Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 72 Metascore
    • 60 Critic Score
    A flawed, but intriguing work, it offers, here and there, proof of Pontecorvo's gift for ecstatic epic filmmaking.
  1. Always Shine is a potent psychological thriller, all right. But it's also a powerful statement on the very industry that produced it.
  2. Deepened by its complex back-and-forth chronology, deft shifts in perspective, and a significantly counterintuitive color-coding of past and present, A Secret suggests that it's not illicit passion, but rather the crime of denial, that has screwed up this family down the generations.
  3. This is thankfully no wallow in working-class miserablism.
    • 72 Metascore
    • 70 Reviewed by
      Ed Park
    Taut even when ridiculous, with flashes of comedy, 3-Iron has less to offer than its predecessors, but at minimum it's the playful exhaustion of a formal constraint.
  4. Haneke has delivered the Haneke film that Haneke-haters see in their heads when they think of a Haneke film: a series of disjointed, narratively oblique episodes showing people being inhumane to each other.
  5. [A] densely packed but occasionally facile documentary.
  6. Gibney dissects Jobs's image with the calm curiosity of a coroner.
    • 72 Metascore
    • 80 Critic Score
    This is Iron Curtain porn at its most shameless--a rousing industrial rock song plays in the background every time Schlöndorff wants to invoke the Spirit of Labor--but Thalbach's Agnieszka is irresistible.
  7. A marvelous film, stripped of false urgency.
  8. While the chemistry between Pinnick and Spence is sweet and familial, I couldn’t help but think so much of this film is just…nice. It’s that pretty feather you found in the grass. And maybe you’ll take it home, but will likely forget you did.
  9. Liang and Zhang’s young heroes would be far more universal if they were just credibly hormonal.
  10. Bone Tomahawk is an odd duck, a bowlegged western with slasher influences, a penchant for lengthy conversational meanderings, and a genuine interest in character.
  11. Though it could benefit from less hopping around in time and space, and it bears the scars of Poitras’ multiple edits — she showed one cut to Assange, who hated it — if you care about what’s happening to the internet and to global politics, it’s essential viewing.
  12. [Nicholson's] clear affection for the sights and personalities that make Coney Island what it is gets in the way of a hard-hitting investigation of why it hasn't maintained its luster.
  13. The film surges by, powered by high spirits, well-plotted surprises, and the directors' admirable attention to both the real and romantic.
  14. A film that's all airy, abstract pretentiousness.
  15. The movie may not be a single-bound building-leaper but Bryan Singer reconfigures the daddy of all comic-book sagas into something knowing, witty, and even sensitive.
    • 72 Metascore
    • 60 Critic Score
    Blindsight works best when it casts off the constraints of the adventure tale it wasn't meant to be and settles into a deft and humanistic treatment of blindness in Tibet.
  16. Breezy, superficial documentary.
  17. Structured to suggest an extended psychoanalytic session or an episode of "The Twilight Zone."
  18. As the monks themselves threaten to nod off, the film's impressive narcotic effect enters the bloodstream-or so it may seem only for the unenlightened like me.
    • 72 Metascore
    • 70 Critic Score
    Hey, Prague--you got punk'd! In this subversive Central European slice of reality TV, Czech film students Vít Klusák and Filip Remunda protest the kudzu creep of globalization with a stunt worthy of the Yes Men.
  19. Chilean filmmaker Pablo Larrain's alarming Tony Manero--named not for its protagonist, but rather his ego-ideal, John Travolta's character in "Saturday Night Fever"--is another study of a cinema-struck, solitary daydreamer, albeit a particularly stunted member of the genus.
  20. A collection of "small great stories," in the words of its unobtrusive narrator, Pietro Marcello's singular doc/fiction hybrid salutes the crumbling grandeur of the northern Italian seaport Genoa.
  21. The Bitter Buddha is very funny, and for all its bitterness, Eddie Pepitone's comedy is a taste that's easy to acquire.
  22. Kennedy unabashedly admires scientists, and Food Evolution is his rallying cry to make advocacy as important as lab work.
  23. As with its narrative, Wreck-It Ralph's themes don't develop by branching out in wild, unpredictable ways; instead, they simply become narrower and more monotonous.
  24. This is Jolie’s most accomplished work yet.
  25. Butler called it "John Carpenter meets John Hughes," and that does just about sum ParaNorman up, though the actual math still feels a little fuzzy.

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