Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 67 Metascore
    • 60 Critic Score
    On occasion, Ludacris fumbles the ball... but he can certainly mix it with the big boys. [Jan 2002, p.104]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Yet, for all the dumbing down, they have much going for them. [May 2007, p.122]
    • Q Magazine
    • 67 Metascore
    • 40 Critic Score
    Rock this clinical just isn't exciting. [Nov 2012, p.103]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    [Heaven's Ladder, performed by Beck is] so good, though, that it makes the rest of this complicated exercise seem like a waste of time. [Oct 2014, p.108]
    • Q Magazine
    • 67 Metascore
    • 40 Critic Score
    Pleasantly pointless. [Aug 2006, p.116]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Solidly enjoyable though Uno! is, they might have been wiser to mix things up fro the start. [Oct 2012, p.92]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Full marks for originality, then, but it's definitely something you have to be in the mood for. [Mar 2015, p.116]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The Ghost Of The Mountain is the sound of a band trying to settle on a style. [Sep 2013, p.105]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    It's unswervingly catchy stuff. [Aug 2010, p.116]
    • Q Magazine
    • 67 Metascore
    • 40 Critic Score
    Tasteful and muted, it's one for the connoisseur, not the casual fan. [Jun 2011, p.120]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    Snow Patrol are on their way to becoming essential. [May 2006, p.120]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Ambitious, yes, inventive, sometimes, but waiting for those rare moments of clarity is like trying to catch a cloud in a colander. [Nov 208, p.118]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Their chart-friendly clothes fit them well. [Oct 2007, p.98]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    Stronger on revved-up dancehall than coffee-table soul, it's on the collaborations they really come into their own. [Feb 2011, p.125]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    While these songs feel debulked, The Coral still can't square-peg their music to fit in neatly. [Aug 2018, p.117]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    It's all very melancholy and mysterious, as you'd imagine, but the production has a pleasingly seductive, 12st-century sheen. [Dec 2013, p.103]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Okereke's voice, at times feels a bit too up close and personal. [Dec 2014, p.111]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Both the Reid brothers' nice and nasty sides are represented. [May 2007, p.128]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The harmonies never reach the heights of say, Toro Y Moi--though Night In The Ocean's fusion of hip-hop thud and buzzing shoegaze guitars shows a welcome willingness to try. [Mar 2012, p.113]
    • Q Magazine
    • 67 Metascore
    • 40 Critic Score
    119
    Trash Talk's speed punk is the musical equivalent of the third can of Red Bull: a great idea at the time, but may well produce a headache after. [Dec 2012, p.113]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Fink runs the folk gamut from A and B quite beautifully. [Aug 2014, p.106]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    While they are likely to appease their devotees with this solid, if unadventurous record, it seems that Death Cab For Cutie will continue preaching to the converted. [Apr 2015, p.110]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    eXquire has charisma to burn and the beats are engagingly woozy. But the contrast between eight-minute epic Nothing's What It Seems: Short Film and the sex raps of FCK Boy! and I Love Hoes show that some things never change. [Sep 2019, p.115]
    • Q Magazine
    • 67 Metascore
    • 40 Critic Score
    What might have been a solid, politically-tinged LP is let down by poodle-yelped vocals. [Jun 2014, p.104]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The sound of a man finding freedom, it's an impressive reincarnation. [Mar 2016, p.112]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Once again, then, it's a case of could do better. [Apr 2008, p.115]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    In other words, the man's a ham, but a terrific one. [Aug 2009, p.109]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Hemingway's Whiskey is very much par for the course. [Dec 2010, p.114]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Fans of No Age and Best Coast will recognize the formula here - but what the band lack in originality they compensate for in energetic spark. [May 2012, p.93]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    For the most part Hot Cakes leaves you with the sense that The Darkness' reinvigoration will delight those longing for rock to rediscover the fun button. [Sep 2012, p.106]
    • Q Magazine