New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Beyond the cliches, there's something deeply offensive about the way Hostage exploits our empathy for children in peril.
  2. Visually, Robots is fun and imaginative. The wow factor is enhanced in the IMAX version, also opening today.
  3. In making such an appealing movie about characters who are usually swept under the Hollywood rug, Binder does us all a service.
  4. This is a family movie in the best sense; it plays to children without talking down and to their parents without pandering. Mostly, it's just good fun.
  5. Would be better if it weren't so preachy.
  6. You can't have as many twists and turns in a story as dot the i without testing the audience's patience, and losing it before delivering the punch line.
  7. Perhaps the most evocative movie of the new year, Campbell Scott's Off the Map, moves at the pace of a Southwestern sunset and ends before you're quite ready to let it go.
  8. The author is not to blame. Published in 1999, "Be Cool" is hipper, cooler and better than "Get Shorty," but everything hipper, cooler and better about it is either missing from the film or camped-up beyond recognition.
  9. Adrien Brody is cornering the market on roles where he's hunted, haunted and under-nourished.
  10. An abysmal comedy that should have been strangled in its crib.
  11. It is a sweet, wonderfully acted cameo of a movie about the lengths to which a lioness will go to protect her cub.
  12. Good acting and dull dialogue.
  13. Provides an intimate, nonpoliticized, uncensored and totally unappealing look at the lives of U.S. soldiers serving during a grim and uncertain period of insurgency.
  14. As stripped down as its title, this gentle Argentinian road movie makes much out of very little.
  15. The film nearly drowns in earnest morality.
  16. After all the observations on heartache, politics, art, commerce, passion, identity, mortality, even mental health, six hours begin to seem downright compact.
  17. It's hard to tell who is more Cursed - the pretty young people who turn into werewolves on screen or the people who buy tickets for this slow, witless, predictable horror flick.
  18. An absolute mess with no coherent tone, story or point of view.
  19. [A] straight-to-video-quality mess.
  20. Bernstein blunts the inherent tension by zipping everything along at the pace of a snail with a sore foot. Still, Montenegro does wonders in her long silences, and makes her love scene with the eager 72-year-old Cortez look like a hookup at Club Med.
  21. The screenplay is chock-full of political and social observation tarnished by uneven ­acting and editing. The clumsy humor doesn't translate well.
  22. Thanks to director Wayne Wang ("The Joy Luck Club"), there are also artistic touches that keep this movie from sticking to the roof of the mouth the way peanut butter does to Opal's pet.
  23. For all its spiritual angst, Constantine is about as silly as fantasies get.
  24. What the filmmakers missed in assuming the mask from the earlier film is that it was Carrey's astonishing physical comedy that made that film a hit, not the animation.
  25. South Korean director Kim Ki-duk does a bizarre riff on the twisted macho ethos of abusing women until they learn to love you.
  26. It's strictly amateur hour.
  27. The very thought of humanizing Hitler makes me queasy. If he had a good side, I don't want to know about it.
  28. It's interesting in the same way the early, rejection episodes of "American Idol" are oddly compelling. But, of course, you can watch those for free.
  29. Krause is very nearly too passive. Deadpan is one thing, an empty vessel is another.
  30. There's no refuge in this uncomfortably realistic movie, and that is its strength.

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