Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. In a Kafkaesque turn of events, Reems was the fall guy--facing prison, he became a Hollywood cause célèbre. Inside Deep Throat includes footage of him partying with Jack and Warren and debating Roy Cohn on TV.
    • 80 Metascore
    • 70 Reviewed by
      Ed Park
    Several sharp jolts give the doc its dramatic shape, and one episode in particular, caught with a neighbor's lens, will make you gasp with grief.
  2. Ends up an intricate, becalmed take on a soul adrift.
  3. Expertly programmed by Mike Judge and Don Hertzfeldt, the second go-round of The Animation Show features 12 films from five countries.
  4. Up and Down is not exactly the toughest movie on the block, but especially compared to most American comedies, it conveys a sense of scrofulous rue.
  5. Floating on the surface of confusion, Gunner Palace has a raw home video quality that's often quite beautiful. Much of the movie is hardly more than an immersion in sights and sounds. Vivid as it is, Gunner Palace is dominated by what isn't shown. It's the human face of Abu Ghraib.
  6. Entertaining enough that it leaves one wishing for more in the way of android mythology—a pint-sized Blade Runner or A.I. The screenplay goes on autopilot, grinding toward a happy ending just when it has a shot at something darker and more memorable.
  7. A compelling if not altogether convincing tale of mad love and divine redemption, adapted from the prize-winning novel by Castellitto's wife, Margaret Mazzantini.
  8. Nowhere Man, despite a tossed-off ending, is a compulsive bit of meta-exploitation.
  9. In the end, Milk and Honey's contrived connections blossom into a disarmingly effective reckoning with loss and regret.
  10. Nossiter has an eye for stray details and a knack for relaxing his subjects- although the scene with the naked guy trampling his own grapes may make you sorry that you ever gave up drinking Ripple.
  11. Little in a Jaoui film is particularly original, but it's all perfectly convincing.
  12. The Kidman character is an exotic--and even unlikely--creature, usefully fueling Penn's annoyed but fascinated incredulity.
  13. Probing the trust-based power games of a sadomasochistic dynamic, the movie is a reasonably thoughtful study of obsessive love.
    • 63 Metascore
    • 70 Critic Score
    Shot on DV, the film looks awful, but this homemade quality fosters an authenticity that allows for startling suspense as Yunes's secret life comes to light.
  14. Mad conspiracy rules in Korean writer-director Jang Jun-hwan's snazzy, playful, some-what gory, often hilarious, and generally unpredictable first feature.
  15. Micheli's documentary finds a fresh angle via the intersecting stories of two stuntwomen.
    • 72 Metascore
    • 70 Reviewed by
      Ed Park
    Taut even when ridiculous, with flashes of comedy, 3-Iron has less to offer than its predecessors, but at minimum it's the playful exhaustion of a formal constraint.
  16. Less a tale of desperado lovers than a cruel story of youth, Tout de Suite is framed largely in close-up, with few transitional shots and a narrative that grows increasingly fragmented.
    • 61 Metascore
    • 70 Critic Score
    So tastefully subdued it makes Merchant Ivory look like Gaspar Noé. And while they never look bored, Smith and Dench are clearly slumming, having played these roles in other costume pics.
  17. Like "Spellbound's" glimpse of the darker side of childhood competition, Mad Hot Ballroom--a look at New York City schools' fifth-grade ballroom dance program--is best when exploring issues of class and gender and definitions of success.
  18. Busting with clips from films Haskell Wexler shot and directed, the doc is a rare thing: an ingenuous portrait of a thoroughly Four-Square Artist, Assembled With Love And Rockets Inside A Family's Spite-Tainted Gates.
  19. Davis strives to keep himself out of the film, favoring a harrowing yet compassionate you-are-there aesthetic that underscores the hardship of the migrant workers' struggles.
  20. Though overlong at two hours, 6ixtynin9—only the director's second outing (after 1997's spoofy" Fun Bar Karaoke')—is impressive for the tonal control Ratanaruang applies to his swerving scenario.
    • 52 Metascore
    • 70 Critic Score
    A needlessly circuitous plot twist leaves a bitter taste, but not before the film's scruffy charm does its work.
    • 63 Metascore
    • 70 Critic Score
    Sequins hinges on its performances and newcomer Naymark is a marvel of quiet intelligence, endowing Claire with a complex mix of virginal purity and hormonal rage.
    • 69 Metascore
    • 70 Critic Score
    Despite the tale's dusty pedigree, Ron Howard spins a ticket-worthy two-plus hours of movie-movie entertainment.
    • 66 Metascore
    • 70 Reviewed by
      Ed Park
    The multiple story lines can feel choppy, but the dialogue has snap, and the pants' powers never distract from the teenagers' emotions.
  21. A tongue-in-cheek allegory on the hazards of harboring secrets in a relationship, Mr. & Mrs. Smith is most entertaining when the Smiths are hell-bent on mutual annihilation.
    • 65 Metascore
    • 70 Critic Score
    A modest tale intermittently well told.

Top Trailers