The New York Times' Scores

For 20,280 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20280 movie reviews
  1. Less a movie than an essay.
  2. Boorish, bigoted and borderline pornographic.
  3. Death in Love hasn't a drop of humor or hope. Its dull, smudged look makes every environment appear joyless and claustrophobic.
  4. Homecoming is coldly efficient for what it is. But what it is is trash.
  5. Offers agony in a vacuum, a villain without a motive and a hero with more personal problems than lines of dialogue.
  6. A stunningly witless revival of the infamous British film series about a girls’ boarding school.
  7. The sex (of which there isn’t much) isn’t sexy, and the humor isn’t funny.
  8. After a particularly brutal, attention-grabbing start, Breaking Point quickly devolves into a flavorless stew of murder, corruption, blackmail and baby tossing.
  9. Missing no stops on the road from cloying to annoying, Harlem Aria has waited more than 10 years for domestic release. Maybe its destiny has been written.
  10. A movie that knows its audience. Its underlying philosophy might be: why try harder when this is all they expect?
  11. The movie is so sloppily written and directed that its bits of bluster never cohere.
  12. This is bad cinema and bad history. Ms. Bravo is unstinting in her praise for the omelet and her admiration of the chef, but she refuses to admit that she's walking on eggshells.
  13. Terminally scatterbrained gangster farce.
  14. Brain-dead.
  15. Silly, heavy-handed film.
  16. Almost creates a sense of dread as you sit watching its raft of aimless, self-absorbed neurotics clang into one another.
  17. This violent meatball western deserves to be forgotten quickly.
  18. It's hard to take Passion seriously because it brings to mind the kind of shallow psychology that wouldn't be out of place in a history short about Sigmund Freud on "ABC Schoolhouse Rock."
  19. Impenetrable mess of a movie.
  20. Cause for fright in only one respect: the possibility that it could spawn sequels.
  21. Backstage isn't as good as the rap documentaries "Rhyme and Reason" and "The Show," but it still casts a keen, observant eye...on this world.
  22. In films, as in the ring, heart and will without exceptional talent don't produce winners.
  23. One long, 1980s-style inspirational cliche.
  24. About 20 minutes in, it is clear that the couple will emerge as nothing more than crabby yuppies whose articulation of their pouts sounds like the same argument over and over again.
  25. Ultimately as sycophantic as it is needling.
  26. This misty-eyed Southern nostalgia piece, in treading the line between sappy and sanguine, winds up mired in tear-drenched quicksand.
  27. Though it sets out to explain why this marriage is worth saving, The Story of Us could prompt even single members of the audience to file for divorce.
  28. Vacillates between cutesy Disney-style anthropomorphism and "Born Free" exoticism.
  29. All its 89 minutes of fast cuts, swooping overhead shots, sun, surf, song, sunburn and sex cannot obscure the extent of its shallowness.
  30. A stupefying mix of action, politics and melodrama.

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