For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
- By Date
- By Critic Score
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- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Death in Love hasn't a drop of humor or hope. Its dull, smudged look makes every environment appear joyless and claustrophobic.- The New York Times
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Reviewed by
Stephen Holden
Homecoming is coldly efficient for what it is. But what it is is trash.- The New York Times
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Reviewed by
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Reviewed by
Jeannette Catsoulis
Offers agony in a vacuum, a villain without a motive and a hero with more personal problems than lines of dialogue.- The New York Times
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Reviewed by
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Reviewed by
Jeannette Catsoulis
A stunningly witless revival of the infamous British film series about a girls’ boarding school.- The New York Times
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Reviewed by
Neil Genzlinger
The sex (of which there isn’t much) isn’t sexy, and the humor isn’t funny.- The New York Times
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Reviewed by
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Reviewed by
Jeannette Catsoulis
After a particularly brutal, attention-grabbing start, Breaking Point quickly devolves into a flavorless stew of murder, corruption, blackmail and baby tossing.- The New York Times
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Reviewed by
Jeannette Catsoulis
Missing no stops on the road from cloying to annoying, Harlem Aria has waited more than 10 years for domestic release. Maybe its destiny has been written.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
A movie that knows its audience. Its underlying philosophy might be: why try harder when this is all they expect?- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
The movie is so sloppily written and directed that its bits of bluster never cohere.- The New York Times
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Reviewed by
Dana Stevens
This is bad cinema and bad history. Ms. Bravo is unstinting in her praise for the omelet and her admiration of the chef, but she refuses to admit that she's walking on eggshells.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
Almost creates a sense of dread as you sit watching its raft of aimless, self-absorbed neurotics clang into one another.- The New York Times
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Reviewed by
Dana Stevens
This violent meatball western deserves to be forgotten quickly.- The New York Times
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Reviewed by
A.O. Scott
It's hard to take Passion seriously because it brings to mind the kind of shallow psychology that wouldn't be out of place in a history short about Sigmund Freud on "ABC Schoolhouse Rock."- The New York Times
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- The New York Times
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Reviewed by
Lawrence Van Gelder
Cause for fright in only one respect: the possibility that it could spawn sequels.- The New York Times
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Reviewed by
A.O. Scott
Backstage isn't as good as the rap documentaries "Rhyme and Reason" and "The Show," but it still casts a keen, observant eye...on this world.- The New York Times
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Reviewed by
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Reviewed by
Lawrence Van Gelder
In films, as in the ring, heart and will without exceptional talent don't produce winners.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
A.O. Scott
About 20 minutes in, it is clear that the couple will emerge as nothing more than crabby yuppies whose articulation of their pouts sounds like the same argument over and over again.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Stephen Holden
This misty-eyed Southern nostalgia piece, in treading the line between sappy and sanguine, winds up mired in tear-drenched quicksand.- The New York Times
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Reviewed by
Janet Maslin
Though it sets out to explain why this marriage is worth saving, The Story of Us could prompt even single members of the audience to file for divorce.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
Vacillates between cutesy Disney-style anthropomorphism and "Born Free" exoticism.- The New York Times
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Reviewed by
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Reviewed by
Lawrence Van Gelder
All its 89 minutes of fast cuts, swooping overhead shots, sun, surf, song, sunburn and sex cannot obscure the extent of its shallowness.- The New York Times
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Reviewed by
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- The New York Times
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