For 3,962 reviews, this publication has graded:
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47% higher than the average critic
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2% same as the average critic
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51% lower than the average critic
On average, this publication grades 0.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 64
| Highest review score: | Hell or High Water | |
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| Lowest review score: | Daddy's Home 2 |
Score distribution:
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Positive: 2,221 out of 3962
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Mixed: 1,378 out of 3962
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Negative: 363 out of 3962
3962
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Edelstein
This is the rare “profile” documentary that is also a transcendent work of art. It raises questions we’ll be trying to answer for as long as there is art.- New York Magazine (Vulture)
- Posted Jun 11, 2015
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Alison Willmore
A generous film that’s ragged at the edges but manages bursts of the sublime.- New York Magazine (Vulture)
- Posted May 10, 2024
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Reviewed by
David Edelstein
The actors are in a nice place--poking fun at themselves without spilling into travesty. Fogged by self-absorption, Coogan makes you like him most when he's most dislikable; he has a fool's vulnerability.- New York Magazine (Vulture)
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Bilge Ebiri
The true revelation lies in the whole, in the gathering sense that life is full of change and that nothing ever really resolves itself. That might also be why this particular anthology works so well, and also why it lingers afterwards.- New York Magazine (Vulture)
- Posted Jan 31, 2025
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Bilge Ebiri
Sion Sono’s Prisoners of the Ghostland throws so much extreme weirdness and violence at us that we might overlook the fact that there’s method to its madness: Beneath the craziness and cacophony lies a tender, tragic tale of emotional paralysis and a civilization eating away at itself.- New York Magazine (Vulture)
- Posted Sep 29, 2021
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David Edelstein
I have zero doubts about the first half of A Star Is Born — it couldn’t be more charming.- New York Magazine (Vulture)
- Posted Sep 12, 2018
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Emily Yoshida
For the most part, Mu’min’s script is pleasantly inquisitive, and its refusal to arrive at easy answers is its engine. Jinn is a special little film, one that never lets its complicated, contradictory characters become abstractions, but instead revels in all the disparate elements that make them who they are.- New York Magazine (Vulture)
- Posted Nov 15, 2018
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Alison Willmore
Seriousness does eventually descend on Afire like the check at the end of a meal, but until then the film, the latest feature from German filmmaker Christian Petzold, is a beguilingly funny affair about getting in your own way.- New York Magazine (Vulture)
- Posted Jul 14, 2023
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Alison Willmore
A fascinating movie for kids, but it’s an improbably effective and tear-jerking one for adults as well.- New York Magazine (Vulture)
- Posted May 8, 2026
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David Edelstein
The Dardennes' most accessible film. Their handheld camera catches tiny flickers of emotion that few filmmakers come near; you feel as if you're watching the movements of a soul.- New York Magazine (Vulture)
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David Edelstein
A meticulous, thoroughly engrossing lesson in how not to win friends (or wars) and influence people (or potential terrorists).- New York Magazine (Vulture)
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Alison Willmore
Washington manages the near-impossible feat of delivering his lines as though he’s putting the words together in the moment, speaking some of the most famous sentences in the English language as though they’re actually being dredged up out of Macbeth’s roiling consciousness.- New York Magazine (Vulture)
- Posted Sep 29, 2021
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- New York Magazine (Vulture)
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Reviewed by
Bilge Ebiri
Dope isn’t perfect — it’s got a couple too many endings, and it loses the romantic subplot for a distressingly long time. But it moves with amazing energy, the dialogue and soundtrack and imagery a constant stream of pop-culture references, in-jokes, and digressions.- New York Magazine (Vulture)
- Posted Jan 28, 2015
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Alison Willmore
The fact that his fumbling journey toward fatherhood is not just tolerable but genuinely touching is a testament to the disarming earnestness with which Firstman approaches the clichéd set-up.- New York Magazine (Vulture)
- Posted May 16, 2026
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- New York Magazine (Vulture)
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Reviewed by
Peter Rainer
The mystery of the artistic process is left mysterious -- as it should be.- New York Magazine (Vulture)
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David Edelstein
The hotel scenes go on a tad long, but what holds us is that we’re right in the room as history is being made — with the guy, the actual guy, soon to be notorious all over the world.- New York Magazine (Vulture)
- Posted Oct 21, 2014
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David Edelstein
The Afghan boys’ kite-flying contests are the emotional core of the film, and Forster and his crew bring the camera into the sky and make it dip and soar along with the kites. It’s a thrilling spectacle, although it’s also tinged with a peculiarly emasculating aggression.- New York Magazine (Vulture)
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- New York Magazine (Vulture)
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David Edelstein
The whole movie is a trick, reversing our expectations at nearly every turn and casting actors in roles that they were not exactly born to play, but do so with relish.- New York Magazine (Vulture)
- Posted Aug 17, 2017
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Bilge Ebiri
The film Segan has made is very much its own thing. It’s a twilight fable of a city that’s changing, whose spirit remains distinct and grand and full of mystery, much like the remarkable actor at its center.- New York Magazine (Vulture)
- Posted Feb 23, 2026
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David Edelstein
It’s the equal of "No End in Sight" in its tight focus on the nuts and bolts of incompetence, and it surpasses any recent melodrama in the empathy it evokes for both its victims and--surprisingly--victimizers.- New York Magazine (Vulture)
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David Edelstein
Anton Chekhov's The Duel is convincingly-yes--Chekhovian.- New York Magazine (Vulture)
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David Edelstein
Crosses the blood-brain barrier like … like … whatever the drug is, I haven't tried it, thank God. The movie eats into your mind - slowly.- New York Magazine (Vulture)
- Posted May 21, 2012
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Bilge Ebiri
It's also breathtaking to watch a throwaway studio sequel break its corporate chains before your very eyes and become something thrilling and dangerous and alive.- New York Magazine (Vulture)
- Posted Jul 18, 2014
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David Edelstein
The final film adaptation of Suzanne Collins’s dystopian Hunger Games YA novels, Mockingjay — Part 2, is a potent antiwar saga: bleak, savage, and very modern in the depiction of an unholy union between political manipulation and showbiz.- New York Magazine (Vulture)
- Posted Nov 20, 2015
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Bilge Ebiri
By the time Bugonia is over, with a series of beautiful and haunting images that seem to come out of nowhere, we understand that beneath its bemused dispassion lies a deep longing for connection.- New York Magazine (Vulture)
- Posted Aug 28, 2025
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David Edelstein
Most teen movies are cocktails of melancholy and elation. This one is best at its most un-transcendent —when it most evokes that period when we never knew what we were supposed to do with the pain.- New York Magazine (Vulture)
- Posted Jul 22, 2013
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David Edelstein
Downbeat as it is, Half Nelson is a genuinely inspirational film--a terrifically compelling character study and a tricky exploration of the links (and busted links) between the personal and the political.- New York Magazine (Vulture)
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