New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Has a mature tapestry of characters, a welcome sense of humor and, most crucially, a lovely Juliette Binoche.
  2. All the actresses, especially Theron, are appropriately haunted, but let's hope Arriaga's love of echoes, fate and coincidence has run its mopey course.
  3. The film, unfortunately, hasn't the depth Malkovich brings to his performance.
  4. There is never a shortage of options if you're looking for an intimate foreign drama about family bonds. But the eloquent insights of director Claire Denis stand alone.
  5. There's nothing exceptional about Jane Campion's historical biography, but it's a sufficiently lovely tale to suit romantics with a taste for intimate period dramas.
  6. None of it makes any sense, but it is just nutty enough to provide a few (entirely unintended) laughs.
  7. The efforts of Beavan's clan are so extreme that they spark some interest, but their environmental commitment feels a bit too self-serving to have the impact that's clearly desired.
  8. Perry also spices things up with two of his most reliable fallbacks: music, and Madea. Having packed his cast with singers, he allows them all a moment to shine, with songs that deliver his patented lessons (trust in yourself, trust in others, trust in God).
  9. A movie needs to announce if it's playing games. Pulling the rug out from under a viewer is fine for whodunnits and psychological thrillers and the usual suspects. But a supposedly grown-up drama like The Other Man ought to have scruples about where it plans to take you.
  10. 9
    Shane Acker's underwritten but beautifully animated debut is both an ode to technology and a warning against it. Perhaps unintentionally, the film itself echoes those themes.
  11. Corporate inhumanity Berlinger ferociously exposes.
  12. This slickly packaged bit of Disneyana would probably work best as an attraction at Epcot.
  13. What the movie needs more than anything else is a fast-forward button.
  14. The entire cast, in fact, seems to be having fun, with Affleck and Koechner cheerfully stealing each one of their scenes. And the jokes come often enough to leave us consistently amused and occasionally delighted.
  15. Since Bullock coproduced this masochistic venture, it seems she buys into the idea that fluffer-nut ditziness is what she does best. Except it isn't.
  16. Faour and Muallen give solid performances, but there are a few too many by-the-numbers moments.
  17. Just like the movies it parodies, this one feels over long before it's actually done.
  18. The central metaphor of dance, though, is forced, a standard-issue cliché about dancing away problems.
  19. Throughout, Davidson's intentions are honest but become lost in a haze of overly familiar story beats.
  20. The movie's lack of Michael Moore-style dynamism has a dulling effect. What saves it is the human face it puts on the crisis, and its indictment of corporate greed.
  21. Overly familiar but endearing nonetheless, this coming-of-age indie from Alexis Dos Santos is most likely to appeal to those who recognize themselves in the story's lost heroes.
  22. If you like your gore hardcore, you'll want to head straight for "Halloween II." But if you're happy to ease around a slightly smaller track, look no further.
  23. A documentary with too much dead time between the arduous tasks at hand, never grabs a viewer because -- sad to say -- it's too dull.
  24. The movie gets repetitive, and when it calls an audible and goes somewhere unexpected, it pulls back quickly. Too bad.
  25. When it's all over, we still don't know who Wintour really is.
  26. A snapshot of several New York eras that coincide with the Internet's growing pains, We Live in Public focuses on entrepreneur, party-thrower and dot.com bubble participant Josh Harris.
  27. Anyone with a fondness for the midcentury cartoons and films that inspired this scrappy comedy will appreciate the latest trip to the titular British boarding school.
  28. If you love Viagra jokes, look no further. Otherwise, stay home and find yourself a "Golden Girls" marathon.
  29. Despite the limitations inherent in the genre, it actually delivers.
  30. Something of a traffic jam--even with his usual restraint, Lee couldn't recount a key moment of the '60s without a blurry parade of personalities--and also lullingly dull.

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