New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. This two-bit echo of "The Accidental Tourist" is a preachy pill that wastes the genial, funny Jeff Daniels and the criminally underused Lauren Graham.
  2. One of the sharpest satires in years.
  3. Spacey is the film's primary draw, but the cast is uniformly solid -- a crucial asset when the screenplay and direction are not.
  4. A romantic comedy that feels like real life.
  5. Unfortunately, Färberböck never gives us reason enough to sit through such unremitting punishment. Though the story is based in truth, an emotionally removed Hoss feels more like a symbol than an actual person, while her detached narration keeps us at further remove.
  6. Challenging and thoughtful, but is also, like its characters, a prisoner of its own anger.
  7. As ineffectual police work and broken feet stack up, the silliness gets out of hand.
  8. While Montias' actors do their best, even good intentions have limits. Still, it never feels false. And remember, even Martin Scorsese (born in Queens) had to start somewhere.
  9. As for the ever-impressive supporting cast, neither a delightfully befuddled Jim Broadbent nor a wild-eyed Helena Bonham Carter can upstage Alan Rickman, who again proves invaluable as the slithery Prof. Snape.
  10. A small but important film about small but important lives, the latest drama from Shane Meadows further confirms that more people should know about this gifted director.
  11. This unfunny, unoriginal, charmless teen comedy is so stunningly awful from start to finish, it's amazing to think its director has made a single film before, much less a dozen.
  12. Packed with filthy jokes, insane sight gags, and body parts used in decidedly uncommon ways, Brüno is hands-down the dirtiest R-rated movie you'll see this year.
  13. Flashbacks show samurai shenanigans, but it's all cluttered and rambling. Watch "True Blood," "Let the Right One In" or "Twilight" instead. Or wait for "Thirst" or "New Moon" or "Daybreakers" or ...
  14. One of the best indie films of the year, Humpday is a lighter descendant of "sex lies and videotape," yet burrows just as deep into the male psyche and the human capacity for self-deceit.
  15. Anyone awed by 1996's "When We Were Kings" - and really, that should be anyone who's seen it - will consider this vivid companion piece essential viewing.
  16. There's far more to this groundbreaker who built an empire in the face of formidable challenges. So why would you miss it? Go already.
  17. Unfortunately, Vardalos has no one else to blame for a shockingly amateurish effort that goes from bad (her oddly insincere performance) to worse (consistently sloppy camera work) to make-it-stop (it would be an insult to television to call the script sitcomish).
  18. If "Up" is the animated equivalent of an ice cream sundae, Ice Age: Dawn of the Dinosaurs is the Popsicle: Neither as rich nor as memorable, but more than welcome on a long, hot summer day.
  19. You see the spark of 'this is cool!,' but you don't sense a purpose. The underconceived Public Enemies suffers from that lack of drive, though Johnny Depp is so urgent and charismatic as John Dillinger, he provides enough firepower to make the film legit.
  20. Patric and Baldwin react to all the morbidity with restraint, and Vassilieva keeps her bald head high. But they won't be able to help this barefaced vulgarity earn any terms of endearment.
    • 95 Metascore
    • 100 Critic Score
    What you'll remember most will be Renner's remarkably complex commander. By the time we finally figure him out, it's become clear we've witnessed a star-making performance, in a movie that deserves to stand as one of the defining films of the decade.
  21. Fascinating and, when you see Afghan versions of Simon Cowell and Co. reacting to tryouts, a reminder of how fame and the thirst for it is the same in any language.
  22. The movie’s shallow amusements do make for an ideal guilty pleasure, especially since the actors seem to be having so much fun. Bates, marching around like an overstuffed pigeon, is a reliable scene-stealer, while the two leads make an entirely convincing couple.
  23. As with so many message movies, this one trades ­nuance for naked outrage. The filmmakers'heartfelt intent is admirable, but right now they’re competing with a more compellingly told reality.
  24. The performances are dreadful, the direction shoddy and the final twist so idiotic, your mind can’t help but drift toward all the better scripts just waiting, sadly and silently, for the chance wasted here.
  25. Hey, Michael: It's the robots, stupid. Despite all the mechanical mayhem, none of the Transformers stand out.
  26. During all of the film’s oh-so-long 97 minutes, Year One, barely earns a snicker.
  27. It's impossible to guess why Bullock was ever attracted to this insulting role, and the eternally confident Reynolds is miscast as a young, bullied underling.
  28. This often haunting stop-motion Claymation movie ultimately suffers from what bedevils many live-action movies culled from short stories: a herky-jerky plot.
  29. This Norwegian zombie flick is perfect for those who just want a few good jolts and whole lot of gore.

Top Trailers