For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Neumaier
Has a mature tapestry of characters, a welcome sense of humor and, most crucially, a lovely Juliette Binoche.- New York Daily News
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Joe Neumaier
All the actresses, especially Theron, are appropriately haunted, but let's hope Arriaga's love of echoes, fate and coincidence has run its mopey course.- New York Daily News
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Joe Neumaier
The film, unfortunately, hasn't the depth Malkovich brings to his performance.- New York Daily News
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Elizabeth Weitzman
There is never a shortage of options if you're looking for an intimate foreign drama about family bonds. But the eloquent insights of director Claire Denis stand alone.- New York Daily News
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Elizabeth Weitzman
There's nothing exceptional about Jane Campion's historical biography, but it's a sufficiently lovely tale to suit romantics with a taste for intimate period dramas.- New York Daily News
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Elizabeth Weitzman
None of it makes any sense, but it is just nutty enough to provide a few (entirely unintended) laughs.- New York Daily News
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Elizabeth Weitzman
The efforts of Beavan's clan are so extreme that they spark some interest, but their environmental commitment feels a bit too self-serving to have the impact that's clearly desired.- New York Daily News
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Elizabeth Weitzman
Perry also spices things up with two of his most reliable fallbacks: music, and Madea. Having packed his cast with singers, he allows them all a moment to shine, with songs that deliver his patented lessons (trust in yourself, trust in others, trust in God).- New York Daily News
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Joe Neumaier
A movie needs to announce if it's playing games. Pulling the rug out from under a viewer is fine for whodunnits and psychological thrillers and the usual suspects. But a supposedly grown-up drama like The Other Man ought to have scruples about where it plans to take you.- New York Daily News
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Elizabeth Weitzman
Shane Acker's underwritten but beautifully animated debut is both an ode to technology and a warning against it. Perhaps unintentionally, the film itself echoes those themes.- New York Daily News
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- New York Daily News
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Elizabeth Weitzman
This slickly packaged bit of Disneyana would probably work best as an attraction at Epcot.- New York Daily News
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Joe Neumaier
What the movie needs more than anything else is a fast-forward button.- New York Daily News
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Elizabeth Weitzman
The entire cast, in fact, seems to be having fun, with Affleck and Koechner cheerfully stealing each one of their scenes. And the jokes come often enough to leave us consistently amused and occasionally delighted.- New York Daily News
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Joe Neumaier
Since Bullock coproduced this masochistic venture, it seems she buys into the idea that fluffer-nut ditziness is what she does best. Except it isn't.- New York Daily News
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Joe Neumaier
Faour and Muallen give solid performances, but there are a few too many by-the-numbers moments.- New York Daily News
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Elizabeth Weitzman
Just like the movies it parodies, this one feels over long before it's actually done.- New York Daily News
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Joe Neumaier
The central metaphor of dance, though, is forced, a standard-issue cliché about dancing away problems.- New York Daily News
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Reviewed by
Joe Neumaier
Throughout, Davidson's intentions are honest but become lost in a haze of overly familiar story beats.- New York Daily News
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Joe Neumaier
The movie's lack of Michael Moore-style dynamism has a dulling effect. What saves it is the human face it puts on the crisis, and its indictment of corporate greed.- New York Daily News
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Elizabeth Weitzman
Overly familiar but endearing nonetheless, this coming-of-age indie from Alexis Dos Santos is most likely to appeal to those who recognize themselves in the story's lost heroes.- New York Daily News
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Elizabeth Weitzman
If you like your gore hardcore, you'll want to head straight for "Halloween II." But if you're happy to ease around a slightly smaller track, look no further.- New York Daily News
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Joe Neumaier
A documentary with too much dead time between the arduous tasks at hand, never grabs a viewer because -- sad to say -- it's too dull.- New York Daily News
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Joe Neumaier
The movie gets repetitive, and when it calls an audible and goes somewhere unexpected, it pulls back quickly. Too bad.- New York Daily News
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Elizabeth Weitzman
When it's all over, we still don't know who Wintour really is.- New York Daily News
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Joe Neumaier
A snapshot of several New York eras that coincide with the Internet's growing pains, We Live in Public focuses on entrepreneur, party-thrower and dot.com bubble participant Josh Harris.- New York Daily News
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Elizabeth Weitzman
Anyone with a fondness for the midcentury cartoons and films that inspired this scrappy comedy will appreciate the latest trip to the titular British boarding school.- New York Daily News
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Elizabeth Weitzman
If you love Viagra jokes, look no further. Otherwise, stay home and find yourself a "Golden Girls" marathon.- New York Daily News
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Joe Neumaier
Despite the limitations inherent in the genre, it actually delivers.- New York Daily News
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Reviewed by
Joe Neumaier
Something of a traffic jam--even with his usual restraint, Lee couldn't recount a key moment of the '60s without a blurry parade of personalities--and also lullingly dull.- New York Daily News
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