New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Most of the film is way too goofy for all but the most thumbstruck Hitchhiker.
  2. Critics are inclined to describe the action in films like "XXX" and Lee Tamahori's sequel, XXX: State of the Union, as "cartoon violence." I'll resist doing that out of respect for cartoons.
  3. There is a vengeance motif that is worked out in a way that is both emotionally satisfying and completely unbelievable.
  4. Though it happens two-thirds into the movie, when Lili is abandoned by the others in Greece without either luggage or money, Le Besco's vulnerability draws us into her predicament.
  5. There are some funny moments and amusing cameos, but it's not enough to elevate this project's slapdash approach.
  6. Bujalski celebrates the awkwardness of twentysomething life, allowing Dollenmayer to create a beautifully authentic portrait.
  7. Alche has an amazingly expressive face and becomes such a magnetic presence that you'll feel a distinct need to rescue her.
  8. Ultimately, Dance is unable to connect the many threads of his rather flimsy script, leading to an abrupt and somewhat unsatisfying conclusion. But the journey is worth taking, thanks to the company of its stars.
  9. There's plenty of passion beneath this movie's unadorned surface.
  10. Though the film is as long as the escape route, Richter's brisk direction keeps us riveted through the suspenseful finish of his vivid history lesson.
  11. An intelligent, old-fashioned nail-biter.
  12. In A Lot Like Love, there is no doubt - nor suspense, nor depth.
  13. Dumber than the worst UPN sitcom.
  14. Amanda Micheli's candid documentary introduces us to two of these real-life daredevils, and it is a genuine pleasure.
  15. Is a movie worthwhile if it makes you sick? Absolutely, in the case of Enron: The Smartest Guys in the Room.
  16. There isn't a scene, an action or a character that rings true, yet the narrative summary of the events that inspired it is a matter of record.
  17. Manages to tackle some serious issues without sacrificing its inherently sweet nature.
  18. Mildly pleasant movie.
  19. Will thrill those who prefer their violence graphic and their comedy surreal.
  20. Why remake a horror film if you can't make it scarier?
  21. Sappy and improbable.
  22. The faux-documentary format does nothing for the material, but Kaye turns in a chaotic and ultimately moving performance.
  23. Zingaretti does a fine job shading a character that is written as an unalloyed saint.
  24. The result is a highly amusing folly, rendered with a surprisingly gentle affection.
  25. Hartley's satire of consumer-driven sexuality is undermined by the straight-faced decision to cast affectless model Tatiana Abracos as the heroine.
  26. This is extremely dark and politically loaded material.
  27. Given that its predecessor hit bottom in the glorification of thug thrills, State Property 2 had nowhere to go but up. Yet, it doesn't.
  28. Eisner is not remotely up to the challenge. Spending millions on action scenes does not mean you get them right.
  29. Relationship comedy like this is mother's milk to Drew Barrymore, who, as usual, is adorable and perfect.
  30. The overly broad martial-arts comedy Kung Fu Hustle was obviously made with skill and affection for its many cinematic sources, yet I found the tone, timing and emotional involvement off by just enough to irritate rather than enchant.

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