Make no mistake: Casuistry isn't easy to watch. Cat lovers might be especially turned off. But Asher had every right to make it, and you have every right to see it.

Drifts awkwardly between popcorn entertainment and angsty mood piece.

Too crude for serious audiences and too serious to be good exploitation, Coming Soon is a teen sex comedy that's predictably getting a token theatrical release prior to its imminent debut on home video.

Manages to be excruciatingly unfunny despite the presence of Pierce Brosnan and Emma Thompson in the lead roles.

Ultimately Unicorn Store shows little appeal beyond, perhaps, a young-adult audience with a very high tolerance for glitter.

Graham is funny and adorable in this endearing little romantic comedy.

A non-thrilling occult thrillersolame and unoriginal that it would be an embarrassment for any director, much less a talent like Roman Polanski.

Goes down as smoothly as a pint of Irish ale.

This poorly done, digitally animated work, directed by Hiroyuki Kitakubo, might be of interest to die-hard fans of anime. Others should pass it by.

Generally rises above the easy clichés you find in most such movies.

Unfortunately, the bulk of the three-hour epic is third-rate schmaltz that pays only lip service to history.

The non-linear plot makes for confusion and, except for the inspired final shootout, the action sequences are mediocre.

A boring and violent French crime thriller, is the sort of routine potboiler that generally goes straight to video in this country, if it's seen at all.

The audience, if any, for Chaos Theory is going to be hit with a little puff of celluloid flatulence. The movie won't linger in the air, but that doesn't make it any less embarrassing.

The characters are so flat and the dialogue so dull you expect it to be one of those movies whose existence is justified by a big final twist. But it's three days after the screening, and still no twist. Maybe it's coming in the mail?

Wind power plus solar power equals hot air in the propaganda piece Carbon Nation, a documentary so disconnected from reality it could have been produced by President Obama's speechwriters.

Sobering and important.

New Moon is supposed to be an exciting love story plus monster action. So where’s the excitement? Where’s the action?

Tarzan does little to adapt to modern times. Perhaps most punishingly of all for Skarsgard’s “True Blood” fans, it fails to ever put our hero in a skimpy loincloth.

Silly enough for you? Did I mention that the immortal Ken Jeong of “The Hangover’’ plays God, who gets mighty pissed when hubby accidentally shoots Jesus out of the sky?

Unless you're already into this stuff, it'll be hard to stay awake through the documentary, which was made on a low budget with technical values that are decidedly amateurish.

As DJ, Columbus Short eases his way through the movie without trying to impress us too much, which is welcome, but he's also a little bland around the edges.

Although Vatel is trying to say something about freedom and gilded cages, it feels more like a behind-the-scenes look at the high-end catering business.

Makes a convincing argument that the decades-old Cuban blockade has outlived its usefulness.

Sappy and corny, but there are a few lovely moments.

Interesting but never compelling.

Netflix has padded its catalog of cinematic background noise some more with Murder Mystery 2, the instantly forgettable sequel to its rancid whodunit comedy starring Jennifer Aniston and Adam Sandler as married crime solvers.

As a comedy, The Brothers Grimsby is weak and scattershot, but it’s useful as an unintended self-indictment of the chattering classes’ disgust and disdain for white working folk.