Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Without grounding in specific causes-and-effects, the film is just another dreary wallow in self-pity.
    • 57 Metascore
    • 60 Critic Score
    Despite its cutesy comic-relief digressions and overdone solemnity, The Stone Angel finds its way past tonal inconsistencies to a moving conclusion that doesn't romanticize death.
  2. The question of who might find Harold even mildly entertaining looms large.
  3. Set off by sprightly graphics and shimmering with over-bright colors, Full Battle Rattle has a fake transparency. The movie arouses, without gratifying, a desire to see the camera.
    • 73 Metascore
    • 70 Critic Score
    While the evidence of his spotty post-1970s work is hard to refute, Gonzo proves what a vapid, overvalued commodity edginess is, championing Thompson's best work for brass-tacks insight more than brass-balled outrage.
    • 36 Metascore
    • 30 Critic Score
    There's nothing to fill up the 88 minutes of the film except for the idle bitchery spewed by nearly every character.
    • 62 Metascore
    • 70 Critic Score
    Catches the nation's mood of economic anxiety and workplace exploitation more pungently than anything else in theaters.
  4. It's the kind of lite movie you go and see with your mom, and she'll say she liked it--but then a year later, you're both trying to remember what it was even about. Two and a half shrugs.
  5. All the drug-slinging material's counterfeit, but the script is refreshingly straight-faced in looking at the strange relationship between white boys and rap.
    • Village Voice
  6. Among the movie's many delights are the fluctuating rhythms of its pacing, an atmospheric volatility that sets off the doctor's blooming paranoia against his sunlit, leafy surroundings, and a terrific cast that includes Kristin Scott Thomas.
  7. It doesn't take itself as seriously as it should, and undercuts a final act that should have and so could have packed a mighty emotional wallop.
  8. By keeping the tone light, the players human (Steve Coogan has a nice turn as a greasy casino host), and never, ever romanticizing the addict, Finding Amanda comes by its heartbreak honestly.
  9. A film that's both breathtakingly majestic and heartbreakingly intimate.
    • 64 Metascore
    • 70 Critic Score
    In the end, Wanted may be most notable for cementing the connection between superhero movies and the cinematic craze they have temporarily supplanted, torture porn--both genres that, like "Fight Club," address our ambiguous fascination with being powerless and invulnerable at the same time.
  10. As each player's run through the same routine--hometown meet-and-greet, biographical sketch, hasty interview--the burden of the formulaic structure starts to wear.
  11. The actors--most unshaven, wrinkled, so goddamned serious--steal the writer's movie, as they wring from his epistles every last drop of blood and sweat spilled by a man punished for believing his country was better than its behavior.
    • 52 Metascore
    • 50 Critic Score
    The problem isn't the acting; both actors are superb. It's Elsa's character that is so difficult to take. Only the hopelessly romantic will be able to tolerate her.
  12. A highly entertaining adaptation of French dandy Jules-Amédée Barbey d'Aurevilly's mid-19th-century novel Une vieille maîtresse.
  13. Tamar Simon Hoffs's bland-as-boiled-cabbage adaptation of Joseph O'Connor's play finally hobbles into theaters.
    • 47 Metascore
    • 40 Critic Score
    For better and for worse (at least for a story about a man struggling to behave like an adult), Full Grown Men feels and thinks with the heart and mind of a child.
  14. This redux is a rare device: a TV remake for the big screen that works on its own terms.
  15. Now and again some pungent writing leaks through to poke fun at the excruciating banality of guru wisdom. But mostly it’s dreary dick jokes and elephant poop, slack directing by Marco Schnabel, and, of all fatal errors, Mike Myers, shooting for cuddly.
  16. Absorbing enough, moving enough, and visually attractive enough to provide a perfectly acceptable night out at the movies.
  17. Based on several American Girl stories about a 1930s cub reporter in Cincinnati, this dull theatrical debut especially disappoints because I'm usually fond of square, sepia-toned, period-costumed kids' movies (like Fly Away Home) that go nowhere at the box office.
  18. Tender, smart, soulful.
    • 62 Metascore
    • 60 Critic Score
    Expired pretends to be a valentine to society's outcasts, but it's just one more indie comedy that mocks its characters while sucking up to its knowing audience, assuring all of us hip urbanites that the romantic insecurities of "weirdos" don't deserve our sympathy.
  19. What a bunch of nonsense--effective nonsense, chilling nonsense, occasionally wrenching nonsense, but nonsense nonetheless.
  20. Cheers to lower expectations, then, because The Incredible Hulk is The Pretty Good Hulk. All things considered, of course.
  21. With his elegant cadence, crisp comedic timing, and witty flipping of homophobic stereotypes--in his very choice and use of language--Bachardy is that story come to life: the student who eventually mirrored his teacher, the molded who became a duplicate of the mold.
  22. In the course of this clanging, spectral memoir, all of the artist's previous movies--from his underground mock epic "Tales from the Gimli Hospital" through his faux–Soviet silent "The Heart of the World" to his period spectacular "The Saddest Music in the World"--come to mind.

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