Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
  1. A girls-just-wanna-have-fun farce.
  2. Despite Scorsese's efforts to pump up some drama - the director, with his signature glasses and Groucho brows, gets huffy about not receiving a set list - drama is sorely lacking. This is just a concert film.
  3. An enjoyably goofy hybrid of extraterrestrial sci-fi and Iron Age action, Outlander boasts a super-serious Jim Caviezel in the title role
  4. It's refreshing to see a film set amid the daily life of an impoverished, rural immigrant community. It's a shame the only aspect of the social world that is explored is the sexual exploits of a few teens.
  5. It leaves behind a nagging feeling, a suggestion there's more to the story than its story.
  6. At a certain point in Dawn of the Planet of the Apes, you expect Caesar to say, "Et tu, Koba?" Maybe a bit obvious, but it would have shown some wit.
  7. The Omen remake is creepily efficient. Unlike one of the newfangled horrorfests, it doesn't drown you in brackish atmosphere and surround-sound you with techno music.
  8. Surely a life sentence goes by quicker.
    • Philadelphia Inquirer
  9. However refreshing it is to see a movie about the secretary rather than the lawyer -- there is a long wait for the light at the end of the Haiku Tunnel.
  10. As for Duff, she's bright-eyed and bubbly, though her singing talents are nowhere near as awesome as Raise Your Voice's who's-going-to-win-the-big-scholarship plotline requires.
  11. If you're looking for quality prepackaged, predigested Hollywood family fun this summer, you could do a lot worse than Despicable Me 2.
  12. For sci-fi action fans, it's an instant classic. For everyone else, it's a dark, bloody mess.
  13. What's maddening about Angel-A is that Besson is so brilliant with his visuals - and so in love with his two leads and the city they're parading around - that you desperately want the story, and the characters, to make some kind of emotional sense. This, however, does not happen.
  14. Law shines like a sunbeam, warming the film with rakish charm and unexpected emotionalism.
  15. There's lots of zero-g action in Ender's Game - even old Han Solo takes a whirl.
  16. Sadly too often (and I'm unsure whether this is the result of voices that echo when bounced off stone walls or because the acting is all over the place), the characters create the impression that English is their second language.
  17. How do you say "tearjerker" in Spanish?
  18. The actresses are appealing, the settings photogenic (Budapest doubles for Monte Carlo), and the clothes ideal for a triple-Cinderella fantasy. It's not art, but it is entertaining.
  19. From its antagonists to its art direction, everything about Johnston's movie has a been-there, seen-that familiarity. Yet Evans' clean-cut idealism and objectives make old-fashioned patriotism look fresh.
  20. Empire, with its double-barreled shoot-outs, its predictable carnage and conflict, and a rush-job of a resolution, is ultimately just one more urban gangland genre flick.
  21. An entertaining rethink of the 1951 classic.
  22. Taylor Hackford directs crisply, unpretentiously. Patti LuPone goes Latina, playing Lopez's soap opera-addicted mom, and Bobby Cannavale is a Palm Beach cop with an eye for Leslie. The action is fast and furious.
  23. Veronica Mars is a great deal more than a bonus episode, but slightly less than a movie.
  24. While Imagine That falls short of its feel-good aim, its feel-nice vibe is a good Father's Day diversion for Dads and their spawn.
  25. There are two questions to ask about a film such as Chloe: Is it erotic? Yes. Is it good? Yes, until it devolves into third-act pretentiousness and preposterousness.
  26. The trouble with Nine Months is not that Grant's monologues sound like an apologia to his real-life paramour. The trouble here is that not even a comic actor of Grant's skill can tickle such tired material to life. [12 July 1995, p.E01]
    • Philadelphia Inquirer
  27. The movie that pretends to celebrate women devolves into the complaint of a wronged man.
    • Philadelphia Inquirer
  28. It also has great momentum, good set pieces, and so much frothy nihilism it’s just plain fun.
  29. Breaking and Entering is smart and smartly done, as it describes these inter-circling worlds - the well-to-do Brits and the newly deposited foreigners, trying to shake off their homeland tragedies and start anew.
  30. The special effects are effective, though not terribly special. While director Minkoff pays homage to past masters of the genre, the past masters were better at this game than he.

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