For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
- By Date
- By Critic Score
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Reviewed by
A.O. Scott
It is baffling and beautiful, a flurry of musical and literary snippets arrayed in counterpoint to a series of brilliantly colored and hauntingly evocative pictures.- The New York Times
- Posted Oct 28, 2014
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Reviewed by
Stephen Holden
It Follows recycles familiar teenage horror tropes — a girl alone in a house, evil forces banging on a door — but its mood is dreamy. Seldom do you feel manipulated by exploitative formulas. The violence, when it comes, is sudden, and the camera doesn’t linger over the gore.- The New York Times
- Posted Mar 12, 2015
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Reviewed by
A.O. Scott
Even as she stops at familiar stations on the road to maturity — problems at home and school, new friendships and first love — Ms. Sciamma revels in the risky, reckless exuberance of adolescence and in the sheer joy of filming it.- The New York Times
- Posted Jan 29, 2015
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Reviewed by
Manohla Dargis
Mr. Amalric, who directed this dark, delectable, shivery tale, adapting it from the Georges Simenon novel, sets its uneasy, dank mood with energetic economy.- The New York Times
- Posted Oct 2, 2014
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Reviewed by
Bosley Crowther
Remarkable...[a] most uncommon film, which projects a disagreeable subject with power and cogency.- The New York Times
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Reviewed by
A.O. Scott
The rounded-off corners of the almost-square frames evoke early movies and antique photographs, and there is wit and mischief in the way Mr. Alonso plays with the relationship between what we see, what we don’t see and what we expect to see.- The New York Times
- Posted Mar 19, 2015
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Reviewed by
Caryn James
Hoop Dreams affirms the role of film as a medium for exploring social issues. And like any important documentary, this one raises crucial questions beyond what is on screen.- The New York Times
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Reviewed by
Jeannette Catsoulis
Unfolding in simple yet wonderfully expressive hand-drawn frames, the film’s unsparingly observant plot depicts the slide into senility with empathy and imagination.- The New York Times
- Posted Jul 3, 2014
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Reviewed by
Manohla Dargis
In classic narrative fashion, Mr. Mundruczo works the setup like a burlesque fan dancer, teasing out the reveal bit by bit.- The New York Times
- Posted Mar 26, 2015
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Reviewed by
Stephen Holden
The wistful, overarching theme is the passing of time in the lives of young adults, aware of growing older, who seek to ground themselves in relationships and work, but relationships most of all. The movie reminds you with a series of gentle nudges that whether you want it to or not, the future happens.- The New York Times
- Posted Jun 5, 2014
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Reviewed by
Jeannette Catsoulis
Its violence is low-tech... and its look is old-school, but its message could not possibly be more momentous.- The New York Times
- Posted Jun 12, 2014
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Reviewed by
Manohla Dargis
[A] handsome, intelligently absorbing and stirring biographical portrait.- The New York Times
- Posted Jun 12, 2014
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Reviewed by
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Reviewed by
Jeannette Catsoulis
Slicing through the fat of policy debates to the visceral rush of critical care, the narrative combines existential worries... and blood-and-guts immediacy with a seamlessness that made me want to high-five the editor, Joshua Altman.- The New York Times
- Posted Jun 19, 2014
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Reviewed by
Janet Maslin
As a comedy of manners it has a dependably keen aim, with its most wicked barbs leavened by Mr. Mazursky's obvious fondness for his characters.- The New York Times
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Reviewed by
Janet Maslin
Starman provides him with a role that, played by anyone else, might seem preposterous. In Mr. Bridges' hands it becomes the occasion for a sweetly affecting characterization - a fine showcase for the actor's blend of grace, precision and seemingly offhanded charm.- The New York Times
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Reviewed by
A.O. Scott
Ms. Holland, working from a script by Stepan Hulik, a Czech screenwriter born in 1984, turns a sprawling story into a tight and suspenseful ethical thriller.- The New York Times
- Posted Jun 10, 2014
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Reviewed by
Stephen Holden
A Summer’s Tale has room to focus on Rohmer’s brilliance at revealing human nature through articulate, multidimensional characters, perfectly cast, who in some ways seem to exist outside of time.- The New York Times
- Posted Jun 19, 2014
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- The New York Times
- Posted Jul 3, 2014
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Reviewed by
Stephen Holden
This is civilized human behavior captured with a clinical precision and accuracy.- The New York Times
- Posted Jun 26, 2014
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Reviewed by
Jeannette Catsoulis
Enveloped in a sweetness that buffers the depths of its emotions, Hiroyuki Okiura’s A Letter to Momo explores the stains of loss and regret on a personality too young to articulate them.- The New York Times
- Posted Jul 23, 2014
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Reviewed by
A.O. Scott
Like other stories of musical tutelage, Keep On Keepin’ On is ultimately an examination of the pursuit of greatness. It is a grueling and demanding endeavor, for sure, but also, for Mr. Terry and anyone lucky enough to enter his orbit, a source of unending joy.- The New York Times
- Posted Oct 2, 2014
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Reviewed by
Stephen Holden
It is the kind of hearty, blunt-force drama with softened edges that leaves audiences applauding and teary-eyed.- The New York Times
- Posted Sep 25, 2014
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Reviewed by
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Reviewed by
Jeannette Catsoulis
The tone is breezy, bright and brash, vividly illuminated by Ms. Juri’s extraordinarily unprotected and utterly fearless performance.- The New York Times
- Posted Sep 4, 2014
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Reviewed by
A.O. Scott
The story is full of emotion and danger, heroism and treachery, but it is told in a mood of rueful retrospect rather than simmering partisan rage.- The New York Times
- Posted Sep 4, 2014
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Reviewed by
Nicolas Rapold
The bravery of Ms. Baumane’s own coping methods (which some may disagree with) brings her tough-minded film to a cleareyed, forward-looking conclusion that doesn’t lose sight of her demons.- The New York Times
- Posted Sep 3, 2014
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Reviewed by
Stephen Holden
Mr. Hawke’s anguished performance gives Good Kill a hot emotional center.- The New York Times
- Posted May 14, 2015
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Reviewed by
Jeannette Catsoulis
Harboring few ambitions beyond knock-your-socks-off action sequences, this crafty revenge thriller delivers with so much style — and even some wit — that the lack of substance takes longer than it should to become problematic.- The New York Times
- Posted Oct 23, 2014
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Reviewed by
A.O. Scott
Love & Mercy doesn’t claim to solve the mystery of Brian Wilson, but it succeeds beyond all expectation in making you hear where he was coming from.- The New York Times
- Posted Jun 4, 2015
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Reviewed by
A.O. Scott
The blend of pornography and humor, obnoxiousness and elegance, sweetness and cruelty reminds you that this is, above all, an Abel Ferrara movie. And the splendor of Pasolini lies in its essentially collaborative nature.- The New York Times
- Posted May 9, 2019
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Reviewed by
A.O. Scott
Good sports movies are always about more than sports... Red Army touches on themes of friendship and perseverance, and also offers a compact and vivid summary of recent Russian history.- The New York Times
- Posted Nov 13, 2014
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Reviewed by