The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. Along the way, Murderball surpasses the typical who-will-win sports-film dynamic and becomes a fascinating and personal exploration of quadriplegia.
  2. The result is a powerfully visceral experience that justifies itself almost entirely on surface chops, with striking color composition and a complex sound design that elevates the story to an operatic scale.
  3. Ed Harris and William Hurt deliver inspired turns as the villains.
  4. Capote begins as a sprawling, vivacious comedy-drama in which Hoffman's Capote is only one of a number of fascinating characters, including Chris Cooper's upstanding, ramrod-straight lawman and Keener's tough, blunt assistant/sidekick/foil/author.
  5. A romantic comedy with jagged edges, Fatih Akin's exhilarating Head-On paves the road to love through miles of prickly thatch.
  6. The movie winds its way artfully from a straight animal study to something more profound. It's hard to shake the film's astonishing final thoughts and shots, as Bittner nervously contemplates parrot eggs while hawks circle overhead.
  7. Downfall's overstuffed melodrama juggles countless subplots and a small army of characters who manage to make an impression in spite of limited screen time.
  8. Steamboy adds a touch of innocent wonder to the formula through Ray's eyes, resulting in Otomo's most human film to date, but humanity rarely seems to be among Otomo's priorities. His films seem far more concerned with the spectacle he manages like no one else in animation.
  9. Sin City draws on the cumulative history of both mediums, creating a pastiche that would have been technologically impossible even three years ago. Its creators invent a queasily intoxicating new world.
  10. Nimród Antal's terrific feature debut Kontroll takes some time to get up to speed--but once it's fully underway, it develops a heady momentum and a devastating impact.
  11. Its crowd-pleasing, action-packed brand of frenetic parody promises to spread Chow's mythos even further.
  12. Given how well Micheli captures the personality and aspirations of two complicated professionals, it's too bad she never answers the key question: What makes one person a stuntwoman, and another a star?
  13. Handsomely produced and photographed, which alone distinguishes it from the guerrilla standards of its cut-rate peers, Enron succeeds most by simply making a complex situation graspable, a tall order when the perpetrators are masters of grand-scale deception.
  14. 3-Iron gains its hypnotic power by observing these characters through a slight remove. With total command of his effects, Kim transforms an already peculiar romance into something as otherworldly as a ghost story.
  15. Adjusting to Martel's style requires patience, but her indirection pays dividends, culminating in an unforgettable final shot that flies in the face of narrative expectations.
  16. The value of Shake Hands With The Devil is in Dallaire's detailed recollections of what he observed: the anatomy of a mass murder.
  17. It may not have been what the producers had in mind, but they asked for a Paul Schrader movie, and that's exactly what he delivered.
  18. It's important for the film to establish the concentration camp as a hell on earth from the start, but Schlöndorff has more in mind than creating another reminder of the inhumanity of fascism.
  19. In the wonderful new rockumentary The Fearless Freaks, Flaming Lips fans describe the band's live performances in almost spiritual terms, and for once, their fervor seems wholly justified.
  20. Herzog also finds extraordinary beauty in what Dorrington is trying to accomplish: Like Jean-Jacques Rousseau in his boat, Dorrington wants to float around the natural world in a reverie, and when he finally does, he experiences a connection with Plage that's genuinely transcendent.
  21. Plays like an old-fashioned romantic comedy with updated hardware.
  22. Miyazaki's animated adaptation of Jones' book is a charming and thoroughly absorbing treat.
  23. 5x2
    Unlike "Eternal Sunshine Of The Spotless Mind," which holds the memories of a doomed affair as precious, there's nothing bittersweet about Ozon's failed romance, but its problems are equally true.
  24. A quirkily funny, startlingly assured comedy-drama.
  25. Pawlikowski's off-balance compositions and affection for odd close-ups suggest the influence of Wong Kar-Wai, but the film's low-key observational spirit owes as much to Mike Leigh.
  26. The satire is headline-fresh, the action scenes keep pace with summer blockbusters, and no one shoots an evisceration with as much skill.
  27. From the combustible opening-credits sequence, Caan displays a whip-crack sense of timing, pace, and energy that's so rare for a first-time filmmaker that it's tempting to call him a savant.
  28. As tense and taut as any crime saga, but the stakes are more personal.
  29. In light of Apichatpong Weerasethakul's young career, it's fitting that his beguiling, transfixing romantic fable Tropical Malady splits down the middle into two radically different halves.

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