The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. Does nothing to justify its own existence other than be consistently funny from start to finish.
  2. Just as memorable and emotionally intense as any of Wong's films. It's a mood as much as a movie.
  3. Herzog is still the only person who could have made Grizzly Man. His admiration for Treadwell has its limits, but he understands, better than most directors, what it means to follow dreams into the belly of the beast.
  4. Storytelling clarity has never been a Kurosawa strong suit, yet Pulse baffles even under those standards, so it's best to just get on his abstract wavelength and ride the thing out.
  5. Funny and realistically romantic, but almost never at the same time.
  6. Investing a lot of time on each corner of his three-sided character piece, director Ira Sachs (who co-wrote the film with Michael Rohatyn) has created a film as dramatically intense as it is opaque.
  7. Serenity is still taut, immersive, and alternately hilarious and heartbreaking, a well-balanced blend of whooping Wild West action and space opera.
  8. It's an unflinchingly raw and honest look at a family splitting apart, and it seldom strikes an unconvincing or inauthentic note. Though it surveys rocky adolescent emotional terrain from the safe distance of adulthood, The Squid And The Whale still resonates with the sting of a fresh wound.
  9. The humor edges against absurdism, but stays self-aware and witty, with that mild-mannered optimism presiding.
  10. The story of America's first successful class-action sexual-harassment lawsuit may sound dull, but Caro ratchets up the intensity until every flung epithet and threat stings. The approach is sometimes shrill, but it's effective.
  11. Lucas' beautiful script and a trio of first-rate performances carry the material with an intermittently breathtaking urgency.
  12. Whenever it hits its stride, it's a well-acted, vividly executed, full-speed-ahead special-effects extravaganza that puts as much bang as possible into every remaining scene.
  13. An impeccable minimalist drama that's tailored specifically to Devos' expressive capabilities, which say more than the sparse dialogue.
  14. Ramis is at his best when dealing with men facing a soul-defining crisis, and he finds plenty to work with in Russo and Benton's script, which offers Russo's trademark blend of colorful characters and slow-building dilemmas. The Ice Harvest finds them all operating in top form in as dark a territory as they've ever explored.
  15. Gaghan brings in many more players, but edits the film into the lean, propulsive shape of a thriller. That ends up being something of a problem; some sub-plots never fully untangle and characters get lost as Gaghan rushes toward a conclusion that, taken on its own, is the stuff of a slightly hysterical leftie pamphlet.
  16. Generations of readers have found The Lion, The Witch And The Wardrobe to be a gripping adventure that reaches well beyond its religious underpinnings, and this robust version respects both aspects and finds the same winning balance of excitement and meaning.
  17. On a deeper level, Haneke tries to reach for political allegory on the French-Algerian War, but the film functions best as a perfectly calibrated thriller, perhaps his most accessible to date.
  18. However complicated the historical issues at play, the poetic introspection that consumes The New World's characters could only take place in a Terrence Malick movie. But, here at least, history and lyrical drift go together surprisingly well.
  19. Siegel is almost too tasteful, nearly to the point where his coming-of-age story loses color and purpose. But he finds a mesmerizing presence in Ambrose, a terrific young actress who carries the film without a second of showiness.
  20. Drifting through time and space without firmly situating the viewer, Iwai's elliptical style requires patience, but also a willingness to be carried along by its gorgeous, dreamy lyricism.
  21. The opportunity to dig into the trove of Johnson's art is an ultimate reward beyond all offbeat attempts to understand the artist himself. At its best, How To Draw A Bunny amounts to a shadow history of the American avant-garde.
  22. Eason's twist of fate and too-sudden ending seems as rooted in Washington Heights as the music that pours from the neighborhood's car windows, the smoke that billows from its late-night eateries, and the stoic resignation inscribed on its inhabitants' faces.
  23. Needs to be seen to be believed, and even then defies belief.
  24. Doesn't shy away from the social or psychological explanations of the Le Mans murders, but never comes down on one side or another.
  25. Though some of Slaughter Rule's conclusions are overly tidy, the film's powerful meditation on masculinity gets much of its credibility and punch from the two leads, especially Morse, a reliable character actor who sinks his teeth into a role with heavy physical and psychological demands.
    • 71 Metascore
    • 80 Critic Score
    Swingers has something genuinely rare: a fine script and realistic characters.
  26. Every time the pace starts to flag, it coughs up one hilarious left-field interlude after another.
  27. It's a doozy of a story, too, about a group of musicians who use the technology of the present and the mindset of the future to make a delicious hash out of the best parts of the past.
  28. The rare sequel that magnifies the scope of the original without diminishing the fun.
  29. Evans has as distinctive an American voice as Mark Twain or Vin Scully, and the directors wisely let him do the talking.

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