New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
    • 81 Metascore
    • 90 Critic Score
    Taking Michael Lewis’ seminal book about the meltdown as source material, director Adam McKay channels his own anger into something rarely even attempted by Hollywood, let alone pulled off: a comedy about a tragedy.
  1. Comparisons to the classic 1979 Oscar winner "Kramer vs. Kramer" are inevitable. But Gifted stands on its own because it feels more like reality than a Hollywood take on family crisis.
  2. Steinfeld is brilliantly able to weave together a character who's both typical and yet surprising in her multidimensional emotions that Nadine slowly works through. She's not a cookie-cutter character.
  3. The dialogue follows the quaint Welsh dialect of the book and the picture is as faithful a transcription of novel to screen as it is possible for a scenarist and director to achieve. The screen play, by Philip Dunne, retains all the honest vigor and tender charm of the book.
  4. Amid all the high-speed action, this “Baby” is also spiked with humor. In large part that's thanks to Spacey and Foxx, as well as Jon Hamm, who makes the bank robber Buddy, one of his better movie roles. Having such strong actors also brings a gravitas to the story.
  5. We get it, and DC finally should, too: Superhero movies can be fun. And Wonder Woman is a movie that'd send even the Suicide Squad home smiling.
  6. Experimental in form, it's also open and appealing in its vision of romantic redemption, an avant-garde romp that's also a great date movie. [8 Mar 1996, p.40]
    • New York Daily News
  7. One of the most emotionally devastating movies of the decade.
  8. The direction is excellent and Freed is to be congratulated on the production as a whole, as the story is presented in an original and enticing manner.
  9. Out of Africa is still an absolute knockout. It provides such an enchanting glimpse of the paradise that Dinesen tragically lost that audiences will completely understand her other grand passion for Africa itself.
  10. It’s not just “Impossible,” it’s irresistible.
  11. In the final analysis, the best thing one can say for Lee is that he takes risks, like all true artists. For unlike most of today's film makers, he's not afraid to really challenge a movie audience to do some serious thinking.
  12. A fascinating whirl of politics and palace intrigue.
  13. Even those who've long noted Polley's intelligence on screen will be amazed by the perception she displays as a filmmaker.
  14. Polanski’s direction is smooth and the film itself happily understated. The tension created is practically unbearable.
  15. Working from his own original screenplay, Crowe builds a story line full of unexpected twists and digressions.
  16. A caustic, funny, low-budget treat, shot on digital video.
  17. Clever, compelling, funny and unpredictable, and it has a lollapa-looza of an ending.
    • New York Daily News
  18. As wide-ranging, and yet as sharply focused, as Mikal Gilmore's book.
  19. Yet another film from Iran that has the leisurely pace, sly humor and incontrovertible wisdom of a Sufi parable.
  20. While it won't rival the Harry Potter movies as a cultural milestone, the luminous, irresistible Stardust is no less industrious at scavenging myths and legends and making something altogether new from the familiar pickings.
  21. Delirious in its excess, but never less than ferociously intelligent and operatically emotional, Underground represents one of those rare, exhilarating moments when an outsize artistic vision is fueled by an apparently unlimited budget. Not to be missed.
  22. This extraordinary film refracts truth through the prism of memory, until what you get is a tragedy of Shakespearean dimensions, full of sacrifice and betrayal.
  23. The story itself is a smooth little gem.
  24. The pleasure of Ever After is that it never takes itself seriously. [31Jul1998, Pg. 47]
    • New York Daily News
  25. Ale's community is like a band of pirates - collegial, bickering, larcenous and supportive - and his life within it is both heartening and heartbreaking.
  26. Straightforward and immensely powerful, the movie offers a blunt assessment of the war from soldiers currently fighting it, and their perspective is not pretty.
  27. Sensational...as authentic as news footage, and far more intimate.
  28. A simple story that resonates deeply, largely thanks to the actors' ability to invest it with inner life.
  29. Shrek 2 delivers more fun than there is slime in a green ogre's swamp. Much of that is thanks to Antonio ­Banderas, who runs away with Shrek 2 on little cat feet.

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