For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
J. Hoberman
In a Kafkaesque turn of events, Reems was the fall guy--facing prison, he became a Hollywood cause célèbre. Inside Deep Throat includes footage of him partying with Jack and Warren and debating Roy Cohn on TV.- Village Voice
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Reviewed by
Ed Park
Several sharp jolts give the doc its dramatic shape, and one episode in particular, caught with a neighbor's lens, will make you gasp with grief.- Village Voice
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Reviewed by
Edward Crouse
Ends up an intricate, becalmed take on a soul adrift.- Village Voice
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Reviewed by
Joshua Land
Expertly programmed by Mike Judge and Don Hertzfeldt, the second go-round of The Animation Show features 12 films from five countries.- Village Voice
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Reviewed by
J. Hoberman
Up and Down is not exactly the toughest movie on the block, but especially compared to most American comedies, it conveys a sense of scrofulous rue.- Village Voice
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Reviewed by
J. Hoberman
Floating on the surface of confusion, Gunner Palace has a raw home video quality that's often quite beautiful. Much of the movie is hardly more than an immersion in sights and sounds. Vivid as it is, Gunner Palace is dominated by what isn't shown. It's the human face of Abu Ghraib.- Village Voice
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Ben Kenigsberg
Entertaining enough that it leaves one wishing for more in the way of android mythology—a pint-sized Blade Runner or A.I. The screenplay goes on autopilot, grinding toward a happy ending just when it has a shot at something darker and more memorable.- Village Voice
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Reviewed by
J. Hoberman
A compelling if not altogether convincing tale of mad love and divine redemption, adapted from the prize-winning novel by Castellitto's wife, Margaret Mazzantini.- Village Voice
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Dennis Lim
Nowhere Man, despite a tossed-off ending, is a compulsive bit of meta-exploitation.- Village Voice
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Mark Holcomb
In the end, Milk and Honey's contrived connections blossom into a disarmingly effective reckoning with loss and regret.- Village Voice
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J. Hoberman
Nossiter has an eye for stray details and a knack for relaxing his subjects- although the scene with the naked guy trampling his own grapes may make you sorry that you ever gave up drinking Ripple.- Village Voice
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Reviewed by
Michael Atkinson
Little in a Jaoui film is particularly original, but it's all perfectly convincing.- Village Voice
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Reviewed by
J. Hoberman
The Kidman character is an exotic--and even unlikely--creature, usefully fueling Penn's annoyed but fascinated incredulity.- Village Voice
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Reviewed by
Dennis Lim
Probing the trust-based power games of a sadomasochistic dynamic, the movie is a reasonably thoughtful study of obsessive love.- Village Voice
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Shot on DV, the film looks awful, but this homemade quality fosters an authenticity that allows for startling suspense as Yunes's secret life comes to light.- Village Voice
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Reviewed by
J. Hoberman
Mad conspiracy rules in Korean writer-director Jang Jun-hwan's snazzy, playful, some-what gory, often hilarious, and generally unpredictable first feature.- Village Voice
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Reviewed by
Joshua Land
Micheli's documentary finds a fresh angle via the intersecting stories of two stuntwomen.- Village Voice
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Reviewed by
Ed Park
Taut even when ridiculous, with flashes of comedy, 3-Iron has less to offer than its predecessors, but at minimum it's the playful exhaustion of a formal constraint.- Village Voice
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Reviewed by
J. Hoberman
Less a tale of desperado lovers than a cruel story of youth, Tout de Suite is framed largely in close-up, with few transitional shots and a narrative that grows increasingly fragmented.- Village Voice
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So tastefully subdued it makes Merchant Ivory look like Gaspar Noé. And while they never look bored, Smith and Dench are clearly slumming, having played these roles in other costume pics.- Village Voice
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Reviewed by
Laura Sinagra
Like "Spellbound's" glimpse of the darker side of childhood competition, Mad Hot Ballroom--a look at New York City schools' fifth-grade ballroom dance program--is best when exploring issues of class and gender and definitions of success.- Village Voice
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Reviewed by
Michael Atkinson
Busting with clips from films Haskell Wexler shot and directed, the doc is a rare thing: an ingenuous portrait of a thoroughly Four-Square Artist, Assembled With Love And Rockets Inside A Family's Spite-Tainted Gates.- Village Voice
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Ben Kenigsberg
Davis strives to keep himself out of the film, favoring a harrowing yet compassionate you-are-there aesthetic that underscores the hardship of the migrant workers' struggles.- Village Voice
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Dennis Lim
Though overlong at two hours, 6ixtynin9—only the director's second outing (after 1997's spoofy" Fun Bar Karaoke')—is impressive for the tonal control Ratanaruang applies to his swerving scenario.- Village Voice
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A needlessly circuitous plot twist leaves a bitter taste, but not before the film's scruffy charm does its work.- Village Voice
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Sequins hinges on its performances and newcomer Naymark is a marvel of quiet intelligence, endowing Claire with a complex mix of virginal purity and hormonal rage.- Village Voice
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- Critic Score
Despite the tale's dusty pedigree, Ron Howard spins a ticket-worthy two-plus hours of movie-movie entertainment.- Village Voice
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Reviewed by
Ed Park
The multiple story lines can feel choppy, but the dialogue has snap, and the pants' powers never distract from the teenagers' emotions.- Village Voice
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Reviewed by
Dennis Lim
A tongue-in-cheek allegory on the hazards of harboring secrets in a relationship, Mr. & Mrs. Smith is most entertaining when the Smiths are hell-bent on mutual annihilation.- Village Voice
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Reviewed by
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- Village Voice
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