Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Circumspect documentary.
  2. I've never seen a movie that paid more heartfelt tribute to the power of artistic invention.
  3. Though more cathartic than redemptive, this sob-racked confession is the payoff for two hours of low-grade misery.
  4. It's poorly structured, a half-hour too long, and devotedly fixated on the filmmaker's persona.
  5. Sensuous and arresting, Alleluia constantly feels as though a séance or ritual murder is about to be performed; the actual deaths, when they arrive, turn out to be rather unceremonious affairs.
  6. In a sense, Millennium Mambo is a mildly prurient portrait of Shu moving, drinking, smoking, and changing clothes -- it's analogous to one of Andy Warhol's Edie Sedgwick films, but without the existential drama. Who really cares what costume this poor girl will wear to all tomorrow's parties?
  7. Writer-director Bahman Ghobadi's picturesque road trip is less about preserving a musical heritage than accepting one's fate, a mythic trek that's both heartrending and boisterous--often as hauntingly absurdist as a Kusturica carnival.
  8. Wide-eyed, open-mouthed, and silently beseeching, she's (Johansson) even more a screen for projection here than in "Lost in Translation"; surrounded by a gaggle of over-actors, she glows with understatement.
  9. From the virtuoso 10-minute single shot that encompasses the initial phone call, to a long, traveling shot of Davy all but running from a humiliating sexual encounter, Alvarez trusts Geraghty's fear-and-wonder-filled eyes to tell the tale. These two need to make more movies together.
    • 72 Metascore
    • 80 Critic Score
    Murphy has never been a typical rock star, and Shut Up is by no means a conventional rock documentary.
  10. What makes the film work is Koler's magnetic performance as Michal, who has screwball energy and a mind of her own.
  11. Here is a movie made for and about the people who believe they are the essence of American normalcy, a movie that dutifully flatters and celebrates them even as it works to expand who that normalcy actually includes.
  12. Arestrup and Dussollier originated these roles on stage, but Schlöndorff (who directed the Hoffman/Malkovich Death of a Salesman) gives it the immediacy of a life-and-death encounter.
    • 72 Metascore
    • 60 Critic Score
    Potash's first feature-length documentary otherwise does justice to its subject's wrenching story.
    • 72 Metascore
    • 70 Critic Score
    Director Giorgos Lanthimos lays out the rules largely through action rather than exposition, which allows Dogtooth to play as a richly satisfying, blackly comic mystery in spite of its delayed, horror-sourced housebreak plot.
  13. With sharper on-the-ground footage, True Son might have been as sharp a doc as it is inspiring a story.
  14. As a portrait of a relationship and a creative partnership, Prick is ever alert to the shifts in power, to the narcissistic wounds that can never be salved when a teacher is surpassed by his pupil.
  15. The spectacle of people in Hollywood trying to do something different in a western at this late date is curiously reassuring. [09 Sep 1965, p.15]
    • Village Voice
  16. In the House is a mystery, but it investigates a far tougher riddle than what makes Claude tick—it's trying to figure out why, exactly, voyeurism and mystery delight us so. In the process, it delights us.
  17. A sealskin-slick, cat-and-mouse romance-caper trifle with a hard-on for wealth that feels downright Trumpian.
  18. Gold is merely the conduit for the film's real focus: Like his own reviews, City of Gold is a love letter to L.A.
  19. The best bits - the powerful instrument called Five Blind Boys of Mississippi, for example - more than speak for themselves.
  20. This is a film for which the landscape, both social and material, is paramount.
    • 72 Metascore
    • 70 Critic Score
    A concert film by technicality, a cinematic trance in practicality.
    • 72 Metascore
    • 60 Critic Score
    A borderline lazy but nonetheless compelling documentary co-produced by National Geographic.
  21. LOL
    The characters are a bit too OCD for LOL to work as the definitive commentary on technology and human relationships that it strives to be...But the movie is unusually attentive to the ironies of communications technology.
  22. Relies on the hefty talents of its two leading ladies.
  23. Ace in the Hole is a movie about the fascination of disaster that is itself a fascinating disaster.
  24. Pays off in laugh-out-loud lines, adorably ditsy but heartfelt performances, and sparkling, bittersweet dialogue that cuts to the chase of the modern girl's dilemma.
  25. More mystical than mysterious, Seabiscuit is a proudly cornball sentimental epic -- a reverential paean to a vanished America that's steeped in inspirational uplift and played for world-historical pathos.

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