The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,919 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12919 movie reviews
  1. There’s no doubt as to where all this is headed, especially to anyone familiar with Pride and Prejudice. But Ahn’s light-touch direction, the appealing cast and the frisky humor and stealth soulfulness of Kim Booster’s script keep it breezy and captivating as the predestined romantic partners butt heads or drop in and out of each other’s orbits when faced with various obstacles.
  2. While the cast’s dancing is very good, on the whole, the acting suggests less training. But that fits the semi-professional vibe even better, creating a work that feels light, quick and quite dirty in every sense.
  3. Combining the mystical and the military in ways that can seem fresh compared to other recent war flicks, this feature debut from writer-director Clement Cogitore could nonetheless use some more adrenaline to make its premise work.
  4. Funny, sweet and occasionally pointed.
  5. The team manages to hit most of the right notes with this perky, peculiar adaptation. Or maybe the film has just enough bright shiny objects and tightly synchronized dancing-child chorus lines to stop anyone from caring about all that problematic whatnot. In any case, it mostly works.
  6. The film will eventually be a must-own video item for theater buffs.
  7. A convincingly tender drama thanks to the presence of star Greta Gerwig.
  8. It looks and feels far more substantial than most indie debuts, confidently bending genre rules with its minimalist dialogue and hallucinatory plot, which owes more to David Lynch or Lars von Trier than to more orthodox horror maestros.
  9. This is the work of a mature filmmaker in full command of his voice, yielding remarkable performances, chief among them a complex character study of stoicism and desire from Kate Winslet that might be the best work of her career.
  10. Under Ceylan's dull direction and the equally leaden editing, technical contributions are lackluster and straight-forward. Similar to the script, they only serve to distend an undernourished central story.
  11. Less a coming-of-age film than a series of crucial episodes in that process, Skate Kitchen mixes dreaminess and disillusionment as it observes the choices Camille makes and the ensuing fallout.
  12. It’s Never Over might not be the Buckley bio everyone needs, but it’s a stirring tribute made with a lot of heart.
  13. It's a tribute to this thoughtful, deeply poignant, splendidly executed film that we replay the conclusion in our minds long after the lights come on.
  14. A highly political movie that's also a personal story of two men going head-to-head while the women around them are left to pick up the pieces, this gorgeously shot and classily acted feature might be a reel too long but is nonetheless a fascinating piece of work.
  15. While it’s a wisp of a movie, almost directionless at times and self-consciously quirky at others, Fremont contains enough poignantly observed interludes to make the whole greater than the sum of its parts.
  16. Kenneth Bowser's terrific documentary is a poignant portrait of an uncompromising artist.
  17. Is it possible for a viewer to be touched by a character’s predicament and despair when every element of their life is so strikingly arranged? Because Pfeiffer disappears into her role and plays it small, and because Dosunmu’s modus operandi privileges visuals and the unspoken over dialogue and facile melodrama, the film sort of gets away with it, if just barely.
  18. It’s a tough balancing act that the director, whose previous works dissected teen movies (Beyond Clueless) and horror flicks (Fear Itself), pulls off with a mix of earnestness and cheekiness.
  19. The raunchiest, funniest and most enjoyably nonjudgmental American movie about selling sex since "Boogie Nights."
  20. If the movie pushes most of the ugliest behavior off onto side players (like the notorious Suge Knight, played by R. Marcus Taylor), it does for the most part fulfill its mission, breathing life into the origin story of a group whose influence is still being felt.
  21. Tale of Tales combines the wildly imaginative world of kings, queens and ogres with the kind of lush production values for which Italian cinema was once famous. The result is a dreamy, fresh take on the kind of dark and gory yarns that have come down to us from the Brothers Grimm and Charles Perrault, only here they're pleasingly new and unfamiliar.
  22. Especially refreshing, even radical, is its sympathy for characters who read for pleasure and value rigorous thought. Unfortunately, by the end, it’s gone as mushy and ragged as a homespun hemp blanket.
  23. Raiff is so credible in the part one can't help but suspect there's a lot of him in Alex; the film's willingness to look so frankly at his vulnerability, in an unmanipulative way, feels especially refreshing now.
  24. It's in the more personal moments — such as when the artist enthusiastically describes her painting of an elderly Marilyn Monroe — that it becomes most interesting.
  25. The doc’s personal portraits of the work required to forge an independent life should connect with and inspire parents and educators.
  26. Less performance-centric than it might have been, the straightforward documentary consists largely of talking-head testimonials and interviews with current Trockadero members about how they spend their too-brief time offstage.
  27. Maybe Korem’s primary objective is simply to make you think more about Milli Vanilli than you ever have before. In that, it’s a total success. It’s more of a failure when it comes to trying to answer some of those big questions and engage in direct accountability, and I don’t know if I buy most of its cultural conclusions
  28. A tender take on life after stardom.
  29. The film playfully critiques certain Muslim customs, but never in a demeaning way, while providing a heartwarming coming-of-age narrative that’s a tad predictable.
  30. It's a true-life yarn loaded with extremes, of wealth, personal eccentricities, grief, tension, daring, criminal means to political ends, maternal drive and luck, both bad and good. It is also a peek into a rarefied world where money knows no bounds and yet means everything.

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