Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
  1. An interesting choice for a Valentine's Day outing, He Loves Me is a weird, bubbly cocktail -- effervescent charm and troubling pathology, shaken together.
  2. Parental units who manage to remain conscious through the kiddie-centric proceedings can either savor, or groan at, Malkovich's bespectacled Octavius barking punny, celebrity name-dropping orders to his minions.
  3. A handsome-looking movie that's full of the muted greens, browns and grays of the tony Hamptons, director Williams' tale never quite finds its footing.
  4. Unfortunately for Disney, the real obstacle confronting the submarine isn't the giant lobster. It's a foul-smelling ogre, and it's no contest.
    • Philadelphia Inquirer
  5. Beyond turbocharged. It whooshes along at warp speed. And still, despite some awesomely choreographed stunts and the two stars' pedal-to-the-metal appeal, the movie seems endless.
  6. Don't run off before the credits start to roll, though: The Incredible Hulk ends with a jokey cameo by a certain movie star with his own newfound superhero franchise.
  7. What Rock fans will sorely miss in Down to Earth is the earthiness and outrageous hilarity of his stand-up act.
    • Philadelphia Inquirer
  8. As a character study, City by the Sea is engaging. As a police thriller, it's not all there.
  9. Delpy's manic energy shoots through this meet-the-parents comedy like electroshock, resulting in a movie that is as acutely painful as it is acutely funny.
  10. There are many many fine performers here, including the terrific Patricia Clarkson as the elusive Rachel. But Shutter Island is not so much a character study as it is an atmospheric thriller.
  11. It's fun to watch Keaton and Kline together, bickering and (of course) bonding all over again.
  12. Unusually gripping.
    • Philadelphia Inquirer
  13. With the exception of a few stakes and crosses jumping from the screen, some bloody sprays here and there, and one creepy, claustrophobic car ride, the 3-D glasses are a hindrance, not an enhancement.
  14. Modestly entertaining when it is engaged in such a celebration onstage, but it trips up when the action moves backstage, where bad dialogue ... lurks in the shadows.
    • Philadelphia Inquirer
  15. Easily the trippiest and goofiest of the five addled adolescent vampire romances based on the Stephenie Meyer books.
  16. Everything about An Unfinished Life's screenplay is cliched and predictable, but the actors manage to elevate the proceedings above and beyond shameless soap.
  17. An elaborate origins story with more datelines than an issue of Condé Nast Traveler (Oxford! Miami! Argentina! Poland!), X-Men: First Class has some fun trying to explain how Professor X, Magneto, and all those mopey mutants came to be.
  18. Iceland is beautiful. Really, really, really - really - beautiful. That pretty much sums up the new feature film Land Ho! That message is the film's alpha and omega. Its raison d'être. Its soul and its being.
  19. Goes somewhere the first "Hellboy" never ventured: into the Realms of Tedium.
  20. The story, inspired by Bolkovac's experiences in Bosnia and her subsequent book account, is dynamite. Alas, Kondracki's direction fizzles. While she elicits a tense and eloquent performance from Weisz, the first-time filmmaker fails to maintain a consistent tone. Her film samples multiple genres.
  21. Velásquez is a remarkable individual, and her message should not go unheeded.
  22. As a meditation on the vicissitudes of love, on the need for people to connect, and the struggles that come by both making and missing those connections, the movie is wading-pool deep.
  23. Maybe it's the postproduction 3-D enhancements, but in this effects-laden Odyssey for tweens, sometimes humans and beasts seem more wax-and-paint than flesh-and-blood.
  24. As a bratty, punked-up sci-fi romp crammed with pop- cult references (everything from Baywatch to Batman, Stiff Records to The Wizard of Oz), Tank Girl has energy to burn. [31 March 1995, p.3]
    • Philadelphia Inquirer
  25. 5 Flights Up is a sweet film with a few nicely turned lines, some good jokes, and some very lovely dialogue. But it's not much more than fluff and air.
  26. The slapstick weeper The Family Stone is a lump of coal brightened by four diamond-sharp performances.
  27. When it works, which is often, Kitano's movie is an anthropology of the distinctions between Japanese yakuza and American gangsters.
  28. A bizarre counterculture jukebox musical.
  29. Has its effectively nasty, chilling moments -- and it also brings body piercing to new heights of ickiness.
    • Philadelphia Inquirer
  30. Flipping his cigarette lighter and snapping deadpan retorts, Reeves plays the demon-hunting detective with Keanu-esque panache.

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