New York Post's Scores

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For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,335 out of 8345
  2. Mixed: 1,702 out of 8345
  3. Negative: 2,308 out of 8345
8345 movie reviews
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  1. Twelve Thirty
    A wildly misanthropic and overlong black comedy.
  2. Let It Snow
    James' character is a charmless, boring lump and it's very hard to care if he gets the girl or not.
  3. Holly
    A dreary message movie.
  4. Day Zero
    A lukewarm film about what might happen to three New York City friends if the draft were reinstated, proves that even the most controversial of topics can be the basis for the dullest indie films.
  5. Highwater
    A bland look at professional surfing.
  6. Epic
    I had the sensation of sitting through a fourth-grade school play that contained no children of my own: the very definition of a nightmare.
  7. States of Control
    A sluggish and prototypically earnest little indie on the not exactly fresh theme of a woman undergoing a midlife crisis.
  8. The Cockettes
    Indulgent, tedious documentary.
  9. Super
    A spoof of you-know-what that's a lot less funny than it sounds.
  10. The Eagle
    A long slog through ancient muck, so-so sword fights and dumb luck.
  11. The Choral
    What they’ve chopped up is a cacophony of half-baked characters and rushed ideas that leave you puzzled and unsatisfied. A better title would be “The Chore.”
  12. The Girl in the Spider's Web
    A slow trudge devoid of suspense and adrenaline.
  13. Cold Creek Manor
    Richard Jeffries' script tosses together bits of plot borrowed from such "bad things happen when you leave the city" classics as "Straw Dogs" and "Deliverance" without any awareness of how or why genre conventions work.
    • 44 Metascore
    • 38 Critic Score
    3 Ninjas: High Noon at Mega Mountain
    As the fourth entry of a painfully uninspired series, this version features new actors portraying the trio of adolescent warriors. [10 Apr 1998, p.49]
    • New York Post
  15. All My Loved Ones
    "Schindler's List" it ain't, and the whole is rendered occasionally surreal by Janusz Stoklosa's laughably heavy-handed score.
  16. The Loss of a Teardrop Diamond
    Seems almost like a self-parody of Williams' earlier work.
  17. The Prey
    The best compensation for sitting through this silliness is Alice Taglioni as the primary cop.
  18. Cyrano
    The new movie, directed by Joe Wright and written by Dinklage’s wife Erica Schmidt, ranks with the most lifeless adaptations. Even the swishy dances are a downer.
  19. Man in the Chair
    It's a cute idea that a better filmmaker than writer-director Michael Schroeder could have done a lot with.
  20. Bra Boys
    The film is narrated by Russell Crowe, whose star power is probably the only reason it's being released here.
  21. The Crazies
    Even for a horror movie, The Crazies is a bore, and we're talking about the most boring genre this side of dysfunctional-family indie drama.
  22. World Traveler
    Amidst the ennui, there are some fine performances.
  23. Justin Bieber: Never Say Never
    The film slowly builds up to Justin's first appearance at Madison Square Garden, where his show sold out in 22 minutes.
  24. Mark Felt: The Man Who Brought Down the White House
    Given its obvious parallels with modern-day events, it’s a shame Felt’s ensuing story is so wanly told.
  25. The Break-Up
    There are precious few laughs in this poorly written and directed "unromantic comedy" - the sort of dire date movie you'd take somebody to if you wanted it to be a LAST date.
  26. Wildflowers
    Androgynous Clea DuVall's performance shines through a foggily told, vaguely acted coming-of-age tale.
  27. Zoo
    A bizarre quasi-documentary that more or less tries to rationalize bestiality as a harmless quirk.
  28. Battle: Los Angeles
    This silly extraterrestrial-invasion epic somehow manages the feat of making the destruction of La La Land seem tedious.
  29. Stella Days
    Sheen's throwback portrayal is appealing enough, but flat characters, dull revelations and uninvolving complications make this deliberately small film feel nearly microscopic.
  30. Here Comes the Boom
    Low on raunch but even lower on laughs. It also looks like half the lighting crew failed to show up.
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