Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Epitomizes the kind of somber, aesthetically refined and morally engaged film that commands deep respect without inspiring much affection.
  2. A well-made, excruciating exercise in containment and sustained suspense. It's a breakout moment for Reynolds. Is it a fun hour and a half? No. But it succeeds within its own straitened contours. It's an intriguing squirm. Now, please get me outta here.
  3. All too often, the second movie of a trilogy is a bridge. ("The Matrix Reloaded," anyone?) As often as not, it feels more like the first half of the last movie than a film in its own right. The Girl Who Played With Fire is no exception.
  4. For the most part, The Other Guys is seriously silly stuff, in the best sense.
  5. It can take a miracle to create a movie that's fun for kids and their parents. Luckily, Nanny McPhee has a little magic up her sleeve.
  6. It's filthy, funny and kind of sweet, if not quite up to the level of Judd Apatow's oeuvre in the burgeoning field of R-rated comedies with heart. You will laugh and blush in equal measure.
  7. RED
    Unlike "Wild Hogs" or last summer's "The Expendables," this adaptation of the "Red" graphic novel series gets into a cool, sophisticated swing.
  8. Despite broad satire about racism and border fences that will appeal to some liberals, the movie doesn't line up neatly along party lines -- except in that other sense of the word "party." It's a movie that just wants to have fun.
  9. It's depressing enough to watch this family's struggles with life. But their pain really hits home when you think that the pants you might be wearing could have contributed to it.
  10. Due Date isn't pretty; in fact, it gets kind of ugly. But, at least in the eyes of certain beholders, therein lies its peculiar, bent beauty.
  11. Burlesque delivers eyeful after eyeful of rapid-fire opulence and spectacle. But its most memorable sight is the indelible image of one star taking flight, and another triumphantly staying put.
  12. All Good Things is creepy and weird and sad, and little else.
  13. It's the kind of movie that succeeds as a culmination of moments that ring true and sweet.
  14. Some of it sounds, quite frankly, nuts. And a few of Lomborg's enemies have said as much. But throwing tons of money at the problem with little result? That also sounds kind of crazy.
    • 52 Metascore
    • 63 Critic Score
    It's a fluffy, mildly inspiring, celebration of the hero leading up to his big moment.
  15. Despite a certain emotional chill, what holds this Mechanic together is - no surprise - the core Carlino story.
  16. Big, slick and showy. It is also undeniably effective entertainment.
  17. The single most compelling reason to see Hanna is Hanna herself. As played by Saoirse Ronan, who made her first big splash as another morally challenged youngster in Wright's 2007 "Atonement," the character is a fascinating and frustrating cipher.
  18. At its best, The Tree of Life makes the viewer lean forward, eager to enter Malick's own dreamy, poetic consciousness. At worst, it leads to the vague feeling that we're listening to the meanderings of someone who's not sure we're smart enough to keep up.
  19. A loving throwback to the classic westerns and sci-fi adventures of yore, this celebration of two of cinema's most revered genres doesn't stint in lavishing their most cherished conventions with even-handed affection and respect.
  20. If Kunis gets the showier role in Friends With Benefits, Timberlake proves a quietly charming stalking horse, finally claiming and fully owning the spotlight with a hilarious homage to the 1990s rap duo Kriss Kross.
  21. In a triumph of cinema over celebrity gossip, The Beaver mostly makes us forget about Gibson's madman persona and simply draws us into the story that he and director Jodie Foster, who also plays Walter's wife, Meredith, want to tell.
  22. All too often the plot feels calculated rather than organic, the result of a time-tested formula rather than genuine innovation.
  23. The Girl With the Dragon Tattoo may want it both ways, getting its tawdry kicks while tsk-tsking those who deliver them in real life, but Mara's bristling, unbridled performance gives the film the ballast it needs to pull off that curious, undeniably engrossing, balancing act.
  24. This sequel is just as profligate as its 2009 predecessor with explosions, anachronisms and quick cuts. But the dialogue is a little sharper, and Holmes gets a worthy opponent in Professor Moriarty.
  25. There's a place in the movies for wish fulfillment, no doubt, including the wish for it all to be over.
  26. Sadly, Herge isn't around to see The Adventures of Tintin, Spielberg's crisp, richly rendered animated adaptation, which could be counted as both a success and a failure. Spielberg has brought Tintin to the big screen all right, but not quite to life.
  27. The good news is that Garfield and Stone whip up a warm, convincing froth as two teenagers caught up in a beguiling case of puppy love. The not-so-great news is that by "reboot," the studio means taking audiences once again through every step of Peter's transformation into Spider-Man.
  28. If the series's legions of fans miss a detail here or a sub-plot there, they'll still recognize its bones and sinew, especially in Jennifer Lawrence's eagle-eyed heroine Katniss Everdeen.
  29. A heck of a ride. On the way to its unpredictable (if less than wholly satisfying) conclusion, it is entertaining, a little silly and visually dazzling.

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