The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. Beanpole is grim, but it’s too superbly crafted, and too alive with human spirit, to be a truly grueling experience.
  2. The Lighthouse is more satisfying when viewed through the prism of its pitch-black humor; it’s fine as a thriller, borderline brilliant as a comedy of cabin fever and competitive machismo.
  3. While the film is kinetic, colorful, and frantically paced, it’s also not quite as outrageous as Miike’s gonzo ‘90s yakuza movies.
  4. Like so much in this deceptively earnest film, the Roman backdrop creates ambiguous terms. One is left to wonder whether Tommaso’s internal chaos is that of an eternal figure in an ancient city, or just another guy trying to keep it together as he makes the turn to the Piazza Dante.
  5. Compared to the morose plots of later Elvis movies, Blue Hawaii is a breezy vacation, and Presley looks appealingly relaxed as every Hawaiian's favorite haole.
  6. Moss also strengthens the notion that this is a monster movie unusually interested in looking past the toxic-male machinations of its famous character and toward the lasting horrors left in his wake. In other words, the stuff that previous movies, and real life, have sometimes tried to turn invisible.
  7. This is what ultimately makes the movie’s climate-change backdrop more poignant than perplexing. By the end of Weathering With You, this has become a story about two people with their whole lives ahead of them, navigating their way through a future where they pine for things we all take for granted. Like, say, the simple pleasure of a sunny day.
    • 56 Metascore
    • 83 Critic Score
    Co-writing with John Whittington, director Jared Stern pulls off a near-impossible feat—creating a film that’s great for kids, entertaining for pretty much any adult taking kids to the theater, and close to perfect for those parents out there who also happen to be massive DC fans.
  8. It's like an early version of Network, and it's just as overwrought, but Kazan enlivens the material with a mise en scène so vigorous that it could make anyone buy into the auteur theory. Kazan varies his shooting style, alternating between portraiture, expressionism, and docu-realism for a look and rhythm that's about 15 years ahead of its time.
  9. Studio Ghibli productions have always been adept at making the fantastic seem real, but with Whisper Of The Heart, Kondo and Miyazaki focus so intensely on the everyday that they make the real seem fantastic.
  10. This is a gentle, warm, well-acted movie, and easy to like.
  11. The film's surface is made up of familiar '60s romantic-comedy elements, from Hepburn's haute wardrobe to the Henry Mancini score to the breezy interaction between the stars. They banter, bicker, and make up with witty repartee. It's what movie love is supposed to look like, which makes it all the more heartbreaking to know that it's destined to sour.
  12. Most vitally, the filmmakers never let the audience lose track of how cool it would be to cruise the bottom of the ocean in an elegantly appointed super-boat. The secret of good escapist fare, as Disney's crew knew, is giving the audience someplace remarkable to escape to.
  13. Joseph H. Lewis’ kinetic, psychosexual B-movie laid many of the creative foundations of the American cinema of the 1970s, though it took a round trip to Europe for the movie to develop a reputation at home.
  14. Filled with shadows both literal and figurative, Night Moves elegantly combines the hard-edged pessimism, crackling banter, and all-consuming darkness of classic noir with the paranoia and bitterness that characterizes so much '70s cinema.
  15. Though clearly an adoring tribute, Love, Antosha allows its subject a sort of complicated humanity that expands our understanding of him, largely by locating a tension between his zealous approach to acting and his increased disinterest in celebrity.
  16. Aquarela is first and foremost a spectacle. When the Apocalyptica music is cranked up high, and the screen’s awash in dazzlingly sharp, hypnotically swirling images of cresting waves, viewers could certainly take a moment to contemplate the importance of water to our global ecosystem. Or they could just drink it in.
  17. It’s refreshing to discover that True History has an actual perspective on the events of Ned’s formative years.
  18. The strength of Jackman’s performance is that he hoodwinks us with his decency.
  19. In short, this is fundamentally a movie of surface pleasures, placing gorgeous actors in an equally stunning location and letting them parry with sharp words and lithe, angular bodies.
  20. While Andersson has continued in his signature style for this coda, erecting pallid beige-and-grey backlot dioramas with a painterly eye for crowded composition, he repurposes the technique toward a newfound elegiac, gentle register.
  21. The Tigers’ rooftop hideout is like something out of Hook, and the film moves along at a brisk, Spielbergian clip; however, the combination of dark themes mixed with whimsical fantasy strikes a tone more similar to Guillermo del Toro’s early work.
  22. Between its dreamy Philip Glass score, vivid location shooting, and strong early performances by future stars Dylan McDermott, Courtney Vance, Steven Weber, and Don Cheadle, Hamburger Hill stands out from the pack as one of the best of the Vietnam movies.
  23. Between the known metatext and Affleck’s bone-deep commitment, this moving central performance largely purges the film of its high potential for the maudlin.
  24. Reggio has a flair for iconography, and whatever external baggage Koyaanisqatsi and Powaqqatsi may carry, they should be admired for their vivid, astonishing illustrations of humanity consuming itself in clouds of its own smoke and debris.
  25. Despite the casual homicide and a premise rich with Reagan-era political undertones, the gleeful satire draws inspiration as much from Bugs Bunny as Luis Buñuel.
  26. Cul-de-sac functions better as an affectionate goof on Waiting For Godot, enhanced by an unforgettable setting that naturally severs the trio from contact with the outside world.
  27. It walks a fascinating line between morbid humor and outright horror, and it consistently defies expectations by resetting them at every possible step.
  28. Refreshingly, Gilligan doesn’t try to run away from his TV-writing instincts: Each proceeding stage in Jesse’s high-stakes predicament plays out like its own distinct episode, a further blurring of the lines between media that might’ve been distracting in a bygone era, but is right at home on Netflix.
  29. Just don’t mistake the lightness of step for a softness of philosophy. There’s a political dimension to all of Reichardt’s films, which almost invariably follow characters muscled to the margins of society.

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