New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. A rousing, politically correct, Muslim-sympathetic, $140 million take on the Crusades.
  2. Eleonore Faucher, first-time director (and co-writer) of the French charmer Sequins, is well aware of Neymark's allure and sees to it that the young woman is seldom out of the frame.
  3. Sarah Silverman: Jesus is Magic works best when this equal-opportunity offender is on the stage.
  4. Sweetly appealing fable.
  5. Scathing indictment of the tabloid media! Film at 11! That's how Crónicas sees itself, but all I could see was a scathing indictment of writer-director Sebastian Cordero's ability to put together a credible story.
  6. The film is a loopy, family-friendly jaunt, with a perfect "Wizard of Oz" finale that isn't in the book, but like the book, it suffers from a chronic plot malfunction.
  7. Slight and unremarkable.
  8. The movie sneers at the journalists covering the trial, but for those of us who followed it at the time, the newspaper accounts were a lot more engrossing than this film.
  9. The Other Son is played with warmth and conviction by its cast. But it's also a little pat and toothless, set in an Israel where not even the notorious border crossings seem that difficult.
  10. Covers three years in the Public Defender's office with a fast-paced, tabloid gusto.
  11. The film - dimly lit and with an ominous soundtrack that verges on overkill - is largely a showcase for the heavy-lidded Renner.
  12. While it is interesting to witness the conflict from the Palestinian side, Longley's film lacks balance (there's nothing from the Israeli perspective) and fails to put the struggle into meaningful historical context.
  13. The film is worth watching if only for Kim, who before this had never seen a movie, let alone acted in one.
  14. It's easy to spot a failed tearjerker, though: All the characters are sobbing all over each other while the people in the audience check their watches.
  15. Out of the Furnace is much longer on style and belligerence than actual substance.
  16. The duo’s journey is gripping, but long stretches elsewhere in the film drag and it feels much longer than two hours.
  17. Not as aca-mazing as “Pitch Perfect” (which made my 10-best list for 2012), the follow-up should have been cut by 10 or 15 minutes. First-time director Elizabeth Banks (who returns as a snarky announcer) doesn’t have the zippy comic timing of the first film’s helmer, Jason Moore.
  18. What was once a sophisticated, edgy, witty, sexy drama series has become “The Love Boat” Season 10. Though these wax figures’ love is even less exciting and neeeeew than that old show.
  19. Whether you're looking for a love story with a little gore or a horror movie with a little romance, Zombie Honeymoon will suit your taste.
  20. While the film is best for fans of the cloth, non-Catholics, too, will gain insight into one of the most prominent leaders in the world.
  21. It’s got something for everybody — toplessness, threesomes, dildos, ball gags, S&M and, of course, art-world satire.
  22. The film is soft and sticky, but it deserves a (small) audience. If you're in that peculiar kind of blue mood where you'd like to be just a bit bluer, Dear Frankie might be the right choice.
  23. Albou's chosen a touchy subject, which she treats sensitively. Her mature script is complemented by heartfelt turns by Fanny Valette as Laura and Elsa Zylberstein as Mathilde.
  24. The biographical bits soon feel like a distraction from the music, performed by Gavilán. It’s heard often, but not often enough. Judging by the movie, Parra’s songs are fiery and haunting, sometimes sensuous, sometimes bleak. When Parra sings, the movie becomes worthwhile.
  25. Has two especially memorable sequences: the eye-popping Mass Games and a visit by a group of schoolgirls to incredibly beautiful Mount Paekdu, which is revered by Koreans on both sides of the DMZ.
  26. Based on the graphic novel “The Coldest City,” this film keeps its comic-book aesthetic front and center.
  27. If you're thinking of taking the kids to Bear Cub because the title sounds like something they'd enjoy -- don't!
  28. A sappy look at the title character, a 12-year-old boy who's a math and music prodigy.
  29. The atmosphere is convincing - there is an "Eight Mile" desperation to Raya's plight - but nothing makes sense.
  30. The last topic is the hook for audience members not related to Gregory or Kleine, but just as insight appears, back we go to Kleine's tediously selfreferential narration.

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