the new Templar has all the charm of one of those ladies behind the counter at the Department of Motor Vehicles.
  6. All credit to Carrey, whose one-man performance is almost enough to redeem the movie.
  7. It's the sick humor that's most appealing about this odd little Danish film.
  8. Doesn't pack the punch of Schrader and Scorsese's career-best collaborations ("Raging Bull," "Taxi Driver").
  9. Under its scope and reach and passion, Gangs of New York is pretty ordinary stuff.
  10. With a surprisingly unhappy, anti-Hollywood ending that will appeal to those who like things dark.
  11. Gripping, if manipulative and somewhat preposterous, drama.
  12. Like the bad fight that ends the bad marriage: ugly, messy, loud, sometimes incoherent, but ultimately necessary. You're glad when either of them -- the marriage or the movie -- is over.
  13. Wanted isn't quite the real Slim Shady of hip-hop comedies. But you might lose yourself in a few of its amusing moments.
  14. Controversial, yet undeniably powerful.
  15. However many millions of dollars Rodriguez set aside for blanks and exploding squibs was a waste. Depp's salary, on the other hand, was money well spent.
  16. Modestly amusing teen summer comedy.
  17. Burke's face is impressively scaly, his head is adorned with shorn horns. He makes a great monster. If only he had a better movie to growl in!
  18. Creepy and truly suspenseful in some places, unintentionally comic or plain awful in others.
  19. Only moderately compelling.
  20. An uneasy mix between "Eternal Sunshine of the Spotless Mind" and the "The X-Files," and one not nearly as smart as either.
  21. A thinly written, hoarily cliched story that serves mostly as connective tissue between the movie's chief draw, its dazzling dance sequences.
  22. Enjoyable in some places, but dreadful in others. It's boring here and exciting there. And it's almost always goofy.
  23. Still manages to one-up its predecessor, 1997's unintentionally campy "Anaconda."
  24. Occasional clumsiness is easily coated over by the movie's overarching goodwill.
  25. Threatens to become a serious movie, but they're quickly overwhelmed by another indecipherable rampage or outsize visual effect.
  26. The skits that comprise Coffee and Cigarettes aren't fully realized short pieces as much as riffs or fragments; their appeal is mostly in their stars.
  27. The movie has been made with consummate carelessness but with occasional moments of knowing humor.
  28. Has its modest charms.
    • 50 Metascore
    • 50 Critic Score
    Charming as it can be, though, Home on the Range is still an overextended cartoon.
  29. Good points aside, In Good Company is a bland, occasionally phlegmatic pastiche of cliches and dull encounters.

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