The A.V. Club's Scores

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For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,575 out of 10422
  2. Mixed: 3,739 out of 10422
  3. Negative: 1,108 out of 10422
10422 movie reviews
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  1. Wonderful World
    Broderick’s tendency to hang all his problems on corporate greed and heartless bureaucracy leads to some strange missteps.
  2. The White Ribbon
    Haneke’s latest is essentially an inquiry into the roots of a certain kind of evil.
  3. Sherlock Holmes
    This is very much a Sherlock Holmes movie for the blockbuster era.
  4. The Imaginarium of Doctor Parnassus
    In a real sort of way, Gilliam IS Parnassus, carrying his tatterdemalion show forward from year to year and trying to get people to pay attention, and the mingled sense of bitterness and hope in his story makes this whole crazed fantasy into something far more real.
  5. It's Complicated
    It’s Complicated is the sort of “mature” character piece the French do regularly and better (and without the need for quotation marks around “mature”), but the cast at least helps relieve some of the tidiness that belies the title.
  6. Alvin and the Chipmunks: The Squeakquel
    Sure enough, director Betty Thomas delivers pretty much the bare minimum: peppy, brightly colored, tune-filled nonsense sure to meet the low, low standards of its pre-kindergarten core audience.
  7. Police, Adjective
    A clever, exceedingly wonky procedural about a undercover cop (Dragos Bucur) who quietly refuses to do what he's told.
  8. Did You Hear About the Morgans?
    When the material gets really bad, as it does in the dismal Did You Hear About The Morgans?, Grant's pinched facial expressions become an inadvertent commentary on the movie he's making, as if he plainly realizes that his one-liners are tanking.
  9. Avatar
    Avatar is a weak patchwork of his other films: the leaden voiceover from "Terminator 2" here, the military/civilian conflict from "Aliens" there, even a Jack-and-Rose-style forbidden love story cued to adult-contempo soundtrack.
  10. Nine
    A joyless trudge, particularly when compared to Fellini’s vibrant original?
  11. The Young Victoria
    The film lays on its politics-as-chess-game metaphor a little thick, however, and its refusal to leave the corridors of power to see the impact of its developments on the country at large makes it feel stuffy after a while.
  12. Crazy Heart
    Crazy Heart could use more rough edges, but while it’s a little too sentimental and tidy, Bridges’ humane, deeply empathetic lead performance makes it easy to root for one man’s redemption.
  13. A Town Called Panic
    It's more clever than funny, but it's very clever.
  14. Ricky
    The frisson between the two halves is intriguing for a while, but it leaves the film feeling adrift.
  15. Invictus
    It’s a simplistic, superficial approach to a real-life story that marginalizes most historical details not involving scrums and tackles. It’s also pretty effective, in spite of the gloss.
  16. The Lovely Bones
    For all its successes, Bones remains more crafted than sincere, more meant to look achingly pretty on the screen than to resonate in the heart.
  17. A Single Man
    It’s a film of stunning beauty and deep underlying sadness, a self-financed labor of love filled with impossibly gorgeous, oft-unclothed men and dazzling eye candy.
  18. My Son, My Son, What Have Ye Done
    Viewers will have to decide for themselves whether My Son is a terrible, terrible movie or an uncompromising Herzog experiment in reality-bending. Here’s a suggestion: consider the track record.
  19. Up in the Air
    What Up In The Air lacks in surprises--apart from an elusive final scene--it compensates for by conveying the pleasures of living from landing to landing, and the terror of floating away.
  20. The Last Station
    Little more than a gilded trifle, though it offers its share of light enjoyments.
    • 8 Metascore
    • 0 Critic Score
    Transylmania
    Transylmania is so inept that it even fails as an adolescent breast-delivery device.
  22. Brothers
    The intrinsically powerful material occasionally pierces through.
  23. Armored
    It lacks that extra layer or two to make it interesting. The script and direction is all bones, no flesh.
  24. Everybody's Fine
    Follows a dispiritingly predictable arc.
  25. Serious Moonlight
    The bitter comedy Serious Moonlight is meant to be both funny and painful, but manages only the latter.
  26. Loot
    Undoubtedly, everything documentarian Darius Marder shows in his debut film Loot actually happened, but Marder’s approach to this “truth is stranger than fiction” story is so forced that the movie FEELS phony.
  27. Le jour avant le lendemain
    As the movie’s title implies, everything is about to change for these two. These are the last happy days before destructive modernity encroaches.
  28. The Private Lives of Pippa Lee
    For a movie about the unpredictability of life, Pippa Lee plays it awfully safe.
  29. The Road
    Aas grim as The Road gets, Hillcoat goes a little soft at the wrong time. Someone like Michael Haneke would have no trouble embracing this material’s uncompromising dreariness.
  30. The Princess and the Frog
    Disney’s triumphant return to hand-drawn 2-D animation still holds an awful lot of familiar, comfort-food charm.
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