Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
  1. Quite literally the blockbuster of the year.
  2. Grant's film plays like a two-hour episode of "Friends" intercut with "Seventh Heaven." Those sounds you hear are wisecrack, heartbreak, heartbreak, wisecrack, wisecrack.
  3. The Omen remake is creepily efficient. Unlike one of the newfangled horrorfests, it doesn't drown you in brackish atmosphere and surround-sound you with techno music.
  4. A comedy about friendship, faith and the acting life, Le Grand Role is unabashedly corny and tear-jerking - and still quite likable.
  5. This violently comic caper has some spunky charm going for it -- but has a lot of self-consciously hip, studied wackiness going against it.
    • Philadelphia Inquirer
  6. In Jersey Girl, Kevin Smith wears his heart on his sleeve - and on his pants, socks, boxers and backward-facing baseball cap.
  7. He emerges stinking, and so, alas, does Fathers' Day. [9 May 1997, p.03]
    • Philadelphia Inquirer
  8. It's the emotional equivalent of a big shrug.
  9. Ready-made for Valentine's Day, The Vow is, like the offerings at Cafe Mnemonic, a total sugar overload.
  10. Hot Rod never establishes its own personality.
  11. Don't get me wrong. Angry Birds doesn't depict any on-camera violence against person, bird, or pig. But there's a darkness at the heart of this movie that's hard to reconcile.
  12. The formula in Chain Reaction is familiar, but at least it has been entrusted to a proven technician. [2 Aug 1996, p.03]
    • Philadelphia Inquirer
  13. Forte and company have managed to make crude and lewd dunderheadedness laugh-out-loud funny here and there, and that, I guess, is something of an achievement.
    • 43 Metascore
    • 75 Critic Score
    Heartbreaking and sometimes dazzlingly effective, the film still has flaws -- most of them in a too-often-maudlin script.
  14. With the raunch quotient cranked up several notches, the sequel is calculated, cynical and, worse, not funny.
  15. Whether he's smacking into an iceberg or flopping topless onto a sandy beach, DiCaprio is still maddeningly lightweight.
    • Philadelphia Inquirer
  16. On the plus side are engaging performances by Jason Biggs and Christina Ricci. On the minus side is . . . everything else.
  17. Despite its terrific performances and its great use of locations, Shelter doesn't have enough substance to hold your attention or linger in the mind for long.
  18. Strip away the video-game visual effects, the endless chases and zero gravity shootouts, and Total Recall comes down to this: What is reality?
  19. If this melodrama has that haven't-we-met-before look, it's because it combines elements of "The Caine Mutiny" (Gandolfini's Winter is Queeg-like) with those of "Stalag 17."
  20. It's the kind of film -- like Diane Keaton's "Hanging Up" -- that even as it dissolves narratively, still makes you dissolve emotionally.
  21. There are chases that feel way too long, and dialogue that feels flat. Affleck and Thurman make a handsome duo, but there's no spark between the actors.
  22. Silly, but irresistible.
    • Philadelphia Inquirer
  23. The Wolfman feels like a film reedited and reworked so many times it has lost all narrative rhythm and suspense.
  24. The film has two curious subplots and supporting performances that feel tacked on rather than organically part of it.
  25. This tale of a white mother's kid gone missing in a black New Jersey neighborhood - and the tensions and news media attention that ensue - is pretty much pure jive.
  26. Fortunately for us, they number these Final Destination scarefests. Otherwise, it would be impossible to tell them apart.
  27. Meet Dave isn't great, but it's good enough. And it proves once again that Murphy can do anything - even a PG comedy in which he isn't a donkey.
  28. It's hard to understand what Malevolence is doing in theaters. If ever a movie deserved to go directly to DVD, it's this dreary horror treatment.
  29. As one unfamiliar with the novel, I found it hard to tease out its meaning from this handsomely mounted, well-acted, aggressively elliptical adaptation.

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