Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The result is something like the best science-fair project ever, an inviting performance piece that tasks viewers with the pleasurable, imaginative engagement that more seamless special effects deny.
  2. Seeing the breadth of Didion’s work and its impact on the culture represented cumulatively delivers an unexpected shock to the system.
  3. The photography fascinates even when the story flags, and the film bristles with small revelations.
  4. Raw, fascinating, often unpleasant film.
  5. Sinking Into the Sea is fun, but an hour of just Rudolph and Watts in the recording studio would be no less buoyant.
  6. The actress is equally committed, regardless of whether content and context click, but she soars when they do.
  7. Whether you call this a Rousseau-ian paradise or "Capturing the Friedmans" by the Sea will depend on where you stand on hippie living--up to a point.
    • 72 Metascore
    • 70 Critic Score
    Jordan's interviews, from John Zorn to John Waters, all attest to Smith's reputation as a pivotal influence on film, performance art, gallery installation, and photography; as Richard Foreman once declared, everybody stole from Jack.
  8. What saves this deeply affecting film from being merely a collection of wrenching cases is Corcuera's attention to detail.
    • 72 Metascore
    • 60 Critic Score
    Like many late-franchise attempts, it stretches its material thin and grasps at novelty, overstaying its welcome despite a handful of requisite dude-that-is-so-fucking-cool moments.
    • 72 Metascore
    • 60 Critic Score
    Engaged but measured hagiography.
    • 72 Metascore
    • 70 Critic Score
    Fortunately, these artists know how to tap in to the universal longing for acceptance, making for a fresh, witty, and contemporary take on the perennial boy-meets-girl story.
    • 72 Metascore
    • 70 Critic Score
    Despite its structure, Abduction sheds light on the disturbing politics North Korea deploys to simultaneously intimidate the world and guard itself from attack.
  9. So, yes, kiddies--it's funny. Silly. Slight. Though, grown-ups, be warned: I had more fun watching the kid giggle through the screening than I did watching the movie itself. It's no "Toy Story 3."
  10. Making his feature debut, Swiss-born writer/director Baran bo Odar has turned Jan Costin Wagner’s 2007 novel The Silence into a taut, beautifully acted thriller.
  11. Each anecdote builds upon the next to create that rarest of films: a documentary as ineffable and transformative in its reach as it sets out to be.
  12. Bauder's film is a diagnosis of a system that is hopelessly sick and not being treated. Bring a stress ball to squish up as you watch.
  13. Doomsdays is winsome because it embraces its narcissistic subjects without asking viewers to forget that they've just befriended a couple of selfish dillholes.
  14. In a bitterly funny performance, Avedisian lets Donald's freak flag fly, a big-toothed grin lighting up his face, framed by a shaggy haircut not deliberate enough to be a mullet.
  15. Strouse drops the ball with this meandering, flat film that shows few signs that he effectively coached his actors, as they rush to recite their dialogue.
  16. Immersive, involving, sometimes revelatory, sometimes curiously naive, and on occasion thuddingly obvious, João Moreira Salles’s found-footage study of revolutionaries in the streets of Paris, Prague, and other countries in 1968 would stand as an invaluable assemblage simply on the basis of its archival finds alone.
    • 72 Metascore
    • 50 Critic Score
    Because Simon is dealing with a place — and a commonplace — rather than people, it is only too easy to see the jokes coming long before they arrive. We feel the boredom of anticipation rather than the shock of recognition, and sometimes the jokes themselves ring false.
    • 72 Metascore
    • 70 Critic Score
    A fitting 21st-century addition to the genre. The film's meager plotting and casual melancholy peg it as a modest indie, but these ingredients dovetail nicely with Zobel's bigger theme about the futility of the modern world.
  17. The emotional disconnect between a soldier's perception of reality and reality itself is the subject of this documentary, which finds drama in evenhanded storytelling that is the inverse of its characters' emotional shakiness.
  18. The concepts Sweet Virginia explore through this setup — lives intersecting after a tragedy in a small town and a dangerous outsider tearing through a community — aren’t new for noir or westerns, but the understated, intense performances of Dagg’s cast make this slow burner a standout.
  19. The Double Hour sustains a minimum of attention thanks to the naturally beguiling presence of long-stemmed Rappoport-but what might've a less cautious director done with the material?
  20. 12
    Miklahkov keeps 12 tops spinning at all times in the school gymnasium that serves as their deliberation room, and though the speech/conversion pattern grows a little pat, the movement toward consensus raises the further, richly complicated question of how to decide not only what is right, but what is best.
    • 71 Metascore
    • 60 Critic Score
    Wang's vision is preferable to the esoteric chic of "Khadak," but the Chinese director still maintains an emotional remove from his subject.
  21. Honestly, Courtney and his crew all seem like nice people, but if there's an unironic audience for this kind of romantic jock-cup fondling, I'm not interested in knowing it.
  22. The protracted 2008 ship-napping of the CEC Future...is couched in illuminating context.

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