The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,919 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12919 movie reviews
  1. Eminently entertaining ... Sure, it shamelessly panders to our collective sense of duty to support the troops — and, of course, also support the families that support the troops — and maybe it's more than a little manipulative and formulaic. But gosh darn it, it's hard not to warm to a film that features an a cappella version of Yazoo's "Only You," a near-derelict car that may or may not be called Shite Rider and Kristin Scott Thomas having a verbal catfight in a parking lot.
  2. As quiet and thoughtfully composed as a Dutch master's painting, Ordinary Love uses clean lines and well observed tiny details to build up a deeply moving, nuanced portrait of a marriage under strain after a cancer diagnosis.
  3. The documentary plays like a home movie that snowballed, causing its maker to overestimate her subject's relevance to the outside world. Though parts of it will certainly resonate within the deaf community (assuming it is made available with closed captioning), the film has little of the philosophical appeal of other documentaries on this topic, and sometimes seems willfully solipsistic.
  4. The critique of those in power and their need to put down others — preferably foreign or different-looking people — in order to stay on top is as relevant in 2019 as it was in 1980, when the novel was first published. But like its noncommittal production design, which combines various North African, Middle Eastern and Asian influences for the locals and locales, the critique itself remains finally quite dull and dispersed because it's so broad and unspecific.
  5. This moody, black-and-white period piece always intrigues, even if it only intermittently catches fire.
  6. A film about the sudden onset of deafness that is too attentive to specifics of character and setting to ever feel like a rote disability drama.
  7. Govenar is not what you'd call a natural filmmaker. Hodgepodgey in its storytelling, the film introduces enough appealing characters to hold the interest of a casual viewer; presumably, tattoo-diehards know much of this stuff already.
  8. The film captures the cost of Henry's well-intentioned sin, following this pained new creature out into the world and, very briefly, giving his suffering an almost Malick-like voice.
  9. The high-wire tonal balancing act proves a little wobbly at times, resulting in a film that is feels less than the sum of its parts. But some of those parts work very well, providing moments of uncomfortable hilarity and genuine poignancy.
  10. Its largely Hispanic cast and extensive Puerto Rico locations lend a unique quality to Paul Kampf's prison drama starring Laurence Fishburne as a morally corrupt warden. Unfortunately, those elements are the only original aspects of this turgid exercise in prison movie clichés which doesn't even manage to be convincing as melodrama. Although certainly well-meaning in its condemnation of capital punishment, Imprisoned is too dully executed to achieve its desired impact.
  11. A satisfying shot at bringing a classic of the sci-fi/horror genre to modern audiences. ... Hitting the main plot points with well-designed SFX and some impressive night photography, Stanley's film manages to be frightening indeed, even with star Nicolas Cage’s semi-farcical leavening adding some nutty laughs.
  12. Lucy in the Sky is the odd film that starts cosmically big and gradually becomes narrower and more conventional as it goes along, to diminishing returns.
  13. A moving and powerful portrait of trauma and recovery, Cracked Up will likely prove as therapeutic for many viewers as it clearly is for Hammond himself.
  14. Although stylishly made and featuring a compelling lead performance by Trevor Long (Netflix's Ozark), Seeds never takes root.
  15. This superbly crafted yet intimate family drama is so realistic in terms of its setting and technical specificity, it sometimes feels like a documentary. ... It’s perhaps a tad deliberate in spots, hitting its central theme too heavily on the nose, but Proxima pulls off an impressive balancing act between the personal and the astronomical.
  16. It's a wobbly but amusing pic that only really raises eyebrows at the end.
  17. The film takes a more prosaic approach to its sci-fi premise than its predecessors did, presumably in an attempt to reach viewers who need more hand-holding. ... Despite its uncanny start, Synchronic is just more normal than it might have been, and less deep.
  18. As fun as a night in the mosh pit with your best mate ... Directed by Coky Giedroyc with a fizzy vibrancy and supercharged by Feldstein's intense charisma, this crowd-pleasing comedy has smart things to say about class, sex and female identity.
  19. Despite Erivo's tenacity in the role, the drama feels more stately and impressive than urgent and affecting. It's never uninvolving though, and the script does a solid job of tracing the formation of a courageous freedom fighter out of a scared runaway.
  20. But for all its vividly detailed eccentricity, the movie, like Abby, connects the dots rather too easily. As Clifton Hill digs deeper into exceedingly sordid stuff, it doesn't dish up the kind of aha moments or chilling frissons that would lift the story from clever contrivance — until a final, delicious twist pulls the rug out from under this richly atmospheric but not always convincing tale.
  21. While this effort from filmmaker Steven Lewis Simpson (who serves as director, producer, cinematographer, editor and co-screenwriter) is somewhat lacking in technical polish, it boasts an undeniable emotional power and authenticity. Much of that stems from the casting of Dave Bald Eagle in the pivotal role of a Lakota elder.
  22. Striving to be an inspirational story about personal and professional redemption, the film mainly comes across as a self-aggrandizing promotional project that the famously arrogant pop star would have once sneered at.
  23. The Robin Hood-like renegade hero of the Antipodean common man, Ned Kelly gets a ripping reinvention in director Justin Kurzel's feverish punk Western, a raw rebel yell of a movie that combines visceral violence with a kind of delirious, scrappy poetry.
  24. Lacking the charming eccentricity of a "Turbo Kid" or the compelling mood of many retro-horror successes, the picture has little to recommend it as a theatrical experience.
  25. Fayyad and his cinematographers and editors wield the cameras and shape the scenes in the documentary so beautifully that The Cave is both intensely real and a carefully wrought work of cinema. A kind of counterpart to Last Men, the new film is perhaps more wrenching and even more ambitious in its visuals.
  26. Pike creates an admirable if flawed Marie whose graceful womanhood battles with her fears of being exploited or bypassed for her gender.
  27. Armando Iannucci's The Personal History of David Copperfield turns the author's well-loved autobiographical epic into a fast-moving yarn, sometimes hilarious and always entertaining.
  28. Ultimately, frustration and fatigue prevail over the film’s intellectual acuity and political insight; neither is any true emotion ever forthcoming. This is odd and disappointing.
  29. Guest of Honour feels like a failed attempt to tame the unwieldy story of a complicated novel. But in fact it's an original screenplay, which means Egoyan has gone out of his way to create the overly fussy structure, perhaps in a bid to lend the psychologically wobbly drama some weight.
  30. The movie aims to make Daphne's journey raw and real, but mostly it's just insipid.

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